Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21635). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p022 LEFT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 26 page_number
via heuristic_pagenum
3 गान्धार्या द्वावनंशौ च हेयावृषभधैवतौ । main
via surya_layout
4 <sup>६८</sup>षु (गेआ?हेपा) main
via surya_layout
5 क्रमात्रित्यं त्वपन्यासौ विज्ञेयौ षड्जपञ्चमौ ॥२२२॥ main
via surya_layout
6 ६९ल्यमफ annotation_inline
parent ligne 5
via heuristic_short
7 धैवतादृषभं गच्छेदेवं भ स्यात् सर्वमेव तत् । main
via surya_layout
8 तुष्ध unknown
via fallback
9 (व?वं) main
via surya_layout
10 प्रायशो रक्तगान्धार्यामपन्यासस्तु मध्यम: ॥२२३॥ main
via surya_layout
11 ७२०यां अ annotation_inline
parent ligne 10
via heuristic_short
12 (मा/प:) main
via surya_layout
13 बहुप्रयोग: कर्तव्यो धैवतोऽथ निषादवान् । main
via surya_layout
14 षड्जगान्धारसञ्चार: कार्यश्चास्यां प्रयोक्तभि: ॥२२४॥ main
via surya_layout
15 (जं?ज) annotation_inline
parent ligne 14
via heuristic_short
16 (₹?₹:) main
via surya_layout
17 श्स्याः annotation_inline
parent ligne 16
via heuristic_height
18 गान्धारोदीच्यवा प्राय: षड्जोदीच्यवतीसमा । main
via surya_layout
19 (य?य:) annotation_inline
parent ligne 18
via heuristic_short
20 षड्जश्च मध्यमश्चांशौ न चौडुवितमिष्यते ॥२२५॥ main
via surya_layout
21 0130 page_number
via heuristic_pagenum
22 पञ्चांशा मध्यमायास्तु ज्ञेया द्विश्रुतिवर्जिता:। main
via surya_layout
23 क्रमात् ताभ्यां च हीनत्वं बहुलौ षड्जमध्यमौ ॥२२६॥ main
via surya_layout
24 (मी) annotation_inline
parent ligne 23
via heuristic_short
25 गान्धारोदीच्यवावतु मध्यमोदीच्यवा भवेत्। main
via surya_layout
26 (तुल्या मध्यमोदीच्यवा) main
via surya_layout
27 साप्तस्वर्यं तु नित्यं स्यादस्यामंशस्तु पञ्चम: ॥२२७॥ main
via surya_layout
28 पञ्चम्यां गुरुभि: प्रोक्तावंशावृषभपञ्चमौ । main
via surya_layout
29 •धेवती<sup>७३</sup> annotation_inline
parent ligne 28
via heuristic_short
30 <sup>७४</sup>सनिषादावपन्यासौ मध्यमर्षभसंगति: ॥२२८॥ main
via surya_layout
31 समध्यमाः annotation_inline
parent ligne 30
via heuristic_height
32 षड्जमध्यमगान्धारा अल्पाश्च परिकोर्तिता: । main
via surya_layout
33 <b>ल्लु<sup>७५</sup>,</b> main
via surya_layout
34 स्यात्रिषादाच्च गान्धारो मध्यमावच्च हीनता ॥२२९॥ main
via surya_layout
35 अल्पस्य परिकोर्तिता annotation_inline
parent ligne 34
via heuristic_short
36 स्यात्रिपादाच्य + + + मध्यमा चच्च होनता(?) । main
via surya_layout

