Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21555). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p068 RIGHT — 35 lignes

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1 119 page_number
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2 <b>TRANSLATION</b> page_header
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3 [Anu. 202] editorial_bracket
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4 (Contention) Why has Kasyapa Muni described narta-rāga in the main
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5 beginning? It is being answered. In the opinion of Kasyapa its prominence main
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6 is due to its application in passionate performance of caris, mandalas and main
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7 situations of combat. In the opinion of Durgaśakti, on the other hand, main
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8 sadjakaisika alone is prominent. Why? On account of its falling under the main
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9 order of the state of sādava (rāga).76 That is thus - main
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10 [1. Narta-rāga] section_header
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11 Having pañcama as its amśa and madhyama as its concluding note, being main
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12 born of pañcamī and madhyamā (jātis), narta-rāga should be known to treat main
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13 as sparse the svaras comprised of two śrutis each. main
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14 (333) annotation_inline
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15 [Anu. 203] editorial_bracket
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16 Its meaning is thus - narta-rāga is related to madhyamagrāma on account of main
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17 being born of pañcamî and madhyamā (jātis). Pañcama is its graha and aniśa, main
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18 madhyama is the nyāsa. Niṣāda and gāndhāra have sparseness here. Niṣāda is main
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19 kākalī here and its application is prescribed in passionate performance of cārī, maṇḍala and combat. Sṛṅgāra and the lik main
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20 mūrchanā beginning with pañcama obtains. Prasannamadhyama is the alankāra. main
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21 Sañcārin is the varņa. Thus is it in the opinion of Kaśyapa. main
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22 [Anu. 204] editorial_bracket
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23 In the opinion of Durgaśakti this rāga itself is born of pañcamī and dhaivatī main
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24 jātis. It should be known to be related to şadjagrāma itself. Why? On account main
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25 of pañcama being comprised of four śrutis (and) dhaivata of three śrutis, it is main
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26 related to şadjagrāma. annotation_inline
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27 [2. Saka] section_header
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28 That is said to be śaka which has a weak pañcama, is combined with ṣaḍja main
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29 as nyāsa and aniśa and is born of ṣāḍjī and dhaivatī jātis. main
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30 (334) annotation_inline
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31 [Anu. 205] editorial_bracket
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32 Its meaning is thus - śaka is related to şadjagrāma on account of being born main
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33 of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and nyāsa. There is the main
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34 sparseness of pañcama. Niṣāda and gāndhāra are kākalī and antara here. And main
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35 this (rāga) is complete in svaras. Its application is prescribed in vīra, adbhuta main
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vol_II_p094 LEFT — 33 lignes

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1 BRHADDEŚĪ page_header
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2 170 page_number
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3 धैवताद्यन्तसंयुक्ता सम्पूर्णा लोकरञ्जिका । main
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4 धैवतनिषादसंवाद: षड्जगान्धारयोस्तथा ॥ १११॥ main
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5 बङ्गालदेशसम्भूता बाङ्गाली दिव्यरूपिणी । main
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6 यङ्गाली annotation_inline
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7 एषा वै सरसा भाषा दैवतस्यापि वल्लभा ॥ main
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8 एषा भाषा रसा च + थैवतः annotation_inline
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9 प्रयोगे शृक्ष्णलक्ष्मा च गायकै: स्वरशोभितै: ॥ ११२॥ main
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10 ॰सूक्ष्मध annotation_inline
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11 उदाहरणम् - धारीसारीगागाधा रीसारीमानीसानीनीसा सासारिधामापा धाधारिसामाधानि main
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12 धाधा। बाङ्गाली । [६] editorial_bracket
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13 वङ्गाली annotation_inline
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14 <sup>१००</sup>मध्यमांशा धैवतान्ता <sup>१०१</sup>पञ्चमर्षभदुर्बला । main
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15 षड्जमध्यमसंवाद: षड्जगान्धारयोस्तथा ॥ main
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16 सिन्धुविषयसम्भूतां देशाख्यां सैन्धर्वी विदु: ॥ ११३॥ main
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17 गासानिसानिधा unknown
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18 उदाहरणम् –मा । माधानीधा नीसागासामासासागामागामा unknown
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19 मापामामासामाधा annotation_inline
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20 नी annotation_inline
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21 मानिसासासागारीधानिधाधा माधानीधामाधाधाधा । सैन्धवी<sup>१०२</sup>।[७] editorial_bracket
parent ligne 16
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22 गान्धारांशा तु कालिङ्गी धैवतान्ता चतुःस्वरा। main
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23 कालिन्दी annotation_inline
parent ligne 22
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24 पञ्चमर्षभहीना च निषादेन च दुर्बला ॥ ११४॥ main
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25 एषा १०३ ह्यन्तरभाषा वै कालिङ्गै: सा तु गीयते । main
