Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21550). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p047 LEFT — 32 lignes

L#	Texte OCR	Role auto
1	1	page_number via heuristic_pagenum
2	[ तृतीयोऽध्याय: ]	section_header via surya_layout
3	[ रागलक्षणम् ]	section_header via surya_layout
4	[मङ्गलाचरणम् ]	section_header via surya_layout
5	भं ज्योतिस्तद्रतो हंसस्तस्मात् तं भरतं विदु:।	main via surya_layout
6	तद्भवं भरतज्ञानं तद्भवा भारती शुभा ॥ २६०॥	main via surya_layout
7	(वं)	annotation_inline parent ligne 6 via heuristic_height
8	[रागलक्षणम्, रागशब्दव्युत्पत्तिश्च]	section_header via surya_layout
9	[नारद उवाच ?]	section_header via surya_layout
10	किमुच्यते रागशब्देन किं वा रागस्य लक्षणम् ।	main via surya_layout
11	व्युत्पत्तिलक्षणं तस्य यथावद् वक्तुमर्हसि ॥२६१॥	main via surya_layout
12	मतङ्ग उवाच -	annotation_inline parent ligne 11 via heuristic_short
13	रागमार्गस्य यद्रूपं यन्नोक्तं भरतादिभि:।	main via surya_layout
14	निरूप्यते तदस्माभिर्लक्ष्यलक्षणसंयुतम् ॥२६२॥	main via surya_layout
15	तत्रादौ -	annotation_inline parent ligne 14 via heuristic_short
16	१स्वरवर्णविशेषेण ध्वनिभेदेन वा पुन:।	main via surya_layout
17	<sup>२</sup>。विशिप्टेन	main via surya_layout
18	रज्यते येन रसिच्चत्तं स रागः सम्मतः सताम् ॥२६३॥	main via surya_layout
19	यः कश्चित्	annotation_inline parent ligne 18 via heuristic_height
20	अथवा -	main via surya_layout
21	योऽसौ ध्वनिविशेषस्तु स्वरवर्णविभूषित:।	main via surya_layout
22	•	annotation_inline parent ligne 21 via heuristic_height
23	<sup>४</sup>विशेपित:	annotation_inline parent ligne 21 via heuristic_height
24	रञ्जको जनचित्तानां स च राग उदाहृत: ॥२६४॥	main via surya_layout
25	>	annotation_inline parent ligne 24 via heuristic_height
26	<sup>५</sup>स रागः कथितो बुधैः	main via surya_layout
27	सामान्यं च ६विशेषं च लक्षणं द्विविधं मतम् ।	main via surya_layout
28	<sup>७</sup>विशेषध	annotation_inline parent ligne 27 via heuristic_height
29	८द्विविधं लक्षणं	main via surya_layout
30	चतुर्विधं तु सामान्यं 'विशेषञ्चांशकादिकम् ॥२६५॥	main via surya_layout
31	१०च	annotation_inline parent ligne 30 via heuristic_height
32	विशेषश्चांश	annotation_inline parent ligne 30 via heuristic_height