vol_II_p057 RIGHT — 37 lignes

page vol_II_p057 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 97 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [1.Bhinna-şadja] section_header
via surya_layout
4 Bhinna-ṣadja is known by the wise to have dhaivata as its amśa, madhyama as its main
via surya_layout
5 conclusion, to be devoid of pañcama and ṛṣabha and having been born of main
via surya_layout
6 ṣadjodicyavati (jāti). main
via surya_layout
7 (306) main
via surya_layout
8 [Anu. 175] section_header
via surya_layout
9 This means – bhinna – şadja is related to şadjagrāma on account of being born main
via surya_layout
10 of ṣadjodicyavatī jāti. Dhaivata is the graha and aniśa, madhyama is the nyāsa; it is main
via surya_layout
11 pentatonic with the omission of <i>ṛṣabha</i> and <i>pañcama. Niṣāda</i> and <i>gāndhāra</i> are main
via surya_layout
12 kākalī and antara. Its application is prescribed in prāvešikī (dhruvās) related to the main
via surya_layout
13 entry of the hero in a situation where he is inclined towards the use of all main
via surya_layout
14 implements or tools (upakaraṇa), has an aversion to fighting which does not main
via surya_layout
15 match his disposition (vijātīya) and proceeds for hunting. main
via surya_layout
16 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
via surya_layout
17 obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed in main
via surya_layout
18 the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in main
via surya_layout
19 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara main
via surya_layout
20 and <i>pada</i>. main
via surya_layout
21 [2.Bhinna-pañcama] section_header
via surya_layout
22 [Anu. 176] section_header
via surya_layout
23 ......This bhinna-pañcama is said to be svarabhinna. Its description is thus- main
via surya_layout
24 The knowledgeable ones in svara have spoken of bhinna-pañcama being main
via surya_layout
25 similar48 to śuddha-pañcama. It has dhaivata as its ainśa, pañcama as its main
via surya_layout
26 concluding note and is (applied) in the entry of the sūtradhāra. main
via surya_layout
27 (307) main
via surya_layout
28 [Anu. 177] section_header
via surya_layout
29 This means-bhinna-pañcama is related to madhyamagrāma on account of main
via surya_layout
30 being born of madhyamā and pañcamī jātis. Dhaivata is the graha and amśa, main
via surya_layout
31 pañcama is the <i>nyāsa</i>, <i>niṣāda</i> is <i>kākalī</i> here. Sometimes <i>niṣāda</i><sup>49</sup> is also used main
via surya_layout
32 and this (rāga) is complete. It is applied in the entry of the sūtradhāra. main
via surya_layout
33 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
via surya_layout
34 obtains. Sañcārīn is the varņa. Prasannādi is the alankāra. The kalā is formed main
via surya_layout
35 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā main
via surya_layout
36 prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
via surya_layout
37 comprised of svara and pada. main
via surya_layout

vol_I_p030 RIGHT — 28 lignes

page vol_I_p030 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 , annotation_inline
parent ligne 4
via heuristic_height
2 43 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 The vivādi-maṇḍala in madhyama-grāma is thus — main
via surya_layout
5 ma annotation_inline
parent ligne 4
via heuristic_height
6 pa annotation_inline
parent ligne 4
via heuristic_height
7 ga unknown
via surya_layout
8 ц unknown
via surya_layout
9 dha unknown
via surya_layout
10 ni annotation_inline
parent ligne 4
via heuristic_height
11 sa annotation_inline
parent ligne 4
via heuristic_height
12 [The sevenfold combination of svaras according to the types beginning with editorial_bracket
parent ligne 4
via heuristic_brackets
13 ārcika] editorial_bracket
parent ligne 4
via heuristic_brackets
14 (Anu. 28) main
via surya_layout
15 Now the names of the sevenfold combination of svaras are being spoken of - main
via surya_layout
16 ārcika,45 gāthika,46 sāmika,47 svarāntara,48 auduva,49 şādava50 and sampūrņa.51 main
via surya_layout
17 Nārada has said so - main
via surya_layout
18 "Ārcika, gāthika, sāmika, svarāntara, auduva, sādava and the seventh is main
via surya_layout
19 sampūrņa. That which (involves) the use of one svara is called ārcika. Gāthika main
via surya_layout
20 should be known as being comprised of two svaras, the (combination of) three main
via surya_layout
21 svaras itself is sāmika. The use of four svaras is spoken of as svarāntara. Auduva is main
via surya_layout
22 with five (svaras), şāḍava is with six svaras and sampūrņa is known with seven main
via surya_layout
23 (svaras) by the designers (yoktṛns) of gīta 52 (music)." main
via surya_layout
24 [The etymology of svara-names] section_header
via surya_layout
25 ŧ annotation_inline
parent ligne 24
via heuristic_height
26 The producer of six svaras, or the one produced by six svaras, or that which main
via surya_layout
27 (55) annotation_inline
parent ligne 26
via heuristic_short
28 is born of six angas is called sadja.53 main
via surya_layout

