Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21564). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p072 LEFT — 46 lignes

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1 <b>BRHADDESI</b> page_header
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2 126 page_number
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3 कलां द्वतलयेन देवं शर्वीमिति पदद्वयेन2० वन्दे इति पदान्तरसहितेन main
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4 .ला .वरदेन देवशर्व annotation_inline
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5 ्रदये− main
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6 निर्वाहयतीति कलात्रयव्यापनम् २१। यथा - main
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7 .वयव्यापातनाद् (?) annotation_inline
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8 .हा. main
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9 मा मा सा सा annotation_inline
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10 [देवं] editorial_bracket
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11 मा सा सा मा main
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12 [देवंश र्व] editorial_bracket
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13 <b>22सस मस मम रिरि</b> main
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14 [देवं भर्व वं दे] editorial_bracket
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15 [ अनु० ११२ ] editorial_bracket
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16 मगधदेशोद्भवत्वान्मागधी। अन्ये तु द्विर्निवृत्तां मागधीं प्ठन्ति। main
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17 •सा annotation_inline
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18 अर्धमिति पदसम्बन्ध्यर्धपदत्वेनार्धमागधी। न च पदार्द्यनिवृत्तावर्थः main
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19 . El. annotation_inline
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20 .पा. main
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21 .য₀ annotation_inline
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22 प्रवृत्तिनिवृत्तिगो हेतुर्मन्तव्यः । यतः सामवेदे२ गीतप्रधाने आवृत्तिष्वर्थो main
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23 यादेव annotation_inline
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24 ,व्या main
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25 ,द annotation_inline
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26 .र्ष main
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27 ग: annotation_inline
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28 नाद्रियत इति । तदुक्तं—य आवृत्त्यात्मा जातवेदसमिति [ २४शब्दः] । editorial_bracket
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29 गा, main
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30 ਚ, annotation_inline
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31 अत्र वेदशब्दपर्यवसिता सम्भाविता, लघुप्रायत्वे 25 च पृथुला, main
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32 .प्रभाव (?) annotation_inline
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33 भूयस्त्वात् पदग्रामस्य पृथुलेत्युक्ता। main
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34 .स्त्वा annotation_inline
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35 2611 इति मार्गलया [:] 11 editorial_bracket
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36 [ अनु० ११३ ] editorial_bracket
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37 मार्गत्रये गीतिविधौ लयप्रयोगो नवधा द्रष्टव्यः। main
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38 •यो annotation_inline
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39 .क्याः annotation_inline
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40 लयसम्प्रयोगं दर्शयति— दक्षिणो मार्गो, वार्तिको मार्गिश्चत्रमार्ग main
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41 इति annotation_inline
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42 दक्षिण— [ मार्ग - ] प्रवृत्तौ लयत्रयम् । वार्तिकमार्गश्चित्रमार्गो ध्वमार्गश्चेति । editorial_bracket
parent ligne 40
via heuristic_brackets
43 दक्षिणावृत्ती main
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44 वृत्तिमार्गप्रवृत्तौ लयत्रयम्। चित्रमार्गो ध्रुवमार्गः main
via surya_layout
45 शून्यमार्गप्रचेति चित्र - [ मार्गप्रवृत्तौ ] लयत्रयम्। editorial_bracket
parent ligne 44
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46 चित्रे main
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vol_II_p061 RIGHT — 33 lignes

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1 1 page_number
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2 TRANSLATION page_header
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3 105 page_number
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4 [C. Gauda rāgas] section_header
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5 [Anu. 186] section_header
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6 (Contention) Why are they known as gaudas? It is being answered, on main
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7 account of being related to gaudigiti. What is its description? It is being main
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8 answered. That is thus - annotation_inline
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9 Oḥāṭi<sup>61</sup> born in the mandra (low svaras) is employed. In performance with main
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10 shaken sounds, without pause, in the three registers, gaudī gīti is said to main
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11 prevail. *(First line of the verse reconstructed vide c.r. in Sudhā on SR II. 1.2-5). main
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12 (315) annotation_inline
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13 [1. Gaudapañcama] section_header
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14 The description of gaudapañcama - main
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15 Dhaivatī and ṣadjamadhyamā operate in the formation of gauḍapañcama. It main
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16 has dhaivata as its amśa and madhyama as its concluding note; it is devoid of main
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17 pañcama. annotation_inline
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18 (316) annotation_inline
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19 [Anu. 187] section_header
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20 This means - gaudapañcama is related to sadjagrāma on account of being main
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21 born of dhaivatī and şadjamadhyamā jātis. Dhaivata is the aniśa and graha. main
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22 Madhyama is the nyāsa. Niṣāda and gāndhāra are kākalī and antara. It is main
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23 hexatonic, being devoid of pañcama. Its application is prescribed in main
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24 passionate acting (or dance) and in vipralambha śringāra (love in separation). main
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25 Bībhatsa62 and bhayānaka are the rasas. The mūrchanā beginning with main