vol_I_p024 LEFT — 28 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDEŚ</b>I	page_header via surya_layout
2	30	page_number via heuristic_pagenum
3	तथा चाह कोहलः —	main via surya_layout
4	<b>"जातिभाषादिसंयोगादनन्तः कीर्तितः स्वरः।</b>	main via surya_layout
5	<b>॰पदैर्युक्तस्त्वलमिति कृतौ योज्यो रसेष्वपि</b>"।। इति।	annotation_inline parent ligne 4 via heuristic_markers
6	。स्ता。	annotation_inline parent ligne 4 via heuristic_height
7	ना	annotation_inline parent ligne 4 via heuristic_height
8	नित्योऽविनाशी। व्यापकः सर्वगतः।	main via surya_layout
9	तथा चाह कोहलः —	annotation_inline parent ligne 8 via heuristic_short
10	"ऊर्ध्वनाडीप्रयत्नेन सर्वीभत्तिनिघट्टनात्।	main via surya_layout
11	मुर्छितो ध्वनिरामुर्ध्नः स्वरोऽसौ व्यापकः परः"।।	main via surya_layout
12	[ अनु. १७ ]	editorial_bracket parent ligne 11 via heuristic_brackets
13	ननु षड्जादीनां कथं स्वरत्वम् ? व्यञ्जनत्वात्। यदि व्यञ्जनानां	main via surya_layout
14	स्वरत्वमभिधीयते, तदानीं कादीनामेवास्तु स्वरत्वम्।	main via surya_layout
15	अत्रोच्यते — असाधारणत्वात् षड्जादीनामेव स्वरत्वं न कादीनामिति।	main via surya_layout
16	ननु षड्जादीनामसाधारणत्वं कथम् ? आप्तोपदेशात् षड्जादीनामसाधारणत्वम्।	main via surya_layout
17	तथा चाह कोहले महेश्वरः-	main via surya_layout
18	｡लः	annotation_inline parent ligne 17 via heuristic_height
19	"षड्जं वदति मयूर ऋषभं चातको वदेत्।	main via surya_layout
20	अजा वदित गान्धारं क्रौञ्चो वदित मध्यमम्।।	main via surya_layout
21	्नित	annotation_inline parent ligne 20 via heuristic_height
22	पुष्पसाधारणे काले कोकिलः पञ्चमं वदेत्।	main via surya_layout
23	प्रावृद्काले तु सम्प्राप्ते धैवतं दर्दुरो वदेत्।।	main via surya_layout
24	सर्वदा च तथा देवि। निषादं वदते गजः॥"	main via surya_layout
25	यद्वा ऊर्ध्वध्वनिगामित्वेन षड्जादीनामेवासाधारणत्वमिति, अथवा	main via surya_layout
26	₄व	annotation_inline parent ligne 25 via heuristic_height
27	षड्जादयः स्वरा न भवन्ति, आकारादय एव स्वराः। षड्जादयस्तु	main via surya_layout
28	तेषामाकारादीनामुच्चारणार्थमिति।	main via surya_layout

vol_I_p020 RIGHT — 33 lignes

L#	Texte OCR	Role auto
1	23	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	(Anu. 12)	annotation_inline parent ligne 4 via heuristic_height
4	(Objection) But the twenty-two-fold nature of śrutis does not also stand reason	main via surya_layout
5	(or is not amenable), because of the non-perception of srutis and the parts of	main via surya_layout
6	śruli.	annotation_inline parent ligne 5 via heuristic_height
7	It has been said—	annotation_inline parent ligne 5 via heuristic_height
8	"How can the perception or apprehension of this (śruti) take place? The	main via surya_layout
9	nabhas (ether, space) cannot become disturbed (vyākulita) in the beginning	main via surya_layout
10	(before svara); śruti has imperceptible parts and hence it does not appear as	main via surya_layout
11	being composed of parts.	annotation_inline parent ligne 10 via heuristic_height
12	(Objection continued)	annotation_inline parent ligne 10 via heuristic_height
13	"(If it be accepted that) they do exist, then how many are they in relation to	main via surya_layout
14	mātṛkās 59 (subtle bases)? If they are twenty-two, what is their process by krama	main via surya_layout
15	(straight order) and utkrama (reverse order)?	main via surya_layout
16	"If the infinity or singularity of śrutis becomes unavoidable, (then) there	main via surya_layout
17	would be a doubtless state of those mātṛkās. Mātṛkās themselves are not there,	main via surya_layout
18	how (why) should there be their vikalpana (assumption, imagination)?	main via surya_layout
19	"The wise say that the existence (sattā) of dharmas (attributes) <math>^{60}</math> is there	main via surya_layout
20	when the dharmin (the one to whom the attributes belong) is there. When the	main via surya_layout
21	dharmins are not there, the dharmas are (also) not there, so say the wise. The	main via surya_layout
22	sattva (existence) and asattva (non-existence) of gunas and dosas are there	main via surya_layout
23	when (the same occur in respect of) gunins (those to whom the gunas belong).	main via surya_layout
24	"If the respective śrutis become the cause (of svaras) without themselves	main via surya_layout
25	having a cause, then their origin (or) cause should not be sought.	main via surya_layout
26	"Moreover, if in spite of there being equal tangibility (of śruti and mātṛkā)	main via surya_layout
27	through pramāņa (means of valid perception), mātṛkās are concealed (denied),	main via surya_layout
28	then it would be very difficult also to save śrutis (i.e. śruti will also have to be	main via surya_layout
29	denied)."	annotation_inline parent ligne 28 via heuristic_height
30	Now is being said (in answer)—	annotation_inline parent ligne 28 via heuristic_height
31	Srutis that are the cause of the manifestation of svara are grasped by	main via surya_layout
32	arthāpatti (negative inference) anumāna (inference) or pratyakṣa-jñāna 61	main via surya_layout
33	(perception) (43)	annotation_inline parent ligne 32 via heuristic_height