vol_II_p070 LEFT — 27 lignes

page vol_II_p070 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 122 page_number
via heuristic_pagenum
3 [अनु॰ २०८] editorial_bracket
parent ligne 5
via heuristic_brackets
4 अस्यार्थः - रूपसाधारितः षड्जग्रामसम्बन्धः षड्जमध्यमानिषाद-[वती]-सकाशादुत्पन्नत्वात्। editorial_bracket
parent ligne 5
via heuristic_brackets
5 षङ्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यास: । पञ्चमर्षभयोरल्पत्वम् । निषादोऽत्र काकली। main
via surya_layout
6 पूर्णश्चायम्। annotation_inline
parent ligne 5
via heuristic_short
7 (पञ्चमर्पभयोरल्पत्वम्) annotation_inline
parent ligne 5
via heuristic_height
8 वीरकरुणेऽस्य प्रयोग: । वीरादिरस: । षङ्जादिमूर्छना । <sup>१०२</sup>आरोही वर्ण: । अलङ्कार: प्रसन्नमध्य: । दक्षिणे main
via surya_layout
9 कला, वार्तिक कला, चित्रे कला। स्वरपदगीते चच्चत्पुयदितालः। main
via surya_layout
10 [६. गान्धारपञ्चम:] section_header
via surya_layout
11 गान्धारीरक्तगान्धार्योर्जातो गान्धारपञ्चम:। main
via surya_layout
12 गान्धारोऽस्य भवेदंशो न्यासो गान्धार एव च ॥३३८॥ main
via surya_layout
13 [अनु॰ २०९] section_header
via surya_layout
14 अस्यार्थ: – गान्धारपञ्चमो मध्यमग्रामसम्बन्धः, गान्धारीरक्तगान्धारीसमुत्पन्नत्वात् । यद्यपि main
via surya_layout
15 १॰३दुर्गशक्तिमते धैवतीसमुत्पत्रोऽसौ, तथापि पञ्चमस्य त्रिश्रुतिकत्वादुभयग्रामजातिजातोऽपि मध्य[म]- editorial_bracket
parent ligne 14
via heuristic_brackets
16 सम्बन्ध एव । गान्धारोऽस्य ग्रहोंऽशो न्यासश्च, प्रयोक्त्रपेक्षया गान्धारो धैवतो भवेत् <sup>१०४</sup>। निषादोऽत्र काकली। main
via surya_layout
17 पूर्णश्चायम्। १०५अद्भुते विस्मये हास्ये चास्य विनियोगः। करुणो रसः। गान्धारादिमूर्छना सञ्चारी वर्णः । main
via surya_layout
18 र(स): annotation_inline
parent ligne 17
via heuristic_height
19 अद्भुते( ऽस्य विनियोग:) main
via surya_layout
20 प्रसन्नमध्यमोऽलङ्कारः । दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चपुयदितालः। main
via surya_layout
21 [७. षड्जकैशिक:]<sup>१०६</sup> table
via surya_layout
22 .............. annotation_inline
parent ligne 20
via heuristic_height
23 [८. पञ्चमषाडवः] editorial_bracket
parent ligne 20
via heuristic_brackets
24 धैवत्यार्षभिकाजात्योर्जात: पञ्चमषाडव:। main
via surya_layout
25 (भी?भिका) annotation_inline
parent ligne 24
via heuristic_height
26 ऋषभांशसमायुक्तो मध्यमो न्यास एव च ॥३३९॥ main
via surya_layout
27 <b>(</b>श) annotation_inline
parent ligne 26
via heuristic_height

