Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21533). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p146 RIGHT — 46 lignes

page vol_II_p146 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 PÄŢĦĄVIMARŚĄ page_header
via surya_layout
2 275 page_number
via heuristic_pagenum
3 as the graha, amśa and nyāsa. main
via surya_layout
4 101. Ibid.corroborates this as - 'ripavarjitā' (182 d). list_item
via surya_layout
5 102. P.t. adds (सैन्धवी ?) which is redundant. list_item
via surya_layout
6 103. Kalā (appendix) on SR II, p.140 treats it as a <i>bhāṣā</i> and also as list_item
via surya_layout
7 vibhāṣā on p. 141. S Rāj II.2.1.1076 gives an antarabhāṣā named kaliṅgajā list_item
via surya_layout
8 bearing almost the same description as Kālindī. list_item
via surya_layout
9 या भित्रपड्जे कालिङ्गी याष्ट्रिकेन पुरोदिता । main
via surya_layout
10 104. cf. annotation_inline
parent ligne 9
via heuristic_short
11 सैव भाषाङ्गममला परिणाममुपेयुपी ॥ main
via surya_layout
12 S Rāj II.2.106. main
via surya_layout
13 105. Reconstruction based on Kalā (appendix) on SR II, p. 140, list_item
via surya_layout
14 reading 'sāntā dhāmśā'. list_item
via surya_layout
15 106. Reconstruction based on ibid-reading - ‘sadhyoḥ samayoryuktā’. list_item
via surya_layout
16 107. The prose sentence of p.t. has been reconstructed by us as two feet list_item
via surya_layout
17 of the metre anustup in view of similar concluding statements in this chapter list_item
via surya_layout
18 of our text. list_item
via surya_layout
19 108. Reconstruction based on S Raj II.2.11.662f reading list_item
via surya_layout
20 'ṣadjapañcamabhūyasī'. SR II.2.122 d reads 'bahulamadhyamā'. BhaKo p. 743 list_item
via surya_layout
21 cites Bhattamādhava, reading 'alpamadhyamā'. list_item
via surya_layout
22 सौवीरे याष्ट्रिकेनोक्ता सौवीरी यात्र भाषिका । main
via surya_layout
23 109. cf. annotation_inline
parent ligne 22
via heuristic_short
24 सैव भाषाङ्गमित्युक्ता भाषामर्मविदां वरै: ॥ main
via surya_layout
25 S Rāj II.2.3.121. main
via surya_layout
26 110. Kalā (appendix ) on SR II, p. 132 reads-‘sagrahāntā, madhyamāinsā,’ list_item
via surya_layout
27 describing şadjaas the graha and concluding note (nyāsa) and madhyama as the list_item
via surya_layout
28 amśa, thus corroborating our text. list_item
via surya_layout
29 111. cf. ibid which reads 'sa-pa-sangatā' describing a 'sangati' (concert) list_item
via surya_layout
30 between 'sa-pa'. S Rāj. II.2.1.661 c reads-'sangatyāmapayoryuktā', describing list_item
via surya_layout
31 a 'sangati' (concert) between ma-pa. list_item
via surya_layout
32 112. The text seems to break here. The lost portion could thus be seen list_item
via surya_layout
33 in other texts so far as the description (lakṣaṇa) is concerned; the illustrative list_item
via surya_layout
34 notation is not found in them. list_item
via surya_layout
35 रिमयो: समयोर्युक्तगमका सकलस्वरा । list_item
via surya_layout
36 (i) list_item
via surya_layout
37 Kalā (appendix) on SR II, p. 132. main
via surya_layout
38 पड्जधैवतसंवादा गान्धारपंभसङ्गता । main
via surya_layout
39 (ii) annotation_inline
parent ligne 38
via heuristic_short
40 S. Rāj II. 2.1.657 cf. main
via surya_layout
41 निषादांशग्रहा पद्जन्यासाल्पर्पभनिस्वना । main
via surya_layout
42 113. cf. annotation_inline
parent ligne 41
via heuristic_short
43 बहमध्यमगान्यारा सौवीरकसमुद्भवा ॥ main
via surya_layout
44 भाषा गान्धारिका नाम पूर्णा स्यात् करुणे रसे ॥ main
via surya_layout
45 Ibid. 659. annotation_inline
parent ligne 44
via heuristic_short
46 114. Rṣabha is totally absent in this illustration and hence the same main
via surya_layout

