Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21616). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p154 RIGHT — 44 lignes

L#	Texte OCR	Role auto
1	ŀ	annotation_inline parent ligne 4 via heuristic_height
2	PATHAVIMARŚA	page_header via surya_layout
3	291	page_number via heuristic_pagenum
4	दस्रवेदास्तृतीयेऽङ्ग्री .....।	section_header via surya_layout
5	Ibid. 158.	main via surya_layout
6	39. Mānaso IV.16. 508, SR IV.108 and S Rāj II.4.2.165 read bhogavatī in	list_item via surya_layout
7	the place of hemavatī.	list_item via surya_layout
8	40. Reconstruction based on probable meaning and proximity to	list_item via surya_layout
9	p.t.	list_item via surya_layout
10	41. Reconstruction based on the uddeśa (enumeration) given in verse	list_item via surya_layout
11	449 of our text.	list_item via surya_layout
12	42. The ed. has suggested 'yamaka' in the place of 'gamaka', taking	list_item via surya_layout
13	'alankāra' as standing for śabdālankāra in poetry, but here the context	list_item via surya_layout
14	demands the melodic alankāra and gamaka is a corollary of the same.	list_item via surya_layout
15	43. Our reconstruction as 'gamaka' in the place of 'yamaka' of p.t. is	list_item via surya_layout
16	corroborated by Mānaso IV.16. 505.	list_item via surya_layout
17	44. Śārngadeva (SR IV.112c, 113) refers to these seven varieties as	list_item via surya_layout
18	having been spoken of by Matanga, but says that they are not described by	list_item via surya_layout
19	him because their distinctive nature lies only in the difference caused by yati	list_item via surya_layout
20	(splitting or pause).	list_item via surya_layout
21	P.t. adds the following two verses after this, which are out of place -	main via surya_layout
22	लोकदुष्टं शास्त्र शास्त्र पञ्च वर्जयेत्।	main via surya_layout
23	+ गोदुष्टं (?) तथा ग्राम्यं गतक्रममपार्थकम् ॥४८५॥	main via surya_layout
24	पदं काप्यमसन्दिग्धं कला चाभ्यश्चि भक्तकम् ।	main via surya_layout
25	प्राकारेण तताश्चोका वर्णे तालचतुष्टयम् ॥ ४८६॥	main via surya_layout
26	We have given a reconstructed version at the end of this chapter as verse 490	main via surya_layout
27	(three lines).	annotation_inline parent ligne 26 via heuristic_short
28	45. Reconstruction based on SR IV.127a.	main via surya_layout
29	46. cf. गमकप्रासिनमुक्ता एला स्याद गौडदेशजा।	main via surya_layout
30	SR IV.127 cd.	annotation_inline parent ligne 29 via heuristic_short
31	ानाप्रयोगरागांशरसभावोत्कटाऽऽन्धिका ।	main via surya_layout
32	47. cf.	annotation_inline parent ligne 31 via heuristic_short
33	भूरिभावरसोत्कर्षा द्राविडी प्रासवर्जिता ॥	main via surya_layout
34	Ibid. 128.	annotation_inline parent ligne 33 via heuristic_short
35	48. cf. मातृकाक्षरमेकैकं पदादौ विनियोज्य च।	main via surya_layout
36	Mānaso IV.16.310.	annotation_inline parent ligne 35 via heuristic_short
37	49. cf. उद्ग्राहो ध्रुवकश्चेति यत्र खण्डद्वयं भवेत्।	main via surya_layout
38	Ibid. 431.	main via surya_layout
39	1	page_number via heuristic_pagenum
40	50. cf. करणं करपाटेन तालेन किल गीयते ।	main via surya_layout
41	Sam Sa Sā V.137.	annotation_inline parent ligne 40 via heuristic_short
42	51. cf. हस्तपाटैस्तथा तेनपदस्वरसमन्वित: ।	main via surya_layout
43	गीयते तालयुक्तो य: स वर्णस्वरको भवेत् ॥	main via surya_layout
44	Mānaso IV.16.437.	main via surya_layout

