Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21608). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p049 RIGHT — 37 lignes

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1 81 page_number
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2 TRANSLATION page_header
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3 krama as sa - ri - ga. Vyutkramas (permutations) are five beginning with ga - ri main
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4 - <math>sa</math>; <math>ga - sa - ri</math>, <math>ri - ga - sa</math>, <math>[ri - sa - ga]</math> <math>sa - ga - ri< editorial_bracket
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5 <math>k\bar{u}_{l}a</math>-tanas formed by vyutkrama (permutation or change of order). Thus there main
via surya_layout
6 are six tanas of gandhara (along with the preceding two svaras viz. sa - n). main
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7 Similarly, there is only one krama (original order) of madhyama (added to main
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8 the preceding three svaras) as sa - ri - ga - ma; there are twenty-three utkramas main
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9 beginning with ma - ga - ri - sa. That is thus - ma - ga - ri - sa, ma - ga sa - main
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10 ri, ma - ri - ga - sa, ma - ri - sa - ga, ma - sa - ga - ri, ma - sa - ri - ga main
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11 thus are the six tānas beginning with madhyama, formed by vyutkrama. Similarly, main
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12 there are six tānas, each beginning with gāndhāra, ṛṣabha and ṣadja and taken main
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13 together they are twenty-four. annotation_inline
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14 Similarly, there is only one krama (original order) of pañcama (along with its main
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15 four preceding svaras). The kūṭa-tānas beginning with pa - ma - ga - ri - sa main
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16 (formed by) vyutkrama are one hundred and nineteen. That is thus - sa - ni - main
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17 ga - ma - pa, pa - ma - ga - ri - sa. Each one of pa - ma - ga - ri - sa has main
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18 twenty-four (varieties beginning with it), taken together they become one main
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19 hundred and twenty. Similarly, dhaivata has one krama (original order along main
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20 with its preceding five svaras) as sa - ni - ga - ma - pa - dha, dha - pa - ma - main
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21 ga - ni - sa, this is the vyutkrama (reverse order). Each one of dha - pa - ma - main
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22 ga - ni - sa becomes [one hundred] and twenty (through kūļa-tānas); taken editorial_bracket
parent ligne 21
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23 together (the kūṭa-tānas) become seven hundred and twenty. Similarly, there is main
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24 only one krama of niṣāda (alongwith its six preceding svaras) as sa - ri - ga - main
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25 ma - pa - dha - ni. Ni - dha - pa - ma - ga - ri - sa is the vyutkrama. Each main
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26 one of ni - dha - pa - ma - ga - ni - sa becomes seven hundred and twenty main
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27 (through <math>k\bar{u}ta</math>-tānas); taken together they become five thousand and forty. main
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28 (Anu. 59) annotation_inline
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29 Thus the tāna-vidhāna (performance of tānas) of svaras is found on the main
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30 (viṇās having) sixty-six strings or hundred strings. The measurements of these main
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31 two (<math>vin\bar{a}s</math>) are middle and the like (?)<sup>57</sup>. Here the demonstration of these <math>k\bar{u}t main
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32 tānas has not been made on these (viņās) in order to avoid a digression; by this main
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33 order itself, it (the demonstration) should be understood by the wise ones on main
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34 their own. annotation_inline