vol_II_p072 RIGHT — 31 lignes

page vol_II_p072 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 127 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 in yuddha-vīra 92 (rasa). Vīra and the like is the rasa. The mūrchanā beginning main
via surya_layout
4 with ṣaḍjaobtains. Ārohin is the varṇa. Prasannāntais the alaṅkāra. The kalā main
via surya_layout
5 is formed in the dakṣiṇa(mārga), the kalā obtains in the vārtika(mārga) and main
via surya_layout
6 the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
via surya_layout
7 comprised of svara and pada. main
via surya_layout
8 [The assignment of grāma to sādhāraņa rāgas] section_header
via surya_layout
9 Now, the assignment of grāma to sādhāraņa (rāgas) is being shown. main
via surya_layout
10 Bhammāṇapañcama should be known to be born of madhyamagrāma and main
via surya_layout
11 so are gāndhārapañcama, narta and ṣaḍjakaiśika. main
via surya_layout
12 (342) annotation_inline
parent ligne 11
via heuristic_short
13 The rāgas rūpasādhārita, śaka, kakubha, revagupta and pañcamaṣāḍava main
via surya_layout
14 should be known to be (related to ) the one known as sadja. The seven main
via surya_layout
15 (nine?) sādhāraņa (rāgas) have (thus) been said to be based on the two main
via surya_layout
16 grämas. annotation_inline
parent ligne 15
via heuristic_short
17 (343) main
via surya_layout
18 [The basis of the specification of murchanā in respect of grāma-rāgas] section_header
via surya_layout
19 [Anu. 213] editorial_bracket
parent ligne 18
via heuristic_brackets
20 (Contention) How is the specification of particular mūrchanās in respect main
via surya_layout
21 of grāma-rāgas known? It is being answered. The specification of mūrchanās main
via surya_layout
22 is known from the statements of authorities. Similarly has said Kasyapa - main
via surya_layout
23 "The mūrchanā should be specified by the wise after knowing the main
via surya_layout
24 predominance of amsa in a jāti."94 main
via surya_layout
25 [The difference between gita and raga] section_header
via surya_layout
26 [Anu. 214] editorial_bracket
parent ligne 25
via heuristic_brackets
27 (Contention) What is the difference between gita and raga? It is being main
via surya_layout
28 answered. The gita characterised with ten lakṣaṇas should be named after main
via surya_layout
29 the word rāga. Gīta is comprised of four angas (components).95 It is five- main
via surya_layout
30 fold in combination with dhruva96 From where is this known? From the main
via surya_layout
31 statements of authorities. Similarly has said Kasyapa - main
via surya_layout

vol_II_p121 LEFT — 28 lignes

page vol_II_p121 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 224 page_number
via heuristic_pagenum
4 क्षत्रियाणां कुलं चैव रसो रौद्र: प्रकीर्तित: । main
via surya_layout
5 यत्रानलगणाः पञ्च षष्ठो वायुगणस्तथा ॥ main
via surya_layout
6 एला हंसावती हन्त सा स्मृता गीतपारगै: ॥४३०॥ main
via surya_layout
7 [३. नन्दावती] section_header
via surya_layout
8 लघुभिर्गमकैर्युक्ता रागे मालवकैशिके । main
via surya_layout
9 एला नन्दावती नाम प्रतितालेन गीयते ॥४३१॥ main
via surya_layout
10 इन्द्राणी देवता, वृत्ति: सात्त्वती तत्र कीर्तिता । main
via surya_layout
11 गौडीया कथ्यते रीति:, पीतो वर्ण: स्मृतो बुधै: ॥ ४३२॥ main
via surya_layout
12 रसो वीर: समाख्यातो, वैश्यानां कुलसम्भवा। main
via surya_layout
13 व्य: annotation_inline
parent ligne 12
via heuristic_height
14 नादावत्यामिव सर्वं कर्तव्यं रागपूर्वकम् ॥४३३॥ main
via surya_layout
15 (न?ना) annotation_inline
parent ligne 14
via heuristic_height
16 यत्राम्बरगणाः पञ्च मार्तण्डगणसंयुताः । main
via surya_layout
17 मार्ताण्ड॰ annotation_inline
parent ligne 16
via heuristic_markers
18 एला नन्दावती सा तु विज्ञेया गीतवेदिभि: ॥४३४॥ main
via surya_layout
19 [४. भद्रावती] section_header
via surya_layout
20 एकैकपदसंयुक्ता मूर्छनाध्वनिसङ्कुला । main
via surya_layout
21 कङ्कालतालसम्बन्धा ककुभेन प्रगीयते ॥४३५॥ main
via surya_layout
22 एला भद्रावती नाम शूद्रजातिसमुद्भवा । main
via surya_layout
23 कृष्णवर्णा च विज्ञेया वैदर्भीरीतिशोभिता ॥४३६॥ main
via surya_layout
24 भारतीवृत्तियुक्ता च बीभत्सरसभूषिता । main
via surya_layout
25 वाराहीदेवतोपेता कथिता गीतकोविदै: ॥४३७॥ main
via surya_layout
26 यत्र भूमिगणाः पञ्च षष्ठो जलगणस्तथा । main
via surya_layout
27 भद्रावतीति विख्याता सा स्मृता मुनिपुङ्गवै: ॥४३८॥ main
via surya_layout
28 पुटपुङ्गवै: (?) annotation_inline
parent ligne 27
via heuristic_height

