Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21643). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p033 RIGHT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 1400 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 49 page_number
via heuristic_pagenum
4 citra (mārga) there is māgadhī (gīti), with the dvikala (tāla) in the vārtika main
via surya_layout
5 (mārga) there is sambhāvitā (gīti), with the catuṣkala (tāla) in the dakṣiṇa main
via surya_layout
6 (mārga) there is pṛthulā (gīti). Vīra, raudra, adbhuta are the rasas. Its main
via surya_layout
7 application (viniyoga) is (prescribed) in the singing of the naiskrāmiki<sup>65</sup> main
via surya_layout
8 (associated with exit) dhruvā in the first scene (or act). main
via surya_layout
9 [3. Dhaivati] section_header
via surya_layout
10 [Anu. 150] section_header
via surya_layout
11 In dhaivati, dhaivata and ṛṣabha are the two grahas and aṁśas. In the śuddhā main
via surya_layout
12 state, dhaivataitself is the apanyāsa and in the vikrtā state, dhaivata, ṛṣabha and main
via surya_layout
13 madhyama are the apanyāsas, dhaivata is the nyāsa. The ṣāḍava formation is main
via surya_layout
14 devoid of pañcama and the auduva formation is devoid of pañcama, șadja. main
via surya_layout
15 The same two svaras, viz. şadja and pañcama should be made weak and should main
via surya_layout
16 sometimes be leapt over. The tara is upto five svaras. The mandra is upto the main
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17 nyāsa<sup>66</sup> or upto the svara next to nyāsa. main
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18 [Anu. 151] section_header
via surya_layout
19 It (dhaivatī) is seven-fold. There are seven amśas. Śuddhā (is one), vikṛtās main
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20 in the complete state are two and ṣāḍava-auḍuva are two each. The mūrchanā main
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21 beginning with ṛṣabha obtains (in it). Pañcapāṇi is the tāla. Ekakala (tāla), main
via surya_layout
22 citra mārga and māgadhī gīti (go together). Dvikala (tāla), vārtika (mārga) and main
via surya_layout
23 sambhāvitā (gīti) (go together). Catuṣkala (tāla), dakṣiṇa (mārga) and pṛthulā main
via surya_layout
24 (gīti) (go together). The kalās are twelve in the citra (mārga), twenty-four in main
via surya_layout
25 the vārtika (mārga) and forty-eight in dakṣiṇa (mārga). Vīra, bībhatsa, main
via surya_layout
26 bhayānaka are the rasas. Its application is (prescribed) in the singing of main
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27 dhruvā in the first scene (or act). main
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28 [4. Naisādī] section_header
via surya_layout
29 [Anu. 152] section_header
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30 In niṣādavatī,67 niṣāda, ṛṣabha and gāndhāra are the grahas and aniśas. main
via surya_layout
31 Niṣāda, gāndhāra and ṛṣabha are apanyāsas. Niṣāda alone is nyāsa. The ṣāḍava main
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32 formation is devoid of pañcama and the auduvita formation is devoid of main
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vol_II_p036 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 54 page_number
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3 [८. गान्धारी] section_header
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4 तत्र गान्धार्या गान्धारषड्जमध्यमपञ्चमनिषादा <sup>१५७</sup>ग्रहा: , त एवांशा:। पञ्चस्वरपरस्तारो main
via surya_layout
5 न्यासपरस्तत्परो वा मन्द्र:। ऋषभहीनं षाडवम्,ऋषभधैवतहीनमौडुवितम्। main
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6 पूर्णावस्थायामृषभधैवतयोरल्पत्वम्, शेषाणां बहुत्वम्। स्वरजातित्वाद् गान्धारो न्यासः, main
via surya_layout
7 १५८षड्जपञ्चमावपन्यासौ, धैवतर्षभयो: सङ्गति:। तद्यथा - गान्धारी यदा सम्पूर्णा गीयते तदा main
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8 ॰मध्यमा॰ annotation_inline
parent ligne 7
via heuristic_markers
