Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21644). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 BRHADDEŚĪ page_header
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2 142 page_number
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3 सैन्धवी मध्यमांशा तु षड्जान्ता धैवतोज्वला । main
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4 सै(वमी?न्धवी) annotation_inline
parent ligne 3
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5 सुसम्पूर्णस्वरा होषा षड्जधैवतयोस्तथा ॥४७॥ main
via surya_layout
6 ३१गान्धारमध्यमानां तु गमनं दृश्यते घनम् । unknown
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7 गमकं annotation_inline
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8 गाभारः annotation_inline
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9 देशभाषा तु देश्याख्या सैन्धवी टक्करागजा ३२॥४८॥ main
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10 सनीनीनीचाधासरिसा नीधाधाधरिनिधाधा । धानिसा गारीमा । main
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11 उदाहरणम् – मामासासा । main
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12 सासा annotation_inline
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13 मामा गमागामासाधासारीमामामासा रिगामापापाधानिपधापामा गारीरीनिरिनि- धाधाधनीसा main
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14 रीगामामागामामा गामामामासासा । सैन्धवी । [८] editorial_bracket
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15 षड्जाद्यन्तसमायुक्ता पञ्चमेन विवर्जिता । main
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16 धैवतनिषादयोश्च षड्जधैवतयोस्तथा ॥४९॥ main
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17 परस्परं तु गमनं दृश्यते च क्षणे क्षणे । main
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18 भाषेयं षाडवा ज्ञेया वेसरिका प्रयोक्तृभि: ॥५०॥ main
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19 र्श<sup>े देरे</sup> सकाकली annotation_inline
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20 उदाहरणम् - सासा । सधानि । धासासासा मामागामा गामासाधा मागारीसासासा । main
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21 वेसरिका।[९] editorial_bracket
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22 पञ्चमांशा तु षड्जान्ता सम्पूर्णा लोकरञ्जिका । main
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23 प्ञुमर्षभसंवाद: षड्जमध्यमयोस्तथा ॥ main
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24 भाषेयं पञ्चमाख्या तु सम्पूर्णा समुदाहता ॥ ५१॥ main
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25 उदाहरणम् – पापापारिपा । रिपापापापमापापामपमा सासासरीरीरि । निधाधपापा । main
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26 पसामामा annotation_inline
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27 रिरोगगरिसपा पगारिसागारिसारिपापारिरिगरि। गाधामागारिरि धपरिगसासा। पञ्चमाख्या ३४। [१०] editorial_bracket
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28 offlo annotation_inline
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29 ध्यमन्द्रा तु षड्जान्ता गान्धारांशाल्पसप्तमा । main
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30 ३५ऋषभगान्धारयोस्त् षड्जमध्यमयोस्तथा ॥५२॥ main
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31 +र्षगान्धार॰ annotation_inline
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1 49 page_number
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2 TRANSLATION page_header
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3 Pañcama is kṛṣṇa (black), dhaivata is yellow-coloured, this niṣāda is multi- main
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4 coloured, (thus) should be known the colours of svaras. main
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5 (74) annotation_inline
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6 (iii) Devatās. main
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7 The daivata 83 (presiding deity) of şadja is Brahmā, ṛṣabha is with the daivata main
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8 vahni (fire), gandhara has Bharati as its deva, madhyama is with Hara as daivata. main
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9 (75) annotation_inline
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10 Pañcama is with Satayajña (Indra is its daivata), dhaivata is with Gaṇa-nāyaka main
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11 (as its daivata), niṣāda, on the other hand, has Bhānu (Sun) as its deva; thus are main
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12 (76) annotation_inline
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13 the devatā84 of svaras. annotation_inline
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14 (iv) Singers (seers). annotation_inline
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15 The svara şadja is sung ('seen')85 by Agni (fire), ṛṣabha is revealed by main
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16 Brahmā, gāndhāra is sung by Soma (moon), madhyama svara (is revealed) by main
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17 Vișnu. annotation_inline
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18 (77) main
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19 On the other hand, the svara pancama is sung by the mahatman (great- main
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20 souled) Nārada, the svaras dhaivata and niṣāda are 'sung' by Tumburu. main
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21 (78) annotation_inline
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22 (v) Rasas annotation_inline
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23 The two svaras madhyama and pañcama should be 'made'86 (used) in the two main
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24 (rasas) hāsya and śṛṅgāra, the two (svaras) şadja and ṛṣabha should be known in main
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25 (79) annotation_inline
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26 vira, raudra and adbhuta rasas. main