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26 dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alankāra. The main
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27 kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and main
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28 the kalā prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
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29 comprised of svara and pada. main
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30 [2. Gaudakaisika] section_header
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31 Gauḍakaiśika is known to be born of kaiśikī and ṣaḍjamadhyamā jātis. It is main
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32 said to have şadja as the amśa and pañcama as the nyāsa. main
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33 (317) annotation_inline
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vol_I_p016 RIGHT — 33 lignes

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1 15 page_number
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2 TRANSLATION page_header
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3 "Some who are adept in the knowledge of śrutis, speak of twenty-two śrutis; main
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4 some (speak of them) as being differentiated into sixty-six. Others propound main
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5 their infinity itself." annotation_inline
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6 (Anu. 7) annotation_inline
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7 But then, what is the measure of śruti? It is being explained. Pañcama is main
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8 known as being seated in the two grāmas.19 The difference of that (pañcama) main
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9 through utkarşa 20 (augmentation) and apakarşa 21 (diminution) through main
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10 mārdava 22 (lit. softness) and āyatatva 23 (lit. the state of being stretched or main
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11 extended) is the measure of śruti (lit. śruti is of that measure). main
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12 (Anu. 8) annotation_inline
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13 Now the nidarsana 24 (demonstration) of the twenty-two-fold nature of srutis main
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14 is thus (being given). Having made two viņās equal in measure,25 string,26 main
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15 upavādana 27 (the place where the strings are tied up at the lower end of the main
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16 viņā), daņļa28 (rod or board) and mūrchanā29 (tuning), they (two viņās) should main
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17 be established in şadjagrāma.50 On one of these, having made the śruti main
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18 madhyamagrāmiki31 (belonging to madhyama-grāma) on account of the apakarşa main
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19 (lowering) of pañcama, (one) should make the same śruti şadjagrāmikī 32 main
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20 (belonging to sadjagrāma) on account of pañcama.35 Thus (the vinā) becomes main
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21 lowered by (one) śruti, but there is no special gain,34 because of there being main
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22 only the perception of high and low. Again one should lower in the same main
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23 manner<sup>35</sup> so that gāndhāra and niṣāda that are the subjects (kartṛ in dual no.) main
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24 on one viņā will 'enter' the rabha-dhaivata 36 that have attained objectification main
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25 (karmatā) on the unchanged (sthirā) viņā on account of their (of gāndhāra- main
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26 niṣāda) being 'more's7 (higher) by two śrutis (each, in relation to ṛṣabha- main
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27 dhaivata). Again also, the dhaivata-ṛṣabha on the cala (mobile) viṇā that is main
via surya_layout
28 lowered in the same manner, will enter the pañcama-şadja on the other (viņā), main
via surya_layout
29 on account of their being 'more's8 (higher) (than the latter) by three śrutis main
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30 (each). Again also, on the (cala) viņā that is lowered in the same way, pañcama, main
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31 madhyama and şadja enter madhyama, gandhara and nişada respectively on the main
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32 other on account of their being 'more'39 (higher) (than the latter) by four main
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33 śrulis. annotation_inline
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vol_II_p160 RIGHT — 42 lignes

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1 VIMARŚA page_header
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2 303 page_number
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3 lustre, splendour (Monier Williams). Maitrī Upaniṣad VI. 7 says "bha is so main
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4 called as it illuminates these worlds." It has been used in neuter gender main
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5 because it qualifies 'jyotis'. There is a sāman known as 'bhakāra' wherein all main
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6 the consonants are replaced with bh, keeping the vowels intact. That the main
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7 consonant 'bh' should have been selected for this purpose bears testimony main
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8 to the special importance of this consonant as it stands for light. main
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9 2. 'Hamsa' occurs in several Upanișads; the most relevant occurrence list_item
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10 is in Kathopanişad II.5.2, where hamsa is mentioned as one of the synonyms list_item
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11 of 'ātman'. list_item
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12 3. 'Bharata' here stands for ātman and not the sage Bharata. list_item
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13 4. Bhāratī is another name of Saraswatī and occurs in Rgveda (VIII. list_item
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14 6.9). list_item
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15 The verse containing the above four words is placed in the very main
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16 beginning of the chapter on raga. If it is taken to embody mangalacarana, its main