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35 (Anu. 60) annotation_inline
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36 The objective of these tanas has been said to be for the sake of the main
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37 attainment of [ sthānas (registers) ]. Sthānas (registers) are said to be three in editorial_bracket
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vol_I_p056 LEFT — 41 lignes

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1 BRHADDEŚI page_header
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2 94 page_number
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3 ग्रंसरि रिस रिंग गरि गम मंग मंप पम पंध धंप धनि निध निस सनि [ इति ] editorial_bracket
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4 [ १२ ] editorial_bracket
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5 प्रेङ्खोलितः। main
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6 [ अनु。 ८२ ] editorial_bracket
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7 अंशाच्चतुर्थं पञ्चमं वा स्वरं गत्वा यत्र मन्द्रे पुनरागम्यते [ स ] तारमन्द्रप्रसन्नः। editorial_bracket
parent ligne 5
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8 रिगमपधरि गमपधनिग मपधनिसम। अथवा मन्द्रस्वरात् तारं main
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9 यथा—18सरिगमपस annotation_inline
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10 [ १३ ] editorial_bracket
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11 गत्वा पुनः सहसा मन्द्रवशादागम्यते स तारमन्द्रप्रसन्नः। main
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12 (व) .द्वा. annotation_inline
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13 [ अनु₀ ८३ ] editorial_bracket
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14 मन्द्रात् सहसा तारं प्राप्य मन्द्रत्वेन क्रमेणावरोहान्मन्द्रतारप्रसन्नः । [ यथा - ] editorial_bracket
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15 ₹ः annotation_inline
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16 ⋴रः annotation_inline
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17 19सपमगरिस रिधपमगरि गनिधपमग मसनिधपम। अथवा—मन्द्रस्वरात् main
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18 तारस्वरमुच्चार्य क्रमेणावरुह्य च मन्द्र एवागम्यते [ स ] मन्द्रतारप्रसन्नः। editorial_bracket
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19 १४। annotation_inline
parent ligne 17
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20 यथा - ससनिध पमगरिस [ इति ] मन्द्रतारप्रसन्नः। editorial_bracket
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21 [ अनु॰ ८४ ] editorial_bracket
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22 द्विरूपश्च प्रस्तारः स्थायिन्यारोहिणि च। तत्र स्थायिन्येकस्वरः स्वस्मात् main
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23 स्य (?) annotation_inline
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24 ्यी त्या, इणी main
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25 विक annotation_inline
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26 क्रमशस्तारमन्द्रा [-रोहा-] वरोहणेन [ आरोहिणि च ] मन्द्रतारारोहणेन[ ावरोहणेन ] editorial_bracket
parent ligne 24
via heuristic_brackets
27 स्वरेण [ ? ] प्रस्तारः । [ यथा ] सरिरिस सरिगगरिस [ सरिगममगरिस ] editorial_bracket
parent ligne 24
via heuristic_brackets
28 सरिगमपपमगरिस सरिगमपधधपमगरिस सरिगमपधिनिनिधपमगरिस main
via surya_layout
29 सरिगमपधनिससनिधपमगरिस 20अथवा 21सरिरिस रिगगरि गममग मपपम पधधप main
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30 १५ page_number
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31 धनिनिध निससनि [ इति ] प्रस्तारः। editorial_bracket
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32 [ अनु₀ ८५ ] editorial_bracket
parent ligne 29
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33 प्रस्तार-विपरीतः प्रसादः यथा- main
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34 प्रस्वस्तारः पविपरितः ( ? ) annotation_inline
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35 सनिनिस सनिधधनिस सनि [ ध ] पपधनिस सनिधपममपधिनस editorial_bracket
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36 सा annotation_inline
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37 सा annotation_inline
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38 सा annotation_inline
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39 सनिधपमगगमपधनिस सनिधपमगरिरिगमपधनिस सनिधपमगरिससरिगमपधनिस। main
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40 सा annotation_inline
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41 सा page_footer
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vol_II_p107 LEFT — 35 lignes

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1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŠĪ page_header