9 माधारिगा<sup>९५९</sup> इति प्रयोग: स्यात् । यदा ऋषभहीना गीयते [तदाऽ]धरस्वरप्रवेशने माधाधागा इति editorial_bracket
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10 <b>ण्नं(?)</b> annotation_inline
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11 (गि?गः) annotation_inline
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12 (甲) annotation_inline
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13 प्रयोग: स्यात् । यदा औडुविता गीयते तदा <sup>१६०</sup>उत्तर-स्वर-प्रवेशे मागागा इति प्रयोग: स्यात्, main
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14 <b>॰यन्ते</b> annotation_inline
parent ligne 13
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15 मापरिध इति प्रयोगः कदाचिदपि न स्यात् । main
via surya_layout
16 [अनु॰ १६१] section_header
via surya_layout
17 [ एका- ]दशविधत्वमस्या:। एकादशांशका:-शुद्ध:,विकृता: पूर्णा: पञ्च,चत्वार:षाडवा: , editorial_bracket
parent ligne 16
via heuristic_brackets
18 ॰द्धा annotation_inline
parent ligne 16
via heuristic_markers
19 औडुवित एक: । मूर्छना धैवतादि: । चच्चत्पुटस्ताल: एककलविधौ चित्रमार्गे मागधी, द्विकले main
via surya_layout
20 ·ध: annotation_inline
parent ligne 19
via heuristic_height
21 वार्तिके सम्भाविता, चतुष्कले दक्षिणे पृथुला। रसः 'करुणः'र६१। ध्रुवागाने तृतीयप्रेक्षणके main
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22 विनियोग:।। main
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23 [९. रक्तगान्धारी] section_header
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24 [अनु॰ १६२] section_header
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25 रक्तगान्धार्याः षड्जमध्यमपञ्चमगान्धारनिषादा ग्रहा अंशाश्च । पञ्चस्वरपरस्तारः , main
via surya_layout
26 <b>गान्धा(यंप्य ? यांप्य)</b> main
via surya_layout
27 न्यासपरस्तत्परो वा मन्द्र:। ऋषभहीनं षाडवम् ऋषभधैवतहीनमौडुवितम्। main
via surya_layout
28 पूर्णावस्थायामृषभधैवतयोरल्पत्वम् , शेषाणां बाहुल्यम् । निषादस्यांशत्वाद् बहुत्वे प्राप्ते main
via surya_layout
29 οζ page_footer
via surya_layout

vol_II_p068 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 118 page_number
via heuristic_pagenum
2 BRHADDESÎ page_header
via surya_layout
3 [अनु॰ २०२] editorial_bracket
parent ligne 4
via heuristic_brackets
4 ननु कश्यपमुनिना नर्तरागस्य किमित्यादौ निर्देश: कृत: ? उच्यते । उद्भटचांरिमण्डलाजौ main
via surya_layout
5 न(क?) र्क annotation_inline
parent ligne 4
via heuristic_height
6 न्दौ annotation_inline
parent ligne 4
via heuristic_height
7 विनियुज्यमानत्वान्मुख्यत्विमिति कश्यपमते । दुर्गशक्तिमते तु षड्जकैशिक एव मुख्यः । कुतः ? main
via surya_layout
8 षाडवत्वेन क्रमायातत्वात् । तद्यथा - main
via surya_layout
9 [१.नर्तरागः] section_header
via surya_layout
10 ९१पञ्चमांशो मध्यमान्तः पञ्चमीमध्यमोद्भवः । main
via surya_layout
11 नर्तरागस्तु विज्ञेय: स्वल्पद्विश्रुतिकस्वर: ॥ ३३३॥ main
via surya_layout
12 ·(वि ? द्वि)· main
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13 [अनु॰ २०३] section_header
via surya_layout
14 अस्यार्थः - नर्तरागो मध्यमग्रामसम्बन्धः पञ्चमीमध्यमोद्भवत्वात् । पञ्चमो ग्रहोंऽशश्च । main
via surya_layout
15 मध्यमो न्यास: । निषादगान्धारयोरत्राल्पत्वम् । निषादोऽत्र काकली । उद्भटचारिमण्डलाजौ<sup>९२</sup> main
via surya_layout
16 (जी?दी) annotation_inline
parent ligne 15
via heuristic_height
17 चास्य विनियोग: । शृङ्गारादिरस:<sup>९३</sup>। पञ्चमादिमूर्छना । अलङ्कार: प्रसन्नमध्यम: ।  वर्ण: सञ्चारी । main
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18 इति कश्यपमते॥ main
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19 [अनु॰ २०४] section_header
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20 <sup>९४</sup>दुर्गशक्तिमते तु अयमेव राग: पञ्चमीधैवतीजात्योर्जायते, षड्जग्रामसम्बन्ध एव main
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21 बोद्धव्यः। कुतः? पञ्चमस्य चतुःश्रुतिकत्वाद्भैवतस्य त्रिश्रुतिकत्वात् षड्जग्रामसम्बन्धः । main
via surya_layout
22 <b>॰त्वात्, धैवतस्य</b> annotation_inline
parent ligne 21
via heuristic_markers
23 [२. शक:] section_header
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24 स्यात् षाड्जीधैवतीजात्योः षड्जन्यासांशसंयुतः । main
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25 (जि? ह्जी) annotation_inline