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17 relevance to rāga is not obvious (See Vol. III). main
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18 5. Here 'Bharata' stands for the sage who is the author of Nāṭyaśāstra. list_item
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19 6,7. 'Dhvani' basically means sound; a 'type of sound' or 'special list_item
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20 sound 'could mean 'a melodic form 'which is called 'dhun' in Hindi. list_item
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21 8,9. The general lakṣaṇa pertains to a category like jāti or rāga and list_item
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22 special lakṣaṇa pertains to the 'individuals' within a category. list_item
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23 10. A rūdha word is that where the etymological meaning is not list_item
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24 relevant; only the conventional meaning operates. list_item
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25 11. Aśvakarņa literally means 'the ear of a horse', but it is used for list_item
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26 a fracture of the bones that resembles the ear of a horse. list_item
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27 12. Yaugika means combinational. Mandapa is a compound list_item
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28 meaning one who drinks 'manda' or the scum of boiled rice or any grain, list_item
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29 stands for an open hall or pavilion. Really speaking, the list_item
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30 but it list_item
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31 combinational meaning does not operate here. list_item
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32 13. Yogarūdha is a type of word where both combination and list_item
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33 convention operate. The classic example is that of pankaja, which means list_item
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34 'that which is born in mud', but is restricted to lotus, although many other list_item
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35 things are born of 'mud'. list_item
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36 14. 'Sūkṣma' literally means small or subtle; here we have interpreted list_item
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37 it as being short in time, because 'small' in a temporal context would list_item
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38 naturally mean 'short in time'. list_item
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39 15. 'Kampa' has been translated here as shake according to English list_item
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40 idiom, although literally it could also be rendered as 'tremor'. list_item
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41 16. ' Pāṇi' means 'hand', but here 'hand' could not be relevant to the list_item
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42 context, not even the figurative usage of 'hand' in tāla as a synonym of list_item
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vol_I_p048 LEFT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDES!</b> page_header
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2 78 page_number
via heuristic_pagenum
3 [ अनु₀ ५६ ] editorial_bracket
parent ligne 4
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4 कूटतानानां सहस्राणि पञ्च त्रयस्त्रिंशदधिकानि निष्पद्यन्ते। main
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5 <sub>०</sub>मस्त्रिः main
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6 दत्तिलेनाप्युक्तम्— annotation_inline
parent ligne 5
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7 <sup>83</sup>"पूर्णाः पञ्च सहस्राणि त्रयस्त्रिशच्च संख्यया। main
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8 ुर्णः, annotation_inline
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9 मसत्, main
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10 कथयन्ति प्रतिग्राममुपायो गणनेऽधुना।" main
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11 नेधुनः दत्तिलम् ३९ ] editorial_bracket
parent ligne 10
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12 पयोगेन main
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13 गणनाऽत्र परेण तानप्रयोगेण पूर्वस्तानप्रयोगो हन्यते। तथा चाह main
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14 ₀मा₃ annotation_inline
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15 दत्तिलः — main
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16 "हन्यादनन्तरायेण पूर्वा यस्य क्रमोत्क्रमात्। main
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17 गुणकारसमास्तत्र क्रमाः ध्ये शेषाः स्युरुत्क्रमाः।" main
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18 दित्तलम् ४० | unknown
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19 माच्छे. annotation_inline
parent ligne 17
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20 [ अनु<sub>०</sub> ५७ ] editorial_bracket
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21 इदानी गुणनोपायं कथयति— द्वाभ्यां पराभ्यामेकः पूर्वो बऽहन्येत main
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22 J. annotation_inline
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23 द्वावेव भवतः। तौ च द्वौ त्रिभिर्हतौ षड् भवतः । ते [ च षट् ] editorial_bracket
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24 ्रित annotation_inline
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25 ्रत्वा annotation_inline
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26 चतुर्हताश्चतुर्विंशतिर्भवन्ति। सा चतुर्विंशतिः पञ्चभिर्हता शतं विंशत्यधिकं main
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27 भवति। विंशत्यधिकं शतं षड्भिर्हतं शतानि सप्त-विंशत्यधिकानि भवति। main
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28 ्रन्ति main
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29 तानि सप्तभिर्हतानि पञ्चसहस्राणि चत्चारिंशदधिकानि भवन्ति। unknown
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30 अनु₀ ५८ editorial_bracket
parent ligne 28
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31 तत्र क्रमकृतास्तान् स्फोटयित्वा ह्युत्क्रमकृतानि कूटतानानां सप्त- main
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32 स्वरप्रयोगात् पञ्चसहस्राणि त्रयस्त्रिशदधिकानि भवन्ति। main
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33 प्रस्तारो annotation_inline
parent ligne 32
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34 यथा— main
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35 तत्र षड्जस्वरस्य स इत्येकः क्रमः। ऋषभस्य सरीत्येक एव क्रमः। रिस main
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36 इति च व्युक्तमो द्वितीयः। गान्धारस्य सरिगेत्येकः क्रमः। गरिसेत्यादयो main
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37 ुम annotation_inline
parent ligne 36
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38 ुत्यतः annotation_inline
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192 lignes a valider — change uniquement les roles incorrects.