via surya_layout
3 196 page_number
via heuristic_pagenum
4 उदाहरणम् – धासाधागा सानिसामानि । मानिधामागा । गामाधानी । धामामागा । निनि- main
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5 R annotation_inline
parent ligne 4
via heuristic_height
6 धाधा। ललिता। [९] editorial_bracket
parent ligne 4
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7 ३५निषादवतिका ख्याता धैवताद्यन्तरा[जिता]। editorial_bracket
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via heuristic_brackets
8 ॰पतरख्याता(?) annotation_inline
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via heuristic_markers
9 सम्पूर्णाऽन्तरभाषा च गीताऽन्यैश्च रिवर्जिता<sup>३२</sup> ॥ २९॥ main
via surya_layout
10 गीतान्येन विवर्जिता annotation_inline
parent ligne 9
via heuristic_short
11 + + + म्या annotation_inline
parent ligne 9
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12 उदाहरणम् – धामागापा । पासापापा । गमामापानि धापाधाधा । पामाधागागा । सनिधाधापापा main
via surya_layout
13 धासा- annotation_inline
parent ligne 12
via heuristic_short
14 गमागाप निधाधानीसरि सामापानिधापा मामागाप सधानिधाधा । निषादवती । [१०] editorial_bracket
parent ligne 12
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15 धैवताद्यन्तसंयुक्ता षाडवा ३३तुम्बुरु [:] स्मृता । editorial_bracket
parent ligne 12
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16 ऋषभेण विहीना तु गीयते <sup>३४</sup> ब्रह्मवादिभिः ॥ ३०॥ main
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17 उदाहरणम् - धानिसागा गामाधापा मागनि सनीधाधा । तुम्बुरु[:]। [११] editorial_bracket
parent ligne 16
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18 ३५गान्धारललिता पूर्णा <sup>३६</sup>मध्यमांशा[ऽ]न्तधैवता । editorial_bracket
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19 ल्पधैयता annotation_inline
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20 गीयते पितृकार्येषु ३७षड्जधैवतसङ्गतिः ॥ ३१॥ main
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21 ॰मक्रमात् annotation_inline
parent ligne 20
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22 उदाहरणम्-माधापा । पासासामग सासारीरी सानिधाधा सासारिगामा गारिरि सागरीसारी । main
via surya_layout
23 ॰का॰ annotation_inline
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via heuristic_markers
24 साधा । गान्धारललिता । [१२] editorial_bracket
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via heuristic_brackets
25 <b>•प</b>िलता annotation_inline
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via heuristic_height
26 ..... main
via surya_layout
27 उदाहरणम्- धाधाधापा । गरिरिधापधानिनिरिगा पपानिधाधा रिगरिगधापधा रिपागा रिनिधा main
via surya_layout
28 ॰नि annotation_inline
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via heuristic_markers
29 पाधाधा । कलिङ्गा । [१३] editorial_bracket
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via heuristic_brackets
30 oth annotation_inline
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31 धैवताद्यन्तभाषा [स्याच्छुद्धा] धैवतमध्यमौ<sup>३९</sup>[?]। editorial_bracket
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32 ॰मा शुभा annotation_inline
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33 धैवतान्तरः annotation_inline
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34 मूलभाषा भिन्नषड्जे गीयते नारदादिभिः॥ ३२॥ main
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35 नारदतुम्बुरू(?) main
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vol_II_p164 RIGHT — 41 lignes

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1 311 page_number
via heuristic_pagenum
2 VIMARŠA page_header
via surya_layout
3 22,23. Nāga and kinnara are names of ethnic groups. Our text is the list_item
via surya_layout
4 first one to mention ethnic names in the context of music. list_item
via surya_layout
5 24. Paurāla is not a known geographical name. One approximate list_item
via surya_layout
6 name is paurava, "a country on the eastern bank of the jhelam including the list_item
via surya_layout
7 Gujrat district, the original seat of the Purus, the kingdom of Porus who list_item
via surya_layout
8 fought with Alexander " (Nando Lal De). Purālī was an ancient name of list_item
via surya_layout
9 Travancore (ibid). list_item
via surya_layout
10 25. Harşapūra is not known as a geographical name. list_item
via surya_layout
11 26. <math>\bar{A}bh\bar{i}ra</math> is both a geographical and ethnic name. It is identified as list_item
via surya_layout
12 "the south-eastern portion of Gujrat about the mouths of the Narmada" list_item
via surya_layout
13 (Nando Lal De). list_item
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14 27. 'Samyoga' is another expression for sancara or sangati. list_item
via surya_layout
15 28. Kāmboja is identified as Afghanistan (Nando Lal De). list_item