parent ligne 24
via heuristic_short
26 दुर्बल: पञ्चमो यत्र १५स शक: परिकीर्तित: ॥ ३३४॥ main
via surya_layout
27 काकल्य:(?) annotation_inline
parent ligne 26
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28 [अनुष् २०५] section_header
via surya_layout
29 अस्यार्थः - शकः षड्जग्रामसम्बन्धः, षाड्जीधैवतीसमुत्पत्रत्वात् । षड्जोऽस्य main
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30 ग्रहोंऽशो न्यासश्च। <sup>१६</sup>पञ्चमस्याल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । main
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31 (पश्चमस्याल्पत्वम्) annotation_inline
parent ligne 30
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vol_II_p045 RIGHT — 54 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 73 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (11) table
via surya_layout
4 ni ni ni ni ri ri ri ri table
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5 (12) table
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6 rĩ rĩ gã nĩ sã sã nĩ nĩ table
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7 (13) table
via surya_layout
8 pā pā mā gari gā gā gā gā table
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9 (14) table
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10 rī rī mā sama mā mā pā pā table
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11 (15) table
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12 mā mā nī nī sā rī gā pā table
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13 riga gã gã gã gã gã gã gã table
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14 (16) table
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15 Thus ends andhri. section_header
via surya_layout
16 [9. Nandayanti] section_header
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17 In nandayantī, pañcama is the amśa, gāndhāra is known to be the graha. main
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18 Pañcama is said to be the graha in this (jāti) by some knowledgeable ones in main
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19 gīta (melody). annotation_inline
parent ligne 18
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20 (23) main
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21 There is the abundance of the lower rṣabha. The hexatonic form comes main
via surya_layout
22 about with the omission of şadja. Hṛṣyakā is the mūrchanā. The tāla is as in main
via surya_layout
23 the previous one ( āndhrī / gāndhārapañcamī). The kalās are twice in main
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24 number. annotation_inline
parent ligne 23
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25 (24) main
via surya_layout
26 The application is (prescribed) in the singing of dhruvās in the first act. main
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27 (25) annotation_inline
parent ligne 26
via heuristic_short
28 Gāndhārais the nyāsain this (jāti). Madhyama and pañcama are apanyāsas. main
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29 The <i>prastāra</i> is thus – main
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30 (1) table
via surya_layout
31 gā gā gā gā pā pā dhapa mā table
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32 (2) table
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33 dhā dhā dhā dhā dhā nī sani dhā table
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34 (3) table
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35 pā pā pā pā pā pā pā pā ` table
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36 (4) table
via surya_layout
37 dhā nī mā pā gā gā gā gā table
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38 (5) table
via surya_layout
39 mã rĩ gã gã gã gã gã gâ table
via surya_layout
40 (6) table
via surya_layout
41 mã mã pã pã dhã nidha pã pã table
via surya_layout
42 (7) table
via surya_layout
43 dhã nĩ mã pã gã gã gã gã table
via surya_layout
44 (8) table
via surya_layout
45 gama pā pā pā mā mā gā gā table
via surya_layout