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27 Gāndhāra and niṣāda should be 'done' in karuņa rasa. Dhaivata should also main
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28 (80) annotation_inline
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29 be 'done' (used) in bibhatsa and bhayānaka. main
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30 (vi) Sthānas annotation_inline
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31 Ṣadja arises from the throat, 67 rṣabha is known (to arise) from the cerebrum, main
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32 gāndhāra from the nose, madhyama svara from the chest. main
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33 (81) annotation_inline
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34 Pañcama svara is arisen from the throat, O glorious onel dhaivata, on the main
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35 other hand, is born of the palate-region (tālu-deśa). Niṣāda, on the other hand, main
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36 should be known to be born of all the joints (sandhis). main
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37 (82) annotation_inline
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38 Thus one should know the svaras born in the ocean of gita (melody, music), main
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39 arisen out of the mouth of Mahadeva and placed in the 'path' of desi.68 main
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40 (83) annotation_inline
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41 [ Thus ends the section on svara ] editorial_bracket
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vol_I_p097 RIGHT — 43 lignes

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1 177 page_number
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2 VIMARŚA annotation_inline
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3 85. Assigning a seer to each svara is, again, an extension of the Vedic main
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4 tradition. annotation_inline
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5 86. The association of rasas with svaras is reproduced from NS XXVII, 103 cd- list_item
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6 105 ab. list_item
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7 87. The location of svaras in the human body as described here is quite list_item
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8 different from the seven sthanas discussed above in note No. 63. list_item
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9 88. 'Desi' here stands for the manifest realm of sound. list_item
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10 Section V ( Grāma-mūrchanā ) section_header
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11 1. Grāma is not just any group of svaras, it is a specific grouping which is the main
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12 basis of the perception of śruti and is also a fundamental categorisation of main
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13 melodies with the consonance of fifth between sa-pa and with the consonance main
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14 of fourth between ri-pa. annotation_inline
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15 2. The analogy of a village inherent in the word grāma is being made main
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16 explicit. BrD is the only text that has explained this point. main
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17 3. NŚ does not mention gāndhāra-grāma; Dattilam (11) and Nā Ši (1.2.6,7) main
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18 do mention it; Dattilam clearly states that it is not to be found here in this world. main
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19 ( See glossary ) annotation_inline
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20 4. The statement that svaras are born of Sāmaveda should be viewed list_item
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21 alongwith the backdrop of the common belief and oft-repeated platitude that list_item
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22 Indian music is born of Sāmaveda. When something is said to be the origin of list_item
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23 another thing, the general impression is that the origin precedes in time the list_item
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24 thing born of it. But in the case of music this impression could not hold good. It list_item
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25 would be absurd to say that there was no music among the people before list_item
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26 Sāmaveda became formalised or codified. The balanced view would be that list_item
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27 Sāmavedic music was the first to be codified and the codification of the music list_item
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28 of the people came later and that the 'vision' that inspired or guided the Vedic list_item
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29 codification continued to guide the later codification. The statement of our list_item
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30 author that svaras are born of Sāmaveda matches the statement in NŚ (I,17) list_item
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31 that gita (music) was taken by Brahmä from Sāmaveda, just as pāthya (text) list_item
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32 was taken from Rgueda, abhinaya (gesture) from Yajurveda and rasa from list_item