vol_I_p054 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	91	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Udghaisita (rubbed, pressed or shaken upwards) (26) Ākṣiptaka (thrown down)	main via surya_layout
4	(27) Sampradāna (the act of giving or bestowing), (28) Hasita (laughter), (29)	main via surya_layout
5	Hunkāra (the 'hum' sound) (30) Sandhipracchādana (covering the joint or	main via surya_layout
6	juncture) (31) Vidhuta (shaken off) (32) Udgita (sung, celebrated) (33)	main via surya_layout
7	Gātravarṇa (the colour of the body).	main via surya_layout
8	(Anu. 70)	annotation_inline parent ligne 7 via heuristic_height
9	Now the definition of these alankāras is being given (said). That is thus—the	main via surya_layout
10	gradual ascent beginning from 'low' upto the starting point of 'high' is (known	main via surya_layout
11	as) prasannādi.27 By the word mandra28 is denoted the low sound. As - sā nī gā	main via surya_layout
12	mā pā dhā nī sā.29	annotation_inline parent ligne 11 via heuristic_height
13	(1)	annotation_inline parent ligne 11 via heuristic_height
14	Thus is (ends) prasannādi.	annotation_inline parent ligne 11 via heuristic_height
15	(Anu. 71)	annotation_inline parent ligne 11 via heuristic_height
16	Beginning from tara 30 (high) and (reaching) upto mandra (low) is	main via surya_layout
17	prasannānta. As - sā<sup>31</sup> nī dhā pā mā gā nī sā. Thus is (ends) prasannānta.	main via surya_layout
18	(2)	annotation_inline parent ligne 17 via heuristic_height
19	(Anu. 72)	annotation_inline parent ligne 17 via heuristic_height
20	Where there is 'low' in the beginning and end and 'high' in the middle,	main via surya_layout
21	that is prasannādyanta. As - sā rī gā mā pā dhā nī sā, 52 sā nī dhā pā mā gā rī	main via surya_layout
22	(3)	annotation_inline parent ligne 21 via heuristic_height
23	sā. Thus is (ends) prasannādyanta.	main via surya_layout
24	(Anu. 73)	annotation_inline parent ligne 23 via heuristic_height
25	Where there is 'low' in the middle and 'high' in the beginning and end,	main via surya_layout
26	that is prasannamadhya. As - sā 33 ní dhā pā mā gā rī sā, sā rī gā mā pā dhā ni	main via surya_layout
27	(4)	annotation_inline parent ligne 26 via heuristic_height
28	sā.34 Thus is (ends) prasannamadhya.	main via surya_layout
29	(Anu. 74)	annotation_inline parent ligne 28 via heuristic_height
30	The pronunciation (sounding) of the seven svaras with a similar sound in	main via surya_layout
31	the three registers is sama. This is being said. (A svara) should be made	main via surya_layout
32	(sounded) in the three registers with the same number of śrutis 35 as it is	main via surya_layout
33	composed of (originally). As - sa ri ga ma pa dha ni - thus (it is). Or, sama	main via surya_layout
34	(comes into being) on account of the pronunciation of pairs of samvādin	main via surya_layout
35	(consonant) svaras. That is as - sama sapa ridha gani (thus). When the grāma	main via surya_layout
36	changes (to madhyamagrāma, then) sama, ripa, gani - thus is the special	main via surya_layout
37	<b>(5)</b>	annotation_inline parent ligne 36 via heuristic_height
38	(structure of pairs). Thus is (ends) sama.	main via surya_layout

