Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21636). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p137 LEFT — 43 lignes

L#	Texte OCR	Role auto
1	1, 1	unknown via fallback
2	<b>(4) 90 公司的第三人</b>	annotation_inline parent ligne 5 via heuristic_height
3	256	page_number via heuristic_pagenum
4	BRHADDEŚĨ	page_header via surya_layout
5	Note: Şadjamadhyamā and raktagāndhārī have been repeated in the interpo-	main via surya_layout
6	lated portion.	main via surya_layout
7	Chapter III (Rāgalakṣana)	section_header via surya_layout
8	कश्यपप्रमुखैरत्र यथास्वमति वर्णितम् ।	main via surya_layout
9	l.cf.	annotation_inline parent ligne 8 via heuristic_height
10	स्वरूपं रागशब्दस्य यथावत्तदिहोच्यते ॥	main via surya_layout
11	स्वरवर्णविशिष्टेन ध्वनिभेदेन यत्परम् ।	main via surya_layout
12	रज्यते येन सततं (सच्चित्तं) स राग: सम्मत: सताम् ॥	main via surya_layout
13	योऽसौ ध्वनिविशेषस्तु स्वरवर्णविभूषित:।	main via surya_layout
14	रञ्जको जनचित्तानां स राग: कथितो बुधै: ॥	main via surya_layout
15	S Rāj II. 2.I.10-12.	main via surya_layout
16	2. Reading in Sam Sa Sā, I. 58 and c.r. in Kalā. on SR. II.1.1, p.2.	list_item via surya_layout
17	3. Reconstruction based on ibid. (Kalā)	list_item via surya_layout
18	4. Reading in BhaKo p. 921.	list_item via surya_layout
19	5. C.r. in Kalā on SR. II .1.1, p. 2, Sudhā on the same, p. 3 and Rā Vi,	list_item via surya_layout
20	p. 101.	list_item via surya_layout
21	6. Reading in Sam Sa Sā, IV.76.	list_item via surya_layout
22	7. P.t.; neuter gender has been preferred by us in deference to the	list_item via surya_layout
23	gender of the noun being qualified, viz. lakṣaṇam.	list_item via surya_layout
24	8, 9,10. Reading in Sam Sa Sā, IV. 76.	list_item via surya_layout
25	11. The two lines of this verse are transposed in p.t.	list_item via surya_layout
26	12. Reconstruction based on c.r. in Sudhā on SR.II.I.I., p. 3; c.r. in	list_item via surya_layout
27	Kalā on ibid, p.2 reads 'vāpi manthavat' and so does c.r. in Rā Vi, p. 101.	list_item via surya_layout
28	13. C.r. in Rā Vi, p.101.	list_item via surya_layout
29	14. Reconstruction based on consideration of grammar and metre.	list_item via surya_layout
30	15. Reconstruction based on c.r. in Sudhā on SR.II.I.2-5, p.5 and	list_item via surya_layout
31	S.Rāj II.2.1.28d, 29c.	list_item via surya_layout
32	16. P.t. adds- 'teşam lakşanamucyate'- after 'iti', which is redundant.	list_item via surya_layout
33	17. Actually the gîtis spoken of by Bharata are 'modes' of textual	list_item via surya_layout
34	rendering, i.e., are related to pada, but they have been cited here in the	list_item via surya_layout
35	context of rāga.	list_item via surya_layout
36	One minor reading variant in this verse is -NS reads 'tu' in the place of 'ca' in	main via surya_layout
37	the third foot.	annotation_inline parent ligne 36 via heuristic_height
38	18. 'Matanga' of p.t. has been replaced with 'Kasyapa' because -	list_item via surya_layout
39	(i) the opinion of Matanga has been given in verses 268-270,	list_item via surya_layout
40	(ii) S.Rāj II.2.1.30 d, 31b ascribes these two gītis to Kasyapa, and	list_item via surya_layout
41	(iii) citation in Abhi Bhā on NŚ XXVIII. 141 also purports to do	list_item via surya_layout
42	the same.	list_item via surya_layout
43	and the second second	annotation_inline parent ligne 42 via heuristic_height