vol_I_p089 RIGHT — 48 lignes

page vol_I_p089 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 161 page_number
via heuristic_pagenum
2 VIMARŚA page_header
via surya_layout
3 commenting on NS XXVIII, 1. He says there that even if an untrained person main
via surya_layout
4 'hits' a mūrchita (tuned) vīṇā, the sound produced will be musical (in tune) main
via surya_layout
5 i.e. svara will be attained. Since the tuning has to take effect only in one of the main
via surya_layout
6 mūrchanās, the name mūrchanā for tuning is justified. Kālidāsa (Megha. 84) has main
via surya_layout
7 used the word murchana in the same sense when he says for the Yakşi that again main
via surya_layout
8 and again she forgets the mūrchanā made by herself. main
via surya_layout
9 30. This prescription of establishing the two viņās in sadjagrāma immediately main
via surya_layout
10 after the mention of murchana appears to be rather queer, but the apparent main
via surya_layout
11 repetition could be justified if the mention of 'mūrchanā' is taken to refer to main
via surya_layout
12 equality in tuning, pure and simple and the later mention of sadjagrāma is main
via surya_layout
13 accepted as the specification of tuning. The construction of the sentence main
via surya_layout
14 implying that equal tuning is to be done first and then the viņās have to be main
via surya_layout
15 established in sadjagrāma which itself is a tuning, will have to be ignored as the main
via surya_layout
16 initial reference to tuning is a part of the general prescription about perfect main
via surya_layout
17 equality between the two viņās and the second reference relates to special main
via surya_layout
18 tuning. annotation_inline
parent ligne 17
via heuristic_height
19 31,32. The qualification of śruti as şadjagrāmiki and madhyamagrāmiki could main
via surya_layout
20 be interpreted in two ways, viz.- main
via surya_layout
21 (a) 'Sruti' could be taken here as standing for sound in general; accordingly, main
via surya_layout
22 the total tuning of each grāma could be referred to as śruti in singular number. main
via surya_layout
23 (b) The interval of sruti perceived through apakarşa (lowering) of pañcama main
via surya_layout
24 is madhyamagrāmikī śruti and the same interval being perceived through the main
via surya_layout
25 utkarșa (augmentation) of pañcama is called șadjagrāmiki. It is to be noted that main
via surya_layout
26 the utkarşa of pañcama is not actual but only 'resultant' because it comes into main
via surya_layout
27 . annotation_inline
parent ligne 26
via heuristic_height
28 being when all the other svaras are lowered in accordance with the lowering of main
via surya_layout
29 pañcama so that the samvada of şadja-pañcama that was disturbed on account of main
via surya_layout
30 the lowering of pañcama is restored. main
via surya_layout
31 33. In the mention of the restoration of sadjagrāma, the process i.e. the main
via surya_layout
32 'utkarşa' (augmentation) of pancama is implicit. In NS (XXVIII, p. 20) it is main
via surya_layout
33 made explicit by the expression pañcamasyotkarşa-vasat i.e. by reason of the main
via surya_layout
34 augmentation of pañcama. annotation_inline
parent ligne 33
via heuristic_height
35 34. The idea is that all the svaras on the mobile (cala) viņā are lowered by main
via surya_layout
36 one śruti, but this process does not prove the interval of any svaras in terms of main
via surya_layout
37 śruti since there is no svara in this system, that manifests on consecutive śrutis; main
via surya_layout
38 the gap or interval of one śruti is indispensable. main
via surya_layout
39 35. The word 'tadvat' has raised a big controversy among modern scholars. list_item
via surya_layout
40 It has been generally interpreted to mean "in the same manner" literally, giving list_item
via surya_layout
41 the sense that the second step of this process of demonstration of śrutis has to list_item
via surya_layout
42 begin again with the lowering of pañcama. Three opinions are notable in this list_item
via surya_layout
43 context. list_item
via surya_layout
44 (i) V.N. Bhatkhande (cf. Hindustani Sangita Paddhati, Hindi translation, list_item
via surya_layout
45 Vol. IV, p. 37). He has inferred that since all the four steps start with the list_item
via surya_layout
46 lowering of pañcama, the value (in pitch) of all the four lowerings is identical list_item
via surya_layout
47 and hence all śrutis are identical according to Bharata. list_item
via surya_layout
48 (ii) Omkarnath Thakur (cf. Praņava-Bhāratī, p. 61-86) has accepted that all main
via surya_layout