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33 Atharvaveda. To go a step further it would be pertinent to say that the mention list_item
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34 of the Vedic origin of a thing need not be taken to imply Vedic anteriority in list_item
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35 time; it could be interpreted to mean that the Vedic world-view and 'vision' was list_item
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36 the guiding spirit. list_item
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37 5. The number 'two' given here for grāma indicates that the author, in spite main
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38 of mentioning gandhara-grama, does not subscribe to the theory of three gramas. main
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39 6. The objective of grāma, stated here as the systematisation of svara, śruti, list_item
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40 mūrchanā, tāna, jāti and nāga is significant. Being a specific arrangement of intervals list_item
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41 in terms of śruti, grāma systematises svara and śruti; the intervals established in grāma list_item
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42 are strictly followed in murchana, the omission of svaras in tana is guided by the grama list_item
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43 (e.g. pañcama being the distinctive svara in madhyama-grāma, cannot be omitted in the list_item
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vol_II_p008 RIGHT — 63 lignes

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1 (vide) annotation_inline
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2 <b>ABBREVIATIONS</b> section_header
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3 Abhi main
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4 Abhinavagupta annotation_inline
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5 Abhinava Bhāratī, Abhinavagupta's commentary main
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6 Abhi Bhā annotation_inline
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7 on Nātya-Šāstra G.O.S., Baroda edition main
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8 Anuccheda, comparable to paragraph main
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9 Anu. annotation_inline
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10 Bha Bhā main
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11 Bharata Bhāṣya of Nānyadeva published upto a main
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12 portion of Chapter VII in two volumes by Indira main
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13 Kala Sangit Vishwavidyalaya, Khairagarh (M.P.) main
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14 and photostat of manuscript in the Deptt. of main
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15 Musicology, B.H.U. annotation_inline
parent ligne 14
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16 Bha Ko main
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17 Bharata Kośa of M.R. Kavi main
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18 BrD annotation_inline
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19 Brhaddeśi of Matanga Muni main
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20 C.r. annotation_inline
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21 Cited reading main
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22 Dattilam of Dattila unknown
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23 Datti unknown
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24 Ed. main
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25 Pt. K. Sāmbaśiva Sāstrī, editor of Bṛhaddeśī, main
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26 published in Anantaśayana Sanskrit Granthāvalī main
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27 No. 94 (Trivandrum Sanskrit Series) in 1928 main
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28 <i>Kalānidhi</i> commentary of Kallinātha on main
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29 Kalā annotation_inline
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30 Sangita-Ratnākara main
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31 Kalli annotation_inline
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32 Kallinātha main
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33 Lit. annotation_inline
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34 Literally main
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35 Mānasollāsa of Someśvara, Vol. III main
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36 Mānaso annotation_inline
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37 NŠ main
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38 Nātya Šāstra, G.O.S., Baroda edition, unless main
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39 otherwise indicated annotation_inline
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40 NŠ Chau. main
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41 Nāṭya Śāstra, Chaukhambha, Varanasi edition main
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42 NŠ Kā Mā annotation_inline
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43 Nāţya Sāstra, Kāvya Mālā edition main
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44 P.t. annotation_inline
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45 Printed text of Bṛhaddeśi, Trivandrum edition main
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46 Ra Kau annotation_inline
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47 Rasakaumudi of Šrikantha main
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48 Rā Vi annotation_inline
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49 Rāga Vibodha of Somanātha main