vol_II_p017 RIGHT — 22 lignes

L#	Texte OCR	Role auto
1	14	page_number via heuristic_pagenum
2	17	page_number via heuristic_pagenum
3	<b>TRANSLATION</b>	page_header via surya_layout
4	The extent(gati)<sup>25</sup> of tāra should be known up to the fourth, fifth or	main via surya_layout
5	seventh svara from the amśa, it is not desirable beyond that."	main via surya_layout
6	(NŚ XXVIII.70)	annotation_inline parent ligne 5 via heuristic_height
7	[4. The definition of mandra]	section_header via surya_layout
8	[Anu. 125]	editorial_bracket parent ligne 7 via heuristic_brackets
9	Now mandra is being said - mṛdu<sup>26</sup> (lit. soft, here low) svara is mandra. And	main via surya_layout
10	the extent (gati) of mandra is threefold, viz. amśaparā (followed by amśa),	main via surya_layout
11	nyāsaparā (followed by nyāsa) and apanyāsaparā (followed by apanyāsa). The	main via surya_layout
12	compound<sup>27</sup> bahuvrihi operates here (and the meaning is that which is	main via surya_layout
13	followed by amśa svara i.e. that which precedes the amśa). The svara that	main via surya_layout
14	comes before that (amśa), is mandra. As in dhaivatī<sup>28</sup> - dha - dha - ni - dha -	main via surya_layout
15	ma-pa-dha-mā. Mā-mā-mā. Thus the apanyāsa<sup>29</sup> svara is (operative) here.	main via surya_layout
16	Similar is the case with nyāsa 30 svara.	main via surya_layout
17	[5. The definition of sadava]	section_header via surya_layout
18	[Anu. 126]	editorial_bracket parent ligne 17 via heuristic_brackets
19	Now şādava is being said - (a structure of) six svaras is şādava. Since it is	main via surya_layout
20	related to (or operates in) fourteenfold jatis, four jatis are always complete	main via surya_layout
21	and hence, on account of their absence, it (sādava)31 has forty-seven	main via surya_layout
22	varieties and similarly has said Bharata -	main via surya_layout

vol_I_p083 RIGHT — 46 lignes

L#	Texte OCR	Role auto
1	149	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	As for the distinction between vowel and musical note, Abhinavagupta has	main via surya_layout
4	made a remarkable contribution in the conception of the autonomy of musical	main via surya_layout
5	note; this will be dealt with under the definition of svara in our text.	main via surya_layout
6	16. In language vyañjana, consonant ( lit. the act or instrument of mani-	list_item via surya_layout
7	festation ) is the phonetic unit that brings about specificity, but it can be	list_item via surya_layout
8	pronounced only with the help of vowel, otherwise it is impotent or ineffective.	list_item via surya_layout
9	Hence svara has been identified here with the śakti (supreme energy or power)	list_item via surya_layout
10	that lends the state of Siva to vyanjana (cf. Gandharva Tantra, IX. 17 and	list_item via surya_layout
11	Garland of Letters, p. 260). The underlying idea is that Siva obtains His state	list_item via surya_layout
12	only from the association with Sakti, otherwise it is like Sava (a dead body).	list_item via surya_layout
13	Sakti is identified with ikāra ( the vowel 'i' ). ( cf. citation from Saktikāgama in	list_item via surya_layout
14	Sabdakalpadruma Pt. V, p. 5)	list_item via surya_layout
15	17. Svarūpa (lit. own form) means the phonetic form of word and	list_item via surya_layout
16	sentence without reference to meaning. The whole world being a manifestation	list_item via surya_layout
17	of dhvani (sound), the very form of word and sentence without reference to	list_item via surya_layout
18	meaning, delineates or 'paints' the world because this form itself is a stage of	list_item via surya_layout
19	manifestation that in itself is the basis of further manifestation.	list_item via surya_layout
20	18. The sentence is the basic semantic unit, the 'word' becomes meaningful	list_item via surya_layout
21	when it forms part of a sentence. This is the point of view of grammar ( vyākaraņa )	list_item via surya_layout
22	which is mentioned here.	list_item via surya_layout
23	19. Pada is defined by Pāṇini (Aṣṭā I, 4.14) as that which combines the	list_item via surya_layout
24	suffix sup or tin (nominal or verbal suffixes), it is not just a combination of	list_item via surya_layout
25	syllables.	list_item via surya_layout
26	20, 21. Kāraka is not co-extensive with 'case'. It is instrumental in bringing	list_item via surya_layout
27	about the action denoted by verb (Monier Williams), Kāraka is the hetu or	list_item via surya_layout
28	nimitta (cause) of kriyā (action). There are six Kārakas according to Pāņini,	list_item via surya_layout
29	viz. kartṛ, karman, karaṇa, sampradāna, apādāna and adhikaraṇa. The sambandha	list_item via surya_layout
30	(genitive case) is not accepted to be a Kāraka, because 'it ordinarily expresses	list_item via surya_layout
31	the relation of two nouns to each other, but not the relation of a noun and a	list_item via surya_layout
32	verb.' ( Monier Williams )	list_item via surya_layout
33	The sentence is formed with padas that have sup or tin suffixes combined	main via surya_layout
34	with nouns and verbs respectively, standing, in turn, for kāraka and kriyā.	main via surya_layout
35	22. Mahāvākya has four primary connotations as follows -	list_item via surya_layout
36	(a) An aggregation of sentences where the apprehension of the meaning of	list_item via surya_layout
37	the individual components (sentences) leads to the apprehension of the total	list_item via surya_layout
38	meaning of the aggregate, just as in the aggregate of five components in the	list_item via surya_layout
39	nyāya-vākya used for inference. This is the view of nyāya.	list_item via surya_layout
40	(b) An aggregate of sentences where one sentence is primary and the others	list_item via surya_layout
41	are secondary. This is the view of Mimāmsā.	list_item via surya_layout
42	(c) A sentence that expresses deep philosophical meaning. This is the view	list_item via surya_layout
43	of Vedanta where sentences like tattvamasi (thou art That) aham brahmasmi (I	list_item via surya_layout
44	am brahman ) etc. are accepted as mahā-vākyas.	list_item via surya_layout
45	(d) A simple aggregate of sentences as in Rāmāyaņa, Mahābhārata or any	list_item via surya_layout
46	literary composition.	list_item via surya_layout