vol_II_p095 RIGHT — 27 lignes

page vol_II_p095 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 173 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Illustration-[Dhādhā] Sāsāsādhānisārisā dhānidhādhādhāririsāsāsāriridhā editorial_bracket
parent ligne 5
via heuristic_brackets
4 dhādhā-risādhānisāsārisā risādhanīdhā [sa]. Pulindī [ix] editorial_bracket
parent ligne 5
via heuristic_brackets
5 These are the bhāṣās based on bhinnaṣaḍja, described by Yāṣṭika. main
via surya_layout
6 (118) annotation_inline
parent ligne 5
via heuristic_height
7 7. After this the bhāṣās in sauvīraka section_header
via surya_layout
8 Combined with sadja as the initial and concluding note, being complete main
via surya_layout
9 in svaras, this is a beautiful <math>m\bar{u}labh\bar{a}</math>ṣ<math>\bar{a}</math>. Şadja-pa<math>\bar{u}</math>cama a main
via surya_layout
10 is concert between şadja-dhaivata and similarly ṛṣabha-dhaivata. This is main
via surya_layout
11 sauvīrī having a divine form and said to subsist in sauvīraka (rāga). main
via surya_layout
12 <math>(119-120)</math> annotation_inline
parent ligne 11
via heuristic_height
13 Illustration - Sāgāsāsā sādhānīdhāpāpāpārīpā dhāmāgamamapāpāmādhā main
via surya_layout
14 sādhāsā -sānidhānigārimāmāgārisā sādhānidhāsāsā. Sauvīrī [i] editorial_bracket
parent ligne 13
via heuristic_brackets
15 Having madhyama as amśa and şadja as the concluding note, being main
via surya_layout
16 complete and brilliant <math>^{56}</math> with <math>madhyama</math>, this <math>bh\bar{a}</math>, <math>\bar{a}</math> main
via surya_layout
17 knowledgeable ones in music to be vegamadhyamā. Madhyama-pañcama are main
via surya_layout
18 seen to be speedy. annotation_inline
parent ligne 17
via heuristic_height
19 (121) annotation_inline
parent ligne 17
via heuristic_height
20 Illustration- [Māmā]pāmāmāmadhāpāpāpamāmānidhāsāsānimasānisā- editorial_bracket
parent ligne 17
via heuristic_brackets
21 sāgāsānipāpādhāninisāsā. main
via surya_layout
22 sānisāsārigārisāsāsā main
via surya_layout
23 nidhānipāpānini annotation_inline
parent ligne 22
via heuristic_height
24 ·Vegamadhyamā[ii] editorial_bracket
parent ligne 22
via heuristic_brackets
25 Sādhāritā should be known to be that which has şadja as aniśa and main
via surya_layout
26 madhyamaas nyāsa. annotation_inline
parent ligne 25
via heuristic_height
27 (122) annotation_inline
parent ligne 25
via heuristic_height
180 lignes a valider — change uniquement les roles incorrects.