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26 कालिङ्गे annotation_inline
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27 हृद्या मनोहरा ह्येषा १०४पञ्चमादनुगीयते ॥ ११५॥ main
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28 उदाहरणम् -गासामागामागासासासासाधा मासासाधामानीमामासासासासामाधा मामाधासा- main
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29 साधानीगाधा । कालिङ्गी । [८] editorial_bracket
parent ligne 28
via heuristic_brackets
30 कालिन्दो annotation_inline
parent ligne 28
via heuristic_height
31 षड्जान्ता धैवतांशा १०५ च हीनौ गान्धारपञ्चमौ । main
via surya_layout
32 धैवताऱ्यासा annotation_inline
parent ligne 31
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33 <sup>९०६</sup>षड्ज[मध्यमसङ्गत्या षड्ज-]धैवतयोस्तथा ॥ ११६॥ editorial_bracket
parent ligne 31
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vol_II_p113 LEFT — 42 lignes

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1 BRHADDEŚĪ page_header
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2 208 page_number
via heuristic_pagenum
3 प्रबन्धोऽयं स्वरार्थ: स्याद् ज्ञेयोऽसौ गीतवेदिभि: । main
via surya_layout
4 चत्वारिंशत्तमं प्रोक्तं करणं पञ्चभिर्युतम् ॥३७८॥ main
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5 चत्वारिंशद्युत: षड्भिश्चासौ वर्णस्वर: स्मृत:। main
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6 °ता: annotation_inline
parent ligne 5
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7 चत्वारिंशत्सप्तयुता ज्ञेया मुक्तावलीति या ॥ ३७९॥ main
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8 प्रतापवर्धनश्चाष्ट्रचत्वारिशः प्रकीर्तितः । main
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9 (त?न) annotation_inline
parent ligne 8
via heuristic_short
10 ॰शत् annotation_inline
parent ligne 8
via heuristic_markers
11 अष्टौ च मुनिना ख्याताश्चत्वारिंशत् सुसंयुता[:] ॥ ३८०॥ editorial_bracket
parent ligne 8
via heuristic_brackets
12 पञ्चधा मुनिना main
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13 न्ता चत्वाः annotation_inline
parent ligne 12
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14 एतेषां लक्षणं विच्य समासाद् विदुषां कृते । main
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15 चच्छि annotation_inline
parent ligne 14
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16 विदुषात्तमम् main
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17 यथोक्तं चात्र नियमै[:] [पदतालादिसंयुतै:] ॥ editorial_bracket
parent ligne 16
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18 रागैर्यथावदुक्तैस्तु गातव्या गीतकोविदै: ॥ ३८१॥ main
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19 [प्रबन्धानां लक्षणानि] section_header
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20 [१.कन्द:] section_header
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21 तालशून्यस्तु य: पाटैर्बिरुदेश्च समन्वित:। main
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22 ॰ता: annotation_inline
parent ligne 21
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23 स कन्द इति कर्णाटभाषादिपदिमश्रित: ॥३८२॥ main
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24 कन्दादिप्रबन्धा लक्ष्यत: प्रसिद्धा एव । main
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25 क(दा?न्दा) main
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26 [२. वृत्त:] section_header
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27 आर्यायां द्विपथे वृत्तो गाथायां दोघके तथा। main
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28 वृते गाधाया जेधके तथा(?) main
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29 ्याः annotation_inline
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30 तोटके[ ऽथ] च तालस्य नियमो नास्ति कदाचन ॥ editorial_bracket
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31 •केन main
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32 मुख्यता तेषु निर्दिष्टा मुनिभिश्छन्दस: स्फुटम्<sup>४</sup>॥ ३८३॥ main
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33 ॰सा annotation_inline
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34 अन्ते च स्वरविन्यास: [स्वरहीनं स्मृतं परै:] । editorial_bracket
parent ligne 32
via heuristic_brackets
35 अन्त: स्वर + विन्यास: + + + + + main
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36 [वृत्ते छन्दिस यच्चान्ये] वङ्क्ति तदिप सम्मतम् ॥३८४॥ editorial_bracket
parent ligne 35
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37 . . . . . . . . . annotation_inline
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38 न्तः annotation_inline
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39 NAME OF TAXABLE PARTY. annotation_inline
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40 محفظ ماملا دي ماسي الراكات المار annotation_inline
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41 4 . . . . . . . . . annotation_inline
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42 (vide) annotation_inline
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vol_II_p037 RIGHT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 ¶ Visi annotation_inline
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2 57 page_number
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3 TRANSLATION page_header
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4 abundance comes about on account of the stated prescription. In the main
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5 hexatonic form, there is the non-abundance of dhaivata but it is never so in main
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6 the case of ṛṣabha. In the auduvita form, sparseness does not obtain in the main
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7 case of any svara on acount of all of them being amsas. In this way there is main
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8 the abundance of all the svaras. Nyāsa is gāndhāra alone. Apanyāsa is main
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9 madhyama alone. There is the sancāra 76 or to and fro movement of sadja main
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10 and gändhära. main
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11 [Anu. 163] section_header
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12 It is ten-fold. There are ten amsas - five pertain to the complete state, four main
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13 to the hexatonic state, on account of there being an exception when pañcama main
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14 is the ainsa. One pertains to the auduvita state. The mūrchanā beginning main
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15 with ṛṣabha obtains here. Karuṇa is the rasa. Pañcapāṇi is the tāla. In the main
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16 ekakala citra (mārga), māgadhī is the gīti. In the dvikala vārtika (mārga), main
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17 sambhāvitā is the gīti. In the catuṣkala dakṣiṇa (mārga), pṛthulā is the gīti. It main