vol_I_p105 RIGHT — 20 lignes

L#	Texte OCR	Role auto
1	VIMARŚA	page_header via surya_layout
2	193	page_number via heuristic_pagenum
3	Mārga	main via surya_layout
4	Threefold duration of kalā represented by corresponding mārgas	main via surya_layout
5	Daksiņa	annotation_inline parent ligne 4 via heuristic_short
6	8, 4, 2 dakşina, vartika and citra	main via surya_layout
7	Vārtika or Vṛtti	annotation_inline parent ligne 6 via heuristic_short
8	4, 2, 1 vārtika, citrā and dhruva.	main via surya_layout
9	Citra	annotation_inline parent ligne 8 via heuristic_short
10	2, 1, 1/2 Citra, dhruva and śūnya.	main via surya_layout
11	The introduction of sunya paves the way for the unit druta (1/2 mātrā) in	main via surya_layout
12	desi tālas. It is notable that the notational sign for druta in later texts is 0 that	main via surya_layout
13	represents zero or śūnya. (cf. SRV, section on deśi tālas)	main via surya_layout
14	•	annotation_inline parent ligne 13 via heuristic_height
15	-	annotation_inline parent ligne 13 via heuristic_height
16	.	annotation_inline parent ligne 13 via heuristic_height
17	•	annotation_inline parent ligne 13 via heuristic_height
18	•	unknown via fallback
19	•	annotation_inline parent ligne 13 via heuristic_height
20	•	annotation_inline parent ligne 13 via heuristic_height

vol_I_p016 LEFT — 28 lignes

L#	Texte OCR	Role auto
1	14	page_number via heuristic_pagenum
2	BRHADDEŚI	page_header via surya_layout
3	[ अनु. ७ ]	section_header via surya_layout
4	ननु श्रुतेः कि मानम्? उच्यते, पञ्चम [ अस्तावद् ग्रामद्वयस्थो लोके	editorial_bracket parent ligne 3 via heuristic_brackets
5	प्रसिद्धः । त- ] स्य श्रुत्युत्कर्षापकर्षाभ्यां मार्दवादायतत्वाद्वा यदन्तरं	editorial_bracket parent ligne 3 via heuristic_brackets
6	तत्प्रमाणाः श्रुतिरिति ।	main via surya_layout
7	ुणं ३८ ूरो ३६	annotation_inline parent ligne 6 via heuristic_short
8	[ अनु. ८ ]	editorial_bracket parent ligne 6 via heuristic_brackets
9	इदानीं द्वाविंशतिप्रकारताया निदर्शनं यथा-	main via surya_layout
10	<sup>39</sup>ुत्	annotation_inline parent ligne 9 via heuristic_height
11	द्वे वीणे40 तुल्यप्रमाण—तन्त्र्युप—41वादनदण्डमूर्च्छनासमे कृत्वा	main via surya_layout
12	वेणी	annotation_inline parent ligne 11 via heuristic_height
13	पा	annotation_inline parent ligne 11 via heuristic_height
14	०पो	annotation_inline parent ligne 11 via heuristic_height
15	षड्जग्रामाश्रिते कार्ये। तयोरन्यतरस्यां मध्यमग्रामिकीं श्रुतिं कृत्वा	main via surya_layout
16	पञ्चमस्यापकर्षात् तामेव श्रुतिं पञ्चमवशात् षड्जग्रामिकीं कुर्यात् ।	main via surya_layout
17	<sup>4 2</sup> पञ्चमस्य श्रुत्युत्कर्यवशात्	main via surya_layout
18	एक 🛂 - श्रुत्यपकृष्टा भवति, परं विशेषलाभो नास्ति, उच्चनीचमात्रप्रतीतेः।	unknown via fallback
19	एव	annotation_inline parent ligne 17 via heuristic_height
20	पुनरपि तद्वदेवापकर्षेद्भ यथा गान्धारनिषादौ कर्तारौ पुनरन्यतरस्यां	main via surya_layout
21	व्ययित्	annotation_inline parent ligne 20 via heuristic_height
22	स्थिरवीणायां धैवतर्षभौ कर्मतामापन्नौ प्रवेक्ष्यतः, अब्द्विश्रुत्यभ्यधिकत्वात् ।	main via surya_layout
23	<sub>॰</sub>स<sub>॰</sub>45	annotation_inline parent ligne 22 via heuristic_markers
24	पुनरपि तद्वदेवापकृष्टायां चलवीणायां धैवतर्षभौ इतरस्यां	main via surya_layout
25	पञ्चमषड्जौ प्रवेक्ष्यतः त्रिश्रुत्यभ्यधिकत्वात्। पुनरपि तद्वदेवापकृष्टायां	main via surya_layout
26	पञ्चममध्यमषड्जा इतरस्यां मध्यमगान्धारनिषादान् प्रविशन्ति चतुः-	main via surya_layout
27	इति अस्या	annotation_inline parent ligne 26 via heuristic_height
28	श्रुत्यभ्यधिकत्वात्।।	main via surya_layout

