Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21670). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p057 RIGHT — 36 lignes

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1 97 page_number
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2 TRANSLATION page_header
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3 sanidhapamagaririgamapadhanisa, sanidhapamagarisasarigamapadhanisa. Or, main
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4 saninisa, nidhadhani, dhapapadha, pamamapa, magagama gaririga risasari. Thus main
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5 (16) annotation_inline
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6 is (ends) prasāda. annotation_inline
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7 (Anu. 86) annotation_inline
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8 (Pairs of) two svaras each moving to and fro in the order of ascent 53 and main
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9 descent and forming units of two kalās (phrases) each (form) udvāhita. As - sari main
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10 riga, gama mapa, padha dhani, nisa sani, 54 nidha dhapa, pama maga, gari, main
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11 (17) annotation_inline
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12 risa. Thus is (ends) udvāhita. annotation_inline
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13 (Anu. 87) annotation_inline
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14 This (udvāhita) itself is (called) upalolaka with (the pairs of svaras) being main
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15 repeated twice. As - sari sari, riga riga, gama gama, mapa mapa, padha padha, main
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16 dhani dhani, nisa nisa, sani sani, nidha nidha, dhapa dhapa, pama pama, main
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17 (18) annotation_inline
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18 maga maga, gari gari, risa risa. Thus is (ends) upalolaka. main
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19 (Anu. 88) annotation_inline
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20 There, krama is that, where having reached the sthayin55 (steady) svara after main
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21 ascending in the svaras in successive order beginning with one, without any gap, main
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22 svaras are pronounced in the order of prastara, increasing one by one (in main
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23 successive phrases). This is not different from prastara, being identical in form.56 main
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24 As - saririsa, sarigagarisa, sarigamamagarisa, sarigamapapamagarisa, main
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25 sarigamapadhadhapamagarisa, sarigamapadhaninidhapamagarisa, main
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26 sarigamapadhanisa 57 sanidhapamagarisa. Or, having ascended to the antara main
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27 (gandhāra) and in the same order having ascended to the kākali (niṣāda) the main
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28 sthāyi-svara (steady note) is reached, that is krama. As- sagani-nigasa. Thus is main
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29 (19) annotation_inline
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30 (ends) krama. annotation_inline
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31 (Anu. 89) annotation_inline
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32 Niṣkūjita is (formed) on having ascended (in the order of) first-third, then main
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33 second-fourth and others also in the same order. In the opinion of Kohala main
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34 niṣkūjita is (formed) by ascent with a gap of one svara (each time). As -saga main
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35 (20) annotation_inline
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36 rima gapa madha pani dhasa. Thus is (ends) nişküjita. main
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vol_I_p019 RIGHT — 33 lignes

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1 21 page_number
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2 TRANSLATION page_header
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3 The distinction of svara and śruti (exists) because they are prasādhya (lit. main
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4 accomplished, here perceived) by different buddhis (apprehensions, main
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5 perceptions). And also on account of the distinction of aśraya (seat or main
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6 substratum, here śruti) and āśrayin (that which is seated, here svara) the main
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7 identification (of the two) does not stand. main
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8 (36) annotation_inline
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9 The state of svaras being reflections, that has been spoken of, does not stand main
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10 reason (because) if the state of svaras being reflection (is accepted), then main
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11 perception having the nature of delusion becomes applicable. main
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12 (37) annotation_inline
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13 The relationship of cause and effect between śruti and svara is not possible; main
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14 there is no pramana (means of valid knowledge or evidence) of the existence of main
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15 (38) annotation_inline
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16 śrulis. annotation_inline
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17 (Objection) If by arthāpatti 55 (negative inference) or by the pramāņa main
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18 presuming vyāpti-grahaņa, (the comprehension of concomitance, i.e. anumāna,56 main
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19 inference) svara is proved to be the bheda (modification or result) of the gagana- main
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20 gunas<sup>57</sup> (qualities of space or ether i.e. sounds) that are the progenitors of svara main
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21 (then the kārya-kāraņa relationship between the two would be established). (39) main
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22 (Answer) It is true. annotation_inline
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23 Although the kārya-kāraņa difference (between svara and śruti) is evident, main
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24 (40) annotation_inline
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25 yet the kāraņatva (causality) of śrutis is impossible. main
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26 (This is so) because (here) the cause (śruti) is available (perceptible) (even) main
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27 when the kāryas (svaras) are present, (but) when the jar and the like are main
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28 existent, the lump of clay is not available (perceptible). main
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29 (41) annotation_inline
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30 Pariņāma 58 (transformation) (and, or) abhivyakti (manifestation) is main
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31 understood to be the justified proposition by the wise; thus the alternatives main
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32 (42) annotation_inline
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33 starting with tādātmya have been spoken of by me. main
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vol_II_p144 RIGHT — 43 lignes