via surya_layout
16 29. Sātavāhana or Sātavāha is "the name of a king fabled to have been list_item
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17 discovered, when a child, riding a Gandharva called Sāta, who, according to list_item
via surya_layout
18 one legend, was changed into a lion" (Monier Williams). Also known as list_item
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19 Sālivāhana, the Śaka ruler who founded the Śaka era i.e samvat. list_item
via surya_layout
20 30. Gāndhāra and niṣāda are implied. list_item
via surya_layout
21 31. Chāyā is used while describing the resemblance of one rāga with list_item
via surya_layout
22 another at a given point. list_item
via surya_layout
23 32. Kākalī is prescribed to be always sparse in the grāma system. The list_item
via surya_layout
24 prescription here of kākalī being frequent is a notable departure. list_item
via surya_layout
25 33. Again the ethnic name kinnara appears here. See notes 22,23. list_item
via surya_layout
26 34. The basic name is hindola or hindolaka meaning a swing; its list_item
via surya_layout
27 synonym is sometimes used to meet the exigency of metre. list_item
via surya_layout
28 35. See note 26. list_item
via surya_layout
29 36. Gāndharva is a rigorously guarded tradition. The inclusion of list_item
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30 bhāṣā in this corpus is incongruous, unless gāndharva is taken to stand for list_item
via surya_layout
31 music in general. list_item
via surya_layout
32 37. "Mangala - called also Mangali or Mangalapura, the capital of list_item
via surya_layout
33 Udyāna, identified by Wilford with Mangora or Manglora. Cunningham list_item
via surya_layout
34 thought it could be identified with Minglaur (Mangalore) " (Nando Lal list_item
via surya_layout
35 De). list_item
via surya_layout
36 38. The word samvāda has been used here again for sancara or sangati. list_item
via surya_layout
37 39. The origin of this vibhāṣā is traced directly to pañcama rāga, where list_item
via surya_layout
38 as it should really be related to a bhāṣā of that rāga. It is treated as a bhāṣā list_item
via surya_layout
39 in SR and S Rāj. list_item
via surya_layout
40 40. Gändhärapañcama has been mentioned here under pañcama. list_item
via surya_layout
41 41. "Dākṣiṇātya is identified with Deccan; that part of India that lies list_item
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vol_II_p099 RIGHT — 22 lignes

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1 181 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Illustration-Māmāsārisārigārisāsāsārimā pādhaivatadhāpāsāmāgāpāmadhya- main
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4 mā gāgāgārigāgagadharimā gānisānisādhapāmāmā. Bāhyaṣāḍavā [i] editorial_bracket
parent ligne 3
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5 Having şadjaas amśa, madhyamaas nyāsa, embellished with gāndhāra in the main
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6 mandra (sthāna, lower register), this (bhāṣā) nādākhyā<sup>68</sup> should be made main
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7 hexatonic in rāga ṣāḍava. This (bhāṣā) has been said to be hexatonic, with main
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8 the omission of <math>pa\bar{n}cama</math>. This (<math>bh\bar{a}s\bar{a}</math>) is always said to be <math>sa\bar{n}k\ main
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9 delightful to the people. main
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10 <math>(139-140)</math> main
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11 Illustration - Sāsānimāmā sārimāmādhāmāmā rigāririnigāsānidhāmāmā. main
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12 Nādākhyā [ii] editorial_bracket
parent ligne 11
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13 These two are there in vesarașādava. main
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14 13. Now the bhāṣās in bhinnatāna section_header
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15 Having pañçama as amsa and the same as the concluding note, this table
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16 sādhāraņakṛtā<sup>70</sup> bhāṣā is known to be tānodbhavā. It has to be made devoid table
via surya_layout
17 of rṣabha, by the knowledgeable ones in music. table
via surya_layout
18 (141) table
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19 .....[Tānodbhavā] table
via surya_layout
20 [This one is in bhinnatāna] table
via surya_layout
21 [14. Bhāṣās in gāndhārapancama] table
via surya_layout
22 .....[Gāndhārī] table
via surya_layout
176 lignes a valider — change uniquement les roles incorrects.