vol_I_p025 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	33	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	(Anu. 18)	annotation_inline parent ligne 4 via heuristic_height
4	But why are (vowels) beginning with ākāra 21 accepted out of fourteen 22	main via surya_layout
5	svaras? Truly has this been said. These have been accepted because of their	main via surya_layout
6	uncommonness. Their uncommonness is because of their movement in upward	main via surya_layout
7	sound.23 Or, the svaratva of vyanjanas beginning with şadja has been spoken of.	main via surya_layout
8	But .... this is said to be only a sign 24 (by convention), that is to say, (the names	main via surya_layout
9	of svaras) are the paribhāṣā 25 (list of abbreviations or signs) used by ācāryas	main via surya_layout
10	(teachers).	annotation_inline parent ligne 9 via heuristic_height
11	[The fourfold-ness of svaras according to kinds beginning with vadin ]	editorial_bracket parent ligne 9 via heuristic_brackets
12	(Anu. 19)	section_header via surya_layout
13	Now I show the fourfold-ness of svaras, that befits the occasion or context.	main via surya_layout
14	That is thus -	annotation_inline parent ligne 13 via heuristic_height
15	Vādin 26 is so because of vadana 27 (speaking), like the master. The	main via surya_layout
16	saṃvādin<sup>28</sup> is so because of saṃvadana<sup>29</sup> (supportive speaking), like the minister.	main via surya_layout
17	The anuvādin<sup>50</sup> is so because of anuvadana<sup>51</sup> (following or obedient speaking)	main via surya_layout
18	like the attendants. Vivādin 52 is so because of vivadana 53 (opposite speaking),	main via surya_layout
19	like the enemy.	annotation_inline parent ligne 18 via heuristic_height
20	(Anu. 20)	section_header via surya_layout
21	But vadana and the like are the nature (dharma) of living beings, how are they	main via surya_layout
22	possible in insentient svaras? Truly has this been said. Vadana is here intended to	main via surya_layout
23	mean the exposition of raga 34 (melody-matrix), not talking. What does it (vadana	main via surya_layout
24	and the like) expound? It produces the ragatva 35 of raga.36 Those vadin svaras	main via surya_layout
25	are only seven. That vādin should be understood as tenfold like the amśa.57 The	main via surya_layout
26	vādi-maņdala (cycle of vādins) is thus - sa, ri, ga, ma, pa, dha, ni.	main via surya_layout
27	(Anu. 21)	section_header via surya_layout
28	The samvadins should again be understood according to the interval of	main via surya_layout
29	thirteen and nine śrutis, when there is sama-śrutikatva 38 (equal interval of the	main via surya_layout
30	two svaras concerned, in terms of number of śrutis). What indeed is that	main via surya_layout
31	samuāditua? The carrying forward or accomplishment<sup>59</sup> of the rāgatua of rāga	main via surya_layout
32	1	page_number via heuristic_pagenum
33	produced by the vādi-svara is indeed samvāditva (the nature of samvādin). The	main via surya_layout
34	samvādi-mandala is thus —	main via surya_layout

164 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p154 RIGHT — 44 lignes

vol_I_p054 RIGHT — 38 lignes

vol_I_p105 RIGHT — 20 lignes

vol_I_p016 LEFT — 28 lignes

vol_I_p025 RIGHT — 34 lignes