46 (9) table
via surya_layout
47 dhā nī mā pā gā gā gā gā table
via surya_layout
48 (10) table
via surya_layout
49 mā mā mā mā mā mā mā mā table
via surya_layout
50 (11) table
via surya_layout
51 rī gā mā pā pama pā pā nī table
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52 (12) table
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53 rî rî rî rî pâ pâ mã mã table
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54 A . . . . . . . . . . . . . . . . . . . annotation_inline
parent ligne 29
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vol_I_p055 LEFT — 40 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 92 page_number
via heuristic_pagenum
2 BRHADDESI page_header
via surya_layout
3 [ अनु₀ ७५ ] editorial_bracket
parent ligne 4
via heuristic_brackets
4 स्वरे षड्जादिरूपे स्थित्वा तदीयतारमग्निवत् स्पृष्ट्वा कलामेकां च main
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5 चिरमेकस्मिन् annotation_inline
parent ligne 4
via heuristic_short
6 स्थित्वा यत्र पुनरपि सहसा मन्द्र आगम्यते, स बिन्दुः । यथा - सा [ स ] सा इति editorial_bracket
parent ligne 4
via heuristic_brackets
7 ुमा annotation_inline
parent ligne 4
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8 या annotation_inline
parent ligne 4
via heuristic_height
9 [६] editorial_bracket
parent ligne 4
via heuristic_brackets
10 बिन्दुः। main
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11 [ अनु₀ ७६ ] editorial_bracket
parent ligne 10
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12 एककलान्तरं स्पृष्ट्वा बिन्दोरेव विपर्ययोच्चारणा [ -त् ] editorial_bracket
parent ligne 10
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13 प्रवृत्तविनिवृत्तत्वान्निवृत्तप्रवृत्ताख्यः। यथा— सा सासा [ इति ] निवृत्तप्रवृत्तः । editorial_bracket
parent ligne 10
via heuristic_brackets
14 [ 9 ] editorial_bracket
parent ligne 10
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15 द्निवृत्तास्यः। main
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16 ,तो, annotation_inline
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17 ₀त (?) annotation_inline
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18 [ अनु₀ ७७ ] editorial_bracket
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19 आक्रीडितवदारोहावरोहक्रमेण सप्तकलो वेणुः। यथा—सरिगमपधनि निधपमगरिस । main
via surya_layout
20 ष (ष्क ? द्क ) लो annotation_inline
parent ligne 19
via heuristic_short
21 6 page_number
via heuristic_pagenum
22 इति विणुः। main
via surya_layout
23 [ अनु。 ७८ ] editorial_bracket
parent ligne 22
via heuristic_brackets
24 मन्द्रसप्तकमध्ये पवननिरोधेन १६त्रिश्रुतेः कम्पनात् कम्पितस्त्रिकलः। यथा- main
via surya_layout
25 <b>.म. ्नी (?)</b> हि main
via surya_layout
26 सरिगमपधनिस [ इति ] कम्पितः। editorial_bracket
parent ligne 25
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27 [९] editorial_bracket
parent ligne 25
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28 सा₀ annotation_inline
parent ligne 25
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29 [ अनु₀ ७९ ] editorial_bracket
parent ligne 25
via heuristic_brackets
30 मध्यसप्तके त्रिश्रुतेः कम्पनात् त्रिकलः कुहरितः। यथा—सरिगमपधनिस [ इति ] editorial_bracket
parent ligne 25
via heuristic_brackets
31 ,सा main
via surya_layout
32 कुहरितः। annotation_inline
parent ligne 31
via heuristic_short
33 [ 80 ] editorial_bracket
parent ligne 31
via heuristic_brackets
34 [ अनु。 ८० ] editorial_bracket
parent ligne 31
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35 तारसप्तके त्रिश्रुतेः कम्पनात् त्रिकलो रेचितः । [ यथा - ] सरिगमपधनिसा [ इति ] editorial_bracket
parent ligne 31
via heuristic_brackets
36 रेचितः। main
via surya_layout
37 [ ११ ] editorial_bracket
parent ligne 36
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38 [ अनु₀ ८१ ] editorial_bracket
parent ligne 36
via heuristic_brackets
39 द्वयोः स्वरयोर्बहुनां च स्वराणां समकलगमागमाच्चतुर्दशकलः प्रेङ्खोलितः। यथा— unknown
via fallback
40 ο₹ο annotation_inline
parent ligne 36
via heuristic_height
186 lignes a valider — change uniquement les roles incorrects.