vol_II_p086 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	155	page_number via heuristic_pagenum
3	These are the bhāṣās spoken of by Yaṣṭika in mālavakaiśika.	main via surya_layout
4	(71)	main via surya_layout
5	[3. Bhāṣās in kakubha]	section_header via surya_layout
6	Combined with dhaivata as the initial and concluding note, kāmbojā is	main via surya_layout
7	complete in svaras, (and) there is the concert of sadja-dhaivata and similarly	main via surya_layout
8	pañcama-ṛṣabha. This bhāṣā bears the name of deśa (region) 28 and is the first	main via surya_layout
9	one born of kakubha.	annotation_inline parent ligne 8 via heuristic_height
10	(72)	main via surya_layout
11	Illustraion - Dhāsāgāgā. Māgārīsāsāsanisāsā. Dhāpāpā. Dhāmāsārigā.	main via surya_layout
12	Māgārīsāsā. Sanidhādhā pāpāmadhā nirisanidhādhā. Kāmbojā [i]	editorial_bracket parent ligne 11 via heuristic_brackets
13	Having madhyama as amśa and dhaivata as the concluding note,	main via surya_layout
14	madhyamagrāmikā is complete and this bhāṣā is sankīrṇā (mixed), a beautiful	main via surya_layout
15	one born of kakubha. Rṣabha and dhaivata are seen to be together in mutual	main via surya_layout
16	concert.	annotation_inline parent ligne 15 via heuristic_height
17	(73)	annotation_inline parent ligne 15 via heuristic_height
18	٨.	annotation_inline parent ligne 15 via heuristic_height
19	Illustration - Māmā. Garidhāsārīsāmā. Nigarisanisānidhā. Sādhāsādhanirisā.	main via surya_layout
20	Dhaniriri. Māpāpamāgā. Riririri. Gāma. Gāma. Dhādhāmāpāmāgārīsāsādhā	main via surya_layout
21	dhadhadha. Madhyamagrāmikā [ii]	editorial_bracket parent ligne 20 via heuristic_brackets
22	<math>S\bar{a}tav\bar{a}hin\bar{i}^{29}</math> should be known to have <math>r\bar{s}abha</math> as <math>am\bar{s}a</ma	main via surya_layout
23	concluding note. Madhyama and ṛṣabha are seen to be in mutual concert.	main via surya_layout
24	Some people desire the seventh (niṣāda) to be profuse and others (desire)	main via surya_layout
25	the same to be weak.	annotation_inline parent ligne 24 via heuristic_height
26	(74)	main via surya_layout
27	Illustration - [Riri]gadharirimā. Māmānimādhādhadhādhāpamapama	editorial_bracket parent ligne 26 via heuristic_brackets
28	marimamāsari. Māmapapāmapapāpāpāpamarimarimāmāsari. Pāpapasasāni.	main via surya_layout
29	Dhādhāri. Sāsāsāsīrīmanidhādhādhā padhāsādhapādhā pamapāpāmarimāmāsīri	main via surya_layout
30	māpāpāmāsānidhādhā. Sātavāhinī [iii]	editorial_bracket parent ligne 29 via heuristic_brackets
31	Having madhyama as amśa, niṣāda as the concluding note, being weak in	main via surya_layout
32	ṛṣabha, this bhāṣā, bhogavardhanī should be known to be hexatonic in	main via surya_layout
33	kakubha, where there is concert between the two svaras comprised of two	main via surya_layout
34	śrutis<sup>30</sup> each and pañcama.	main via surya_layout
35	<b>(75)</b>	annotation_inline parent ligne 34 via heuristic_short
36	Illustration - [Mamā] Ninī. Gagamā. Pāmāpamā. Dhādhā. Sanisani.	editorial_bracket parent ligne 34 via heuristic_brackets
37	Dhapa dhādhapamāpāma. Gagagaga. Mapadhādhāni. Sasasasa.	main via surya_layout
38	Māgasānidhādhādhā [nī.] Bhogavardhanī [iv]	editorial_bracket parent ligne 37 via heuristic_brackets