vol_I_p067 LEFT — 44 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDEŚ</b>I page_header
via surya_layout
2 116 page_number
via heuristic_pagenum
3 सरिरिस [स] रिगगरिस सरिगममगरिस सरिगमपपमगरिस editorial_bracket
parent ligne 4
via heuristic_brackets
4 सरिगमपध्धपमगरिस सरिगमपधिननिधपमगरिस सरिगमपधिनस- main
via surya_layout
5 सनिधपमग्रिस, प्रस्तारः [ १५ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 सा annotation_inline
parent ligne 4
via heuristic_height
7 सनिनिस सनिधधनिस सनिधपपधनिस सनिधपममपधनिस main
via surya_layout
8 सा annotation_inline
parent ligne 7
via heuristic_height
9 [ सनिधपमगगमपधनिस ] editorial_bracket
parent ligne 7
via heuristic_brackets
10 री annotation_inline
parent ligne 7
via heuristic_height
11 सा annotation_inline
parent ligne 7
via heuristic_height
12 सिन्धपमगरिरिगमपधिनस सिन्धपमगरिस [ स ] रिगमपधिनस, editorial_bracket
parent ligne 7
via heuristic_brackets
13 ृप्रसादः [ १६ ] editorial_bracket
parent ligne 7
via heuristic_brackets
14 सरि रिग गम मप पध धनि निस सनि निध main
via surya_layout
15 धप पम मग गरि रिस, उद्वाहितः [ १७ ] editorial_bracket
parent ligne 14
via heuristic_brackets
16 सरिसरि रिगरिंग गमगम मपमप पधपध main
via surya_layout
17 धनिधनि निसनिस सनिसनि निधनिध main
via surya_layout
18 धपधप पमपम मगमग गरिगरि रिसरिस, main
via surya_layout
19 उपलोलकः [ १८ ] editorial_bracket
parent ligne 18
via heuristic_brackets
20 ः सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस main
via surya_layout
21 सरिगमपध्धपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस- main
via surya_layout
22 सनिधपमगरिस, क्रमः [१९ ] editorial_bracket
parent ligne 21
via heuristic_brackets
23 ुमाः annotation_inline
parent ligne 21
via heuristic_height
24 सग रिम ग़प मध पनि धस, निष्कूजितः [ २० ] editorial_bracket
parent ligne 21
via heuristic_brackets
25 सध annotation_inline
parent ligne 21
via heuristic_height
26 सधसध निपनिप धमधम पगपग मरिमरि main
via surya_layout
27 गसगस, ह्रादमानः [ २१ ] editorial_bracket
parent ligne 26
via heuristic_brackets
28 सारी गरि। री गामग। गामापम। मापाधप। main
via surya_layout
29 पा धा निध। धा नी सनि। रञ्जितः [ २२ ] editorial_bracket
parent ligne 28
via heuristic_brackets
30 सरिगमपधनिसा। सनिधपमगरिसा। आवर्तकः, [ २३ ] editorial_bracket
parent ligne 28
via heuristic_brackets
31 सरिगपपमगस्। रिगमधधपमरि। गमपनिनिधपगः। मपधससनिपमः। main
via surya_layout
32 सा annotation_inline
parent ligne 31
via heuristic_height
33 मा annotation_inline
parent ligne 31
via heuristic_height
34 មា annotation_inline
parent ligne 31
via heuristic_height
35 गा annotation_inline
parent ligne 31
via heuristic_height
36 [ सनिपममपधस ] निधपगगमपनि। धपमरिरिगमध। editorial_bracket
parent ligne 31
via heuristic_brackets
37 धा annotation_inline
parent ligne 31
via heuristic_height
38 मप annotation_inline
parent ligne 31
via heuristic_height
39 (vide) annotation_inline
parent ligne 31
via heuristic_height
40 티 annotation_inline
parent ligne 31
via heuristic_height
41 गा annotation_inline
parent ligne 31
via heuristic_height
42 पमगससरिगप, परिवर्तकः [ २४ ] editorial_bracket
parent ligne 31
via heuristic_brackets
43 <sup>—</sup>सा <sup>-</sup> annotation_inline
parent ligne 31
via heuristic_height
44 पा annotation_inline
parent ligne 31
via heuristic_height
172 lignes a valider — change uniquement les roles incorrects.