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18 is applied in the dhruva gana in the third act. main
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19 . . . . . . . . . . . . . . . . . . . . annotation_inline
parent ligne 18
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20 [12. 77 Description of nine jātis in the interpolated portion] section_header
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21 ٠ page_number
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22 [1.Şadjamadhyamā] section_header
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23 Seven svaras are amśas in şadjamadhyamā and they have mutual to and fro main
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24 movement. Niṣāda is sparse excepting when gāndhāra is the aniśa; (in other main
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25 words) except the vādin state of (gāndhāra). main
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26 (1) annotation_inline
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27 The hextatonic and pentatonic states are known to be when niṣāda and main
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28 niṣāda-gāndhāra are omitted. The two-śruti svaras (niṣāda and gāndhāra) are main
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29 the adversaries of the hexatonic and pentatonic states. main
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30 (2) annotation_inline
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31 The gīta, tāla, kalā etc. are like those in ṣāḍjī, and the mūrchanā is that which main
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32 ፥ annotation_inline
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33 begins with madhyama and the viniyoga is as (prescribed) before. main
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34 (3) annotation_inline
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35 Ṣadja (and) madhyama are nyāsas in this. Seven svaras are apanyāsas. The main
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36 prastāra is thus - main
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37 ı annotation_inline
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38 (1) annotation_inline
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39 mā gā saga pā dhapa mā nidha nima main
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40 (2) annotation_inline
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41 mā mā sā riga maga nidha padha pā main
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vol_II_p042 RIGHT — 50 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
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2 67 page_number
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3 sā pā nī mā pā pā gā gā table
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4 <b>(7)</b> table
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5 mā pā mā nidha nī nī sā sā table
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6 (8) table
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7 pā pā mā dhani pā pā pā pā table
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8 (9) table
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9 mā pā mā riga gā gā gā gā table
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10 (10) table
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11 gā pā mā pā nī nī nī nī table
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12 (11) table
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13 mā pā mā pariga gā gā gā gā table
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14 (12) table
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15 gā gā gā mā mā nidha nī nī table
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16 (13) table
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17 nī nī dhapa mā nidha nidha pā pā table
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18 (14) table
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19 rī gā sā sā mā nidhani nī nī table
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20 (15) table
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21 nī nī dhā pā dhā pā mā mā table
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22 (16) table
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23 Thusends<i>inadhyamodīcyavā</i>. section_header
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24 [6. Kārmāravi] section_header
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25 In kārmāravī, niṣāda, ṛṣabha, pañcama and dhaivata become the ainśas. main
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26 (16) annotation_inline
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27 Many (svaras) are said to be non-amsas on account of antara-marga. main
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28 Gāndhāra is excessively abundant. There is concert among all the amśa main
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29 svaras. annotation_inline
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30 (17) main
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31 Caccatpuța (is the tāla), there are sixteen kalās. The mūrchanā beginning main
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32 with şadja obtains. The application is (prescribed) in the dhruvā of the fifth main
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33 act. annotation_inline
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34 (18) main
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35 Pañcama is the nyāsa in this (jāti). The amsás themselves are apanyāsas. main
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36 The prastāra is thus- main
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37 ri ri ri ri ri ri ri ri table
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38 (1) table
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39 mā gā sā gā sā nī nī nī table
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40 (2) table
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41 nī mā nī mā pā pā gā gā table
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42 (3) table
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43 gā pā mā pā nī nī nī nī table
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44 (4) table
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45 rī gā sā nī rī gā rī gā table
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46 (5) table
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47 rī gā rī sā nī dhani pā pā table
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48 (6) table
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49 mā pā mā pariga gā gā gā gā table
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50 <b>(7)</b> table
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201 lignes a valider — change uniquement les roles incorrects.