Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21617). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p081 LEFT — 47 lignes

page vol_II_p081 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 144 page_number
via heuristic_pagenum
3 परस्परं तु गमनं यत्र तत् सम्प्रयोजयेत् । main
via surya_layout
4 सा सङ्कीर्णाऽथ विज्ञेया भाषा वै रविचन्द्रिका<sup>३६</sup> ॥ ५३॥ main
via surya_layout
5 ॰र्णादयो जेया annotation_inline
parent ligne 4
via heuristic_markers
6 उदाहरणम् - गागागामा । सासा । मागामामागामासासासा । गागाधानिसा main
via surya_layout
7 सागाधनिसा annotation_inline
parent ligne 6
via heuristic_short
8 मा॰ annotation_inline
parent ligne 6
via heuristic_markers
9 धाधामारीमागारीगसा सासासामा सारीधाधाधाधा धमागरीगागा धारीसासासा । मागामामागा । main
via surya_layout
10 मासा- annotation_inline
parent ligne 9
via heuristic_short
11 ॰धाः annotation_inline
parent ligne 9
via heuristic_markers
12 ्सासामागारीधा धमगरि गमधनी। सासागाधानिसासा। main
via surya_layout
13 धाधाधापरीगमरीगमसा annotation_inline
parent ligne 12
via heuristic_short
14 सामागा main
via surya_layout
15 रविचन्द्रा।[११] editorial_bracket
parent ligne 14
via heuristic_brackets
16 मध्यमांशा तु षड्जान्ता बहुगान्धारधैवता । main
via surya_layout
17 वा॰ annotation_inline
parent ligne 16
via heuristic_markers
18 असम्पूर्णस्वरा नित्यमम्बाहेरी प्रकीर्तिता ॥ main
via surya_layout
19 भाषेयं ३७पोज्झिता नित्यं देश्याख्या सम्प्रकीर्तिता ॥५४॥ main
via surya_layout
20 के + + annotation_inline
parent ligne 19
via heuristic_height
21 उदाहरणम् – मामासा । नीनी । main
via surya_layout
22 निधाधानी धाधानि । annotation_inline
parent ligne 21
via heuristic_short
23 धानिधाधानी । सागागारी । main
via surya_layout
24 सनासनाधा annotation_inline
parent ligne 23
via heuristic_short
25 सासा annotation_inline
parent ligne 23
via heuristic_height
26 तथा annotation_inline
parent ligne 23
via heuristic_height
27 निधानिगागा मागानिसासानि । साधानीगा गानिसासा । सानिनीसनीधा धामानीमा धासनिनी । main
via surya_layout
28 नीसाधानीमाधाधामागासानिसानिधा । माधाधा । साधानीधानीसासा । मामाधासासा main
via surya_layout
29 मामा- annotation_inline
parent ligne 28
via heuristic_short
30 गारीमागासासा । मासामामागारीमागासासा । मसानी निनिमानि धाधानिधामागा । सानीमाधा । main
via surya_layout
31 सासनीधा धनिसाधाधा । धनिधानीसा । अम्बाहेरी ।[१२] editorial_bracket
parent ligne 30
via heuristic_brackets
32 षड्जाद्यन्तसमायुक्ता बहुमध्यमधैवता ॥ main
via surya_layout
33 बाहुलाधमः annotation_inline
parent ligne 32
via heuristic_short
34 द्विश्रुतिभ्यां तु गमनं हीनत्वमृषभेण तु । main
via surya_layout
35 विभ annotation_inline
parent ligne 34
via heuristic_short
36 (भीत?हीन) main
via surya_layout
37 भाषा <sup>३८</sup>षाडविता ह्येषा सङ्कीर्णा ललिता भवेत्<sup>३९</sup> ॥५५॥ main
via surya_layout
38 औडुविता ++ annotation_inline
parent ligne 37
via heuristic_short
39 टकरागजा annotation_inline
parent ligne 37
via heuristic_height
40 उदाहरणम् - सागागाधागामामागा । धमधानीसासा । निधागागा । सासासामापाधानी main
via surya_layout
41 धापा- annotation_inline
parent ligne 40
via heuristic_short
42 मासा साधापाधानीधाधासा नीधागानीगाधनीसससा । लिलता ।[१३] editorial_bracket
parent ligne 40
via heuristic_brackets
43 सरसा annotation_inline
parent ligne 40
via heuristic_height
44 षड्जाद्यन्तसमायुक्ता पञ्चमेन विवर्जिता । main
via surya_layout
45 विरहिता सप्तमेन षड्जे मध्यमसङ्गता ॥ ५६॥ main
via surya_layout
46 विनि annotation_inline
parent ligne 45
via heuristic_short
47 त् annotation_inline
parent ligne 45
via heuristic_height