vol_II_p096 LEFT — 30 lignes

L#	Texte OCR	Role auto
1	BRHADDEŠĪ	page_header via surya_layout
2	174	page_number via heuristic_pagenum
3	.....साधारिता । [३]	editorial_bracket parent ligne 4 via heuristic_brackets
4	निषादांशा तु षड्जान्ता गान्धारी पूर्णसुस्वरा ।	main via surya_layout
5	भाषा सौवीरके ह्येषा गीयते करुणे सदा ११३॥ १२३॥	main via surya_layout
6	उदाहरणम् – निनिगागापामामानिसामागानी । धासासासा<sup>११४</sup>। गान्धारी । [४]	editorial_bracket parent ligne 5 via heuristic_brackets
7	॥ [इति]सौवीरकभाषा: समाप्ता: ॥	editorial_bracket parent ligne 5 via heuristic_brackets
8	८. अतःपरं भिन्नपञ्चमस्य भाषाः कथ्यन्ते	main via surya_layout
9	॰पञ्चमेऽस्य	annotation_inline parent ligne 8 via heuristic_markers
10	धैवतांशा तदन्ता च ११५सम्पूर्णा शुद्धभित्रका ।	main via surya_layout
11	धैवतर्षभसंवाद: षड्जमध्यमयोस्तथा ॥ १२४॥	main via surya_layout
12	भित्रपञ्चमजा होषा शुद्धभित्रा प्रकीर्तिता ।	main via surya_layout
13	लोकस्य रञ्जनं दृष्ट्वा किन्नरैर्गीयते सदा ॥ १२५॥	main via surya_layout
14	रञ्जकं	annotation_inline parent ligne 13 via heuristic_height
15	उदाहरणम्-धानिधानिससधा नीधानीसागासनिगानिधा पापानिनिमपामापापमाधा	main via surya_layout
16	धापाधापा	annotation_inline parent ligne 15 via heuristic_height
17	धापाधाधा । शुद्धभिन्ना । [१]	editorial_bracket parent ligne 15 via heuristic_brackets
18	मध्यमांशा धैवतान्ता ऋषभेण तु दुर्बला ।	main via surya_layout
19	षड्जधैवतसंवादो द्विश्रुतीनां सधैवतम् ॥ १२६॥	main via surya_layout
20	भाषा तु षाडवा ह्येषा बहुधैवतमध्यमा ।	main via surya_layout
21	वराटी चेति विख्याता गीता विद्याधरै: किल<sup>११६</sup>॥ १२७॥	main via surya_layout
22	उदाहरणम् - माधासधानिधा पानिमामागासासागामागा साधानीधा।	main via surya_layout
23	धाधाधाधासाधा	annotation_inline parent ligne 22 via heuristic_height
24	नीपापामागासासागामा[धाधा] । वराटी । [२]	editorial_bracket parent ligne 22 via heuristic_brackets
25	(वराटी)	annotation_inline parent ligne 22 via heuristic_height
26	मन्द्रेऽत्र ऋषभः कार्यो [धैवतश्च] मुहुर्मुहुः ॥ १२८॥	editorial_bracket parent ligne 22 via heuristic_brackets
27	स्फुरितं तत्र कर्तव्यं द्रुतमध्यविलम्बितम् ।	main via surya_layout
28	तारमन्द्रगतिं कुर्यात् तथारोहावरोहकम् ॥	main via surya_layout
29	तारं म(न्त्र?न्द्र)	annotation_inline parent ligne 28 via heuristic_height
30	तथा भाषा च विज्ञेया भित्रपञ्चमसम्भवा १९७॥ १२९॥	unknown via fallback

179 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p137 LEFT — 43 lignes

vol_II_p017 RIGHT — 22 lignes

vol_I_p083 RIGHT — 46 lignes

vol_II_p086 RIGHT — 38 lignes

vol_II_p096 LEFT — 30 lignes