vol_I_p094 RIGHT — 45 lignes

L#	Texte OCR	Role auto
1	VIMARŚA	annotation_inline parent ligne 3 via heuristic_height
2	171	page_number via heuristic_pagenum
3	musical training, even today the ākāra sound is given primary importance. (cf. DAI,	main via surya_layout
4	p. 46)	main via surya_layout
5	21, 22. This contention does not seem to fit in the context. The acceptance	list_item via surya_layout
6	of vowels beginning with ākāra out of the fourteen svaras (vowels) of language	list_item via surya_layout
7	does not carry further the argument that vowels and musical tones cannot be	list_item via surya_layout
8	equated. The number of vowels in language is twenty-one according to Pa Si	list_item via surya_layout
9	(4), sixteen according to Ag Pur XCI, 12, 16 and fourteen according to NŚ Kā	list_item via surya_layout
10	Mā XIV, 8 as well as according to some Tantra texts (cf. Mahāmāyācāmaratantra	list_item via surya_layout
11	quoted in Tantra-mahāvijāāna in Hindi by Sri Ram Sharma I, p. 58). Our	list_item via surya_layout
12	author has accepted the last number viz. fourteen. The solfa-syllables viz., sa ri	list_item via surya_layout
13	ga ma pa dha ni combine only two vowels viz. a and i with the respective	list_item via surya_layout
14	consonants. Perhaps the author is hinting at the acceptance of these two vowels	list_item via surya_layout
15	out of fourteen viz. a, ā, i, i, u, ū, r, rī, lr, lrī, e, ai o, au.	list_item via surya_layout
16	23. The gradual ascent of seven svaras in pitch seems to be implied.	list_item via surya_layout
17	24. There seems to be a break in the text; this sentence seems to be the	list_item via surya_layout
18	concluding remark of the whole discussion on the question of equating vowels	list_item via surya_layout
19	of language with musical tones both of which bear the same name viz. svara.	list_item via surya_layout
20	25. In grammar paribhāṣā is the adjective of those sūtras (rules) that teach	list_item via surya_layout
21	the proper interpretation or application of other rules or resolve the apparent	list_item via surya_layout
22	contradictions among other rules. This word also stands, in general, for	list_item via surya_layout
23	abbreviations or signs used in any discipline; the latter meaning is relevant here	list_item via surya_layout
24	as sa ri ga ma pa dha ni are abbreviations of şadja, rşabha, gāndhāra,	list_item via surya_layout
25	madhyama, pañcama, dhaivata, nisāda respectively. Since BrD is the first extant .	list_item via surya_layout
26	work that uses solfa-syllables, the above discussion has a historical context.	list_item via surya_layout
27	26-33. The samvādin, anuvādin and vivādin svaras represent the relationship	list_item via surya_layout
28	of samvāda (roughly consonance), anuvāda (assonance) and vivāda	list_item via surya_layout
29	(dissonance) among svaras. A relationship pre-supposes two entities, rather two	list_item via surya_layout
30	ends in this case. The first one of these is the vādin or point of reference and	list_item via surya_layout
31	the second one is samvādin or anuvādin or vivādin according to the interval	list_item via surya_layout
32	concerned. This phenomenon of threefold relationships is associated with	list_item via surya_layout
33	pleasantness, indifference and unpleasantness which has been depicted here	list_item via surya_layout
34	with dual imagery viz. that of a logical discussion and governance. In an	list_item via surya_layout
35	assembly involved in logical discussion one person makes a postulation; the	list_item via surya_layout
36	vādin svara, playing the role of fundamental tone or tonic is like the person	list_item via surya_layout
37	who initiates a discussion. The samvadin is like a person who actively supports	list_item via surya_layout
38	the initial postulation. The anuvadin is like the person who passively supports	list_item via surya_layout
39	the postulation and the vivadin is like the one who opposes the postulation.	list_item via surya_layout
40	This imagery is inherent in the set of four musical terms that are under	list_item via surya_layout
41	reference here and have been handed down by tradition. The second imagery	list_item via surya_layout
42	of monarchial governance is an imposed one and occurs in our text for the first	list_item via surya_layout
43	time in extant texts. It has been mentioned in almost all later texts.	list_item via surya_layout
44	34. Here raga seems to stand for melodic configuration or melody-matrix,	list_item via surya_layout
45	rather than the delightfulness of musical sound in general.	list_item via surya_layout