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50 Sam Sa Sā annotation_inline
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51 Sangīta-Samaya-Sāra of Pārsvadeva main
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52 Sam Ši Bhā Ka annotation_inline
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53 Sangīta Siromaņi of Panditamandalī, main
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54 manuscript in Bharat Kala Bhavan, B.H.U., main
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55 transcript in the Deptt. of Musicology, B.H.U. main
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56 Sam Su P.L. annotation_inline
parent ligne 55
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57 Sangita Sudhākara, Palm Leaf manuscript, main
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58 Saraswati Mahal Library, Tanjore, transcript in main
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59 the Deptt. of Musicology, B.H.U. main
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60 Simha annotation_inline
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61 Simhabhūpāla main
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62 SR annotation_inline
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63 Sangita Ratnākara of Šārngadeva (Adyar edition) main
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1 PÄŢHAVIMARŚA page_header
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2 271 page_number
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3 (ii) main
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4 पञ्चमांशग्रहा धान्ता निगयोर्गपयोर्गप । main
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5 धैवतर्पभयोधैव सङ्गत्या सङ्गधा(ता)मिथ:॥ main
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6 मधुरी ककुभे भाषा षड्जग्रामसमाश्रिता । main
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7 S Rāj II. 2.1.695. annotation_inline
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8 (iii) Madhukarī is treated as a vibhāṣā of kakubha ircS Rāj II.2. 1. main
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9 704, 705. annotation_inline
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10 निपयो रिधयोर्यस्यां संवादो निग्रहांशता । main
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11 63.cf. (i) annotation_inline
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12 रिन्यासा ककुभे भाषा शकमिश्रा तु सा मता ॥ main
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13 Kalā (appendix) on SR II,p.133. main
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14 (ii) annotation_inline
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15 निपादांशग्रहा भाषा शकमिश्रा रिविश्रमा । main
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16 निधयो: सधयोर्युक्ता सङ्गत्या ककुभाश्रिता ॥ main
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17 पङ्जग्रामेण सम्बद्धा मधुरैर्गमकैर्युता । main
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18 S Raj II.2.1, 698. annotation_inline
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19 64. 'Chāyā 'does not fit the context; our reconstruction as prāyā would main
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20 mean 'where kākalī is frequent'. Other texts, however, do not mention main
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21 kākalī in this bhāṣā. Our reconstruction is in close proximity with p.t. main
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22 65. cf. annotation_inline
parent ligne 21
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23 पङ्जग्रामसमुद्भतककुभे जनिता यथा। main
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24 धैवतांशग्रहन्यासा धापन्यासा धमन्द्रगा ॥ main
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25 माध्यमैरार्पभैस्तानै: पाञ्चमैधैवतैर्पि । main
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26 संयुक्तोन्झितगान्धारा भाषेयं भित्रपञ्चमी ॥ main
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27 विप्रलम्भे नियोक्तव्या ..... main
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28 S Rāj II.2.1.671,672 c. main
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29 Our reconstruction of the first foot of verse 80 is based on the above and main
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30 on the illustration which begins and ends with dhaivata. main
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31 66. (i) P.t. puts this line after the illustrative notation. main
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32 (ii) cf. हिन्दोलभाषा सान्तांशा वेसरी रिधदुर्बला । main
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33 सङ्गता समयो रिन्यो: प्रेक्षणे विनियुज्यते ॥ main
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34 Kalā (appendix) on SR II, p. 137. main
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35 67. SRāj II. 2.1.947 creads 'madhyamāmśagrahā', describing 'madhyama' as list_item
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36 the aniśa and graha. list_item
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37 68. Other texts read the name as cūtamañjarī; e.g. SR II.1.31 cd, Kalā list_item
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38 (appendix) on SR II, p. 137and S Rāj II.2.1.947b. 'Prathamamañjarī 'is read list_item
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39 as a 'bhāṣāṅga 'derived of kakubha, in SR II.2.115d. list_item
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40 69. SR II.2.146 a describes it as being devoid of 'rṣabha'as 'rihīnā'. list_item
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41 70. cf. list_item
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42 बहु (मन्द्र) पङ्जग्रहांशान्ता ऋपभेण विवर्जिता । list_item
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43 धैवतस्वरभृयिष्ठा[ऽ]पन्यासान्यितगस्यरा ॥ list_item
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221 lignes a valider — change uniquement les roles incorrects.