vol_I_p066 RIGHT — 49 lignes

page vol_I_p066 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 115 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Giti (musical rendering) without alankāra is like a night without the moon, main
via surya_layout
4 a river without water, a creeper without flowers (and) a woman without main
via surya_layout
5 (168) annotation_inline
parent ligne 4
via heuristic_short
6 ornaments.119 main
via surya_layout
7 Thus have been described these thirty-three alankāras by me. Those that main
via surya_layout
8 have not been indicated here, they should also be understood. main
via surya_layout
9 (169) annotation_inline
parent ligne 8
via heuristic_short
10 (Anu. 103) main
via surya_layout
11 Thus are the prastaras (notational representations) in (svaras) beginning main
via surya_layout
12 with şadja.120 main
via surya_layout
13 (1) table
via surya_layout
14 sarigamapadhanisa,121 prasannādi table
via surya_layout
15 (2) table
via surya_layout
16 sanidhapamagarisa, 122 prasannānta table
via surya_layout
17 (3) table
via surya_layout
18 sarigamapadhanisa 123 nidhapamagarisa, prasannādyanta table
via surya_layout
19 <b>(4)</b> table
via surya_layout
20 sanidhapamagarisa 124 sarigamapadhanisa, prasannamadhyama table
via surya_layout
21 <b>(5)</b> table
via surya_layout
22 sā rī gā mā pā dhā nī sā,125 sama table
via surya_layout
23 (6) table
via surya_layout
24 sā sā 126 sā, bindu table
via surya_layout
25 <b>(7)</b> table
via surya_layout
26 sā sā sā, 127 nivītta pravītta table
via surya_layout
27 (8) table
via surya_layout
28 sarigamapadhaninidhapamagarisa, veņu table
via surya_layout
29 (9) table
via surya_layout
30 sarigamapadhanisa.<sup>128</sup> kampita table
via surya_layout
31 (10) table
via surya_layout
32 sarigamapadhanisa,129 kuharita table
via surya_layout
33 (11) table
via surya_layout
34 sarigamapadhanisa,150 recita table
via surya_layout
35 sarīrisā rigagarī gamāmagā mapāpamā padhādhapā, dhanīnidhā 151 nisāsani, table
via surya_layout
36 (12) table
via surya_layout
37 prenkholita unknown
via fallback
38 mapadhanisama, main
via surya_layout
39 gamapadhaniga annotation_inline
parent ligne 38
via heuristic_short
40 rigamapadhari main
via surya_layout
41 sarigamapasa annotation_inline
parent ligne 40
via heuristic_short
42 (13) main
via surya_layout
43 tāramandraprasanna annotation_inline
parent ligne 42
via heuristic_short
44 masanidhapama, 132 main
via surya_layout
45 ganidhapamaga annotation_inline
parent ligne 44
via heuristic_short
46 ridhapamagari main
via surya_layout
47 sapamagarisa annotation_inline
parent ligne 46
via heuristic_short
48 (14) main
via surya_layout
49 mandratāraprasanna main
via surya_layout