vol_I_p050 LEFT — 39 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	82	page_number via heuristic_pagenum
3	तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषैः	main via surya_layout
4	कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव।	main via surya_layout
5	चतुर्विधा मया प्रोक्ता मूर्छनाः सप्तस्वरात्मिकाः।	main via surya_layout
6	द्वादशस्वरमूर्छनाः	annotation_inline parent ligne 5 via heuristic_short
7	इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छनाः ॥११७॥	main via surya_layout
8	90H	annotation_inline parent ligne 7 via heuristic_height
9	<sup>91</sup>ुनाम्	main via surya_layout
10	[ अनु॰ ६१ ]	section_header via surya_layout
11	तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्,	main via surya_layout
12	मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना	main via surya_layout
13	द्रष्टव्याः	annotation_inline parent ligne 12 via heuristic_short
14	प्रयोगकाले। तथा चाह कोहलः --	main via surya_layout
15	"योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः।	main via surya_layout
16	संस्थाप्य मूर्छना जातिरागभाषादिसिद्धये" ।।१२	main via surya_layout
17	ुना	annotation_inline parent ligne 16 via heuristic_height
18	नान्दकश्वरणाप्युक्तम्-	main via surya_layout
19	“द्वादशस्वरसम्पन्ना ज्ञातव्या मूर्छना बुधैः।	main via surya_layout
20	जातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।"	main via surya_layout
21	[ अनु₀ ६२ ]	section_header via surya_layout
22	यद्यप्याचार्यैः अप्तस्वरमूर्छनाः प्रतिपादिताः, स्थानत्रितयप्राप्त्यर्थं	main via surya_layout
23	ुदा	annotation_inline parent ligne 22 via heuristic_short
24	द्वादशस्वरैरेव मूर्छनाः प्रयुक्ताः। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो	main via surya_layout
25	सा	annotation_inline parent ligne 24 via heuristic_height
26	न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्।	main via surya_layout
27	ग सिध्यान्त (२)	annotation_inline parent ligne 26 via heuristic_short
28	षाङ्जीजातौ रिगमधनि प्रयोगस्तारमन्द्रको न	main via surya_layout
29	पर्ज,	annotation_inline parent ligne 28 via heuristic_short
30	स्यात्। अन्येषामपि रागाणां नाशंकरः प्रयोगः स्यात्। तेन सरिगम [प]	editorial_bracket parent ligne 28 via heuristic_brackets
31	धन्याद्या मूर्छना धनि [ सरि ] गमपाद्याः। तद्यथा—	editorial_bracket parent ligne 28 via heuristic_brackets
32	नि अन्या	annotation_inline parent ligne 28 via heuristic_height
33	धनिसरिगमपधनिसरिग । उत्तरमन्द्रा	main via surya_layout
34	[ <sup>8</sup> ]	editorial_bracket parent ligne 33 via heuristic_brackets
35	निसरिगमपधनिसरिगम । रजनी	main via surya_layout
36	ि ३ ो	annotation_inline parent ligne 35 via heuristic_short
37	सरिगमपधनिसरिगमप । उत्तरायता	main via surya_layout
38	रिगमपधनिसरिगमपध । शुद्धषड्जा [ ४ ]	editorial_bracket parent ligne 37 via heuristic_brackets
39	गमपधनिसरिगमपधनि । मत्सरीकृता [ ५	editorial_bracket parent ligne 37 via heuristic_brackets

177 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p047 LEFT — 32 lignes

vol_I_p024 LEFT — 28 lignes

vol_I_p020 RIGHT — 33 lignes

vol_I_p094 RIGHT — 45 lignes

vol_I_p050 LEFT — 39 lignes