vol_II_p088 RIGHT — 29 lignes

page vol_II_p088 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 159 page_number
via heuristic_pagenum
3 [4. Bhāṣās in hindolaka] section_header
via surya_layout
4 Combined with ṣaḍja as amśa and nyāsa, weak in dhaivata, this vesarī bhāṣā main
via surya_layout
5 is formed with the (profuse) use of gandhara. The to and fro movement main
via surya_layout
6 between şadja and gandhara should be arranged there by the performers. main
via surya_layout
7 (83) unknown
via fallback
8 Illustration main
via surya_layout
9 Sāsāgāsāsanipāni.Mādhāmāgāsamāsāsāsā. main
via surya_layout
10 Samagāsapamarigāsā ninimāsāgāsāsā. Dhanipāpāpanisāsā. Vesarī [i] editorial_bracket
parent ligne 9
via heuristic_brackets
11 Having pancama as amśa, şadja as the concluding note, being devoid of main
via surya_layout
12 ṛṣabha and having concert between ṣaḍja-pañcama and the svaras comprised main
via surya_layout
13 of two śrutiseach, this bhāṣā called prathamamañjarī is (based on ) hindolaka. main
via surya_layout
14 (84) annotation_inline
parent ligne 13
via heuristic_short
15 Illustration - Pāpāpāpādhamapānīsā pañcamapādhani dhāsāsāpāpānisāsāsā main
via surya_layout
16 gāsāpāgāmānisanipāpānisā gānisānisāsā. Prathamamanjarī [ii] editorial_bracket
parent ligne 15
via heuristic_brackets
17 Combined with sadja as amsa and nyāsa, complete, weak in dha(dhaivata), main
via surya_layout
18 thus has been described chevāțī and concert between șadja-madhyama and main
via surya_layout
19 similarly şadja-gāndhāra should always be put up. main
via surya_layout
20 (85) annotation_inline
parent ligne 19
via heuristic_short
21 Illustration - Sāpāsā. Māgāsāsā gāmanimāpāmāsā sāmāmānīmāmāmā main
via surya_layout
22 nīmāmāpāpāgāmāsāsāsāgāsānī. Sāgāsānīsanīdhāmadhāmāpāpāpādhāmāmādhama main
via surya_layout
23 pamagarisā sānīnīnīsāgārīmāmārīnīsāsā. Chevāţī [iii] editorial_bracket
parent ligne 22
via heuristic_brackets
24 Having şadja às amśa and madhyama as concluding note, being weak in main
via surya_layout
25 niṣāda and ṛṣabha (which are also perhaps omissible), there being concert main
via surya_layout
26 between <i>ṣaḍja-madhyama</i> and similarly <i>gāndhāra-pañcama</i>, this <i>bhāṣā</i>, said to main
via surya_layout
27 be şadjamadhyamā, should be known to be hexatonic and pentatonic by main
via surya_layout
28 nature. It is sung also by Kinnaras.<sup>33</sup> main
via surya_layout
29 <math>(86-87)</math> main
via surya_layout

vol_II_p123 RIGHT — 34 lignes

page vol_II_p123 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 229 page_number
via heuristic_pagenum
3 [2. Kāmalekhā] section_header
via surya_layout
4 Kāmalekhā is that where there are twenty-two<sup>60</sup> (dviguņita-rudra) mātrās in the main
via surya_layout
5 first (foot) and in the foot bearing an even number (second) the same (number main
via surya_layout
6 of mātrās) obtains, in the foot of odd number (third) there are twenty (mātrās). main
via surya_layout
7 (445) main
via surya_layout
8 [3. Bāṇalekhā] section_header
via surya_layout
9 If in all the three feet, in a uniform manner there are double the number main
via surya_layout
10 of mātrās (obtaining in kāmalekhā) (and) where they are composed in main
via surya_layout
11 bāṇagaṇas,61 that is bāṇalekhā. main
via surya_layout
12 (446) main
via surya_layout
13 [4. Candralekhā] section_header
via surya_layout
14 Where there are three above forty (forty-three) mātrās in a couple of feet main
via surya_layout
15 i.e. the first two feet (and where) the number of mātrās is less by one (forty- main
via surya_layout
16 two) in the foot bearing an odd number (third foot), that is candralekhā. main
via surya_layout
17 (447) main
via surya_layout
18 Thus ends the fourfold mātrailā. section_header
via surya_layout
19 [C. The varieties of <i>Varnailā</i>] section_header
via surya_layout
20 There is no regulation of <i>tāla</i> here, none of <i>msa</i> and none of <i>rāga</i>; there is only main
via surya_layout
21 the regulation of syllables <math>^{62}</math> (in their number); hence it is called <i>varyailā</i>. main
via surya_layout
22 (448) annotation_inline
parent ligne 21
via heuristic_short
23 Madanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) main
via surya_layout
24 kusumavatī, these seven are the elās regulated on the basis of varņa (syllable). main
via surya_layout
25 (449) annotation_inline
parent ligne 24
via heuristic_short
26 Beginning with eleven syllables and ending with seventeen (syllables in main
via surya_layout
27 each foot), these seven are sung in sequence, by the gandharvas with main
via surya_layout
28 beautiful padas (textual units) (and) good sounds. main
via surya_layout
29 (450) main
via surya_layout
30 [1. Madanavatī 2. Šašilekhā 3. Prabhāvatī] section_header
via surya_layout
31 That madanavatī is composed of non-short (alaghu) gaṇas 63 i.e., has all main
via surya_layout
32 long (guru) syllables, śaśilekhā is with short (laghu) gaṇas, prabhāvatī is always main
via surya_layout
33 profuse with long (guni) gaṇas (and) mālatī and lalitā (will be described now). main
via surya_layout
34 (451) main
via surya_layout

vol_II_p073 LEFT — 22 lignes

page vol_II_p073 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 128 page_number
via heuristic_pagenum
3 ‘‘क्वचिदंशः क्वचित्र्यासः षाडवौडुविते क्वचित्। main
via surya_layout
4 अल्पत्वं च बहुत्वं च ग्रहापन्याससंयुतम् ॥ main
via surya_layout
5 मन्द्रतारौ तथा ज्ञात्वा योजनीयं मनीिषभि:। main
via surya_layout
6 ११९ नीया annotation_inline
parent ligne 5
via heuristic_height
7 ग्रामरागाः प्रयोक्तव्या विधिवद् दशरूपके ॥ main
via surya_layout
8 १२० एरूपकाः annotation_inline
parent ligne 7
via heuristic_short
9 प्रवेशाक्षेपनिष्क्रामप्रासादिकमथान्तरम् । main
via surya_layout
10 ॰(म?प)नि(प:फ्नाम)॰ annotation_inline
parent ligne 9
via heuristic_markers
11 गानं पञ्चविधं यत्तद् रागैरेभि: प्रयोजयेत् ॥'' main
via surya_layout
12 ď annotation_inline
parent ligne 11
via heuristic_height
13 १२१मीतं annotation_inline
parent ligne 11
via heuristic_height
14 [गीतीनां विनियोगः] section_header
via surya_layout
15 १२२पूर्वरङ्गे तु शुद्धा स्याद् भिन्ना प्रस्तावनाश्रया । main
via surya_layout
16 (तु) annotation_inline
parent ligne 15
via heuristic_height
17 वेसरा मुखयो: कार्या गर्भे गौडी विधीयते। main
via surya_layout
18 १२३साधारिताऽवमर्शे स्यात् सन्धौ निर्वहणे तथा ॥३४४॥ main
via surya_layout
19 स्या+हणे स्यात् + सर्वदा main
via surya_layout
20 ॥ इति मतङ्गमुनिविरचितबृहद्देश्यां रागलक्षणं [नाम] तृतीया[ध्याय:] समाप्त:॥ editorial_bracket
parent ligne 19
via heuristic_brackets
21 •सम् annotation_inline
parent ligne 19
via heuristic_height
22 न्यं annotation_inline
parent ligne 19
via heuristic_height
181 lignes a valider — change uniquement les roles incorrects.