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1 PÄŢHAVIMARŚA page_header
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2 271 page_number
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3 (ii) main
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4 पञ्चमांशग्रहा धान्ता निगयोर्गपयोर्गप । main
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5 धैवतर्पभयोधैव सङ्गत्या सङ्गधा(ता)मिथ:॥ main
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6 मधुरी ककुभे भाषा षड्जग्रामसमाश्रिता । main
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7 S Rāj II. 2.1.695. annotation_inline
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8 (iii) Madhukarī is treated as a vibhāṣā of kakubha ircS Rāj II.2. 1. main
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9 704, 705. annotation_inline
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10 निपयो रिधयोर्यस्यां संवादो निग्रहांशता । main
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11 63.cf. (i) annotation_inline
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12 रिन्यासा ककुभे भाषा शकमिश्रा तु सा मता ॥ main
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13 Kalā (appendix) on SR II,p.133. main
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14 (ii) annotation_inline
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15 निपादांशग्रहा भाषा शकमिश्रा रिविश्रमा । main
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16 निधयो: सधयोर्युक्ता सङ्गत्या ककुभाश्रिता ॥ main
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17 पङ्जग्रामेण सम्बद्धा मधुरैर्गमकैर्युता । main
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18 S Raj II.2.1, 698. annotation_inline
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19 64. 'Chāyā 'does not fit the context; our reconstruction as prāyā would main
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20 mean 'where kākalī is frequent'. Other texts, however, do not mention main
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21 kākalī in this bhāṣā. Our reconstruction is in close proximity with p.t. main
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22 65. cf. annotation_inline
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23 पङ्जग्रामसमुद्भतककुभे जनिता यथा। main
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24 धैवतांशग्रहन्यासा धापन्यासा धमन्द्रगा ॥ main
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25 माध्यमैरार्पभैस्तानै: पाञ्चमैधैवतैर्पि । main
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26 संयुक्तोन्झितगान्धारा भाषेयं भित्रपञ्चमी ॥ main
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27 विप्रलम्भे नियोक्तव्या ..... main
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28 S Rāj II.2.1.671,672 c. main
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29 Our reconstruction of the first foot of verse 80 is based on the above and main
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30 on the illustration which begins and ends with dhaivata. main
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31 66. (i) P.t. puts this line after the illustrative notation. main
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32 (ii) cf. हिन्दोलभाषा सान्तांशा वेसरी रिधदुर्बला । main
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33 सङ्गता समयो रिन्यो: प्रेक्षणे विनियुज्यते ॥ main
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34 Kalā (appendix) on SR II, p. 137. main
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35 67. SRāj II. 2.1.947 creads 'madhyamāmśagrahā', describing 'madhyama' as list_item
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36 the aniśa and graha. list_item
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37 68. Other texts read the name as cūtamañjarī; e.g. SR II.1.31 cd, Kalā list_item
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38 (appendix) on SR II, p. 137and S Rāj II.2.1.947b. 'Prathamamañjarī 'is read list_item
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39 as a 'bhāṣāṅga 'derived of kakubha, in SR II.2.115d. list_item
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40 69. SR II.2.146 a describes it as being devoid of 'rṣabha'as 'rihīnā'. list_item
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41 70. cf. list_item
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42 बहु (मन्द्र) पङ्जग्रहांशान्ता ऋपभेण विवर्जिता । list_item
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43 धैवतस्वरभृयिष्ठा[ऽ]पन्यासान्यितगस्यरा ॥ list_item
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vol_II_p008 RIGHT — 63 lignes

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1 (vide) annotation_inline
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2 <b>ABBREVIATIONS</b> section_header
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3 Abhi main
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4 Abhinavagupta annotation_inline
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5 Abhinava Bhāratī, Abhinavagupta's commentary main
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6 Abhi Bhā annotation_inline
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7 on Nātya-Šāstra G.O.S., Baroda edition main
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8 Anuccheda, comparable to paragraph main
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9 Anu. annotation_inline
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10 Bha Bhā main
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11 Bharata Bhāṣya of Nānyadeva published upto a main
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12 portion of Chapter VII in two volumes by Indira main
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13 Kala Sangit Vishwavidyalaya, Khairagarh (M.P.) main
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14 and photostat of manuscript in the Deptt. of main
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15 Musicology, B.H.U. annotation_inline
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16 Bha Ko main
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17 Bharata Kośa of M.R. Kavi main
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18 BrD annotation_inline
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19 Brhaddeśi of Matanga Muni main
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20 C.r. annotation_inline
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21 Cited reading main
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22 Dattilam of Dattila unknown
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23 Datti unknown
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24 Ed. main
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25 Pt. K. Sāmbaśiva Sāstrī, editor of Bṛhaddeśī, main
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26 published in Anantaśayana Sanskrit Granthāvalī main
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27 No. 94 (Trivandrum Sanskrit Series) in 1928 main
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28 <i>Kalānidhi</i> commentary of Kallinātha on main
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29 Kalā annotation_inline
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30 Sangita-Ratnākara main
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31 Kalli annotation_inline
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32 Kallinātha main
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33 Lit. annotation_inline
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34 Literally main
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35 Mānasollāsa of Someśvara, Vol. III main
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36 Mānaso annotation_inline
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37 NŠ main
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38 Nātya Šāstra, G.O.S., Baroda edition, unless main
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39 otherwise indicated annotation_inline
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40 NŠ Chau. main
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41 Nāṭya Śāstra, Chaukhambha, Varanasi edition main
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42 NŠ Kā Mā annotation_inline
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43 Nāţya Sāstra, Kāvya Mālā edition main
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44 P.t. annotation_inline
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45 Printed text of Bṛhaddeśi, Trivandrum edition main
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46 Ra Kau annotation_inline
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47 Rasakaumudi of Šrikantha main
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48 Rā Vi annotation_inline
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49 Rāga Vibodha of Somanātha main
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50 Sam Sa Sā annotation_inline
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51 Sangīta-Samaya-Sāra of Pārsvadeva main
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52 Sam Ši Bhā Ka annotation_inline
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53 Sangīta Siromaņi of Panditamandalī, main
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54 manuscript in Bharat Kala Bhavan, B.H.U., main
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55 transcript in the Deptt. of Musicology, B.H.U. main
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56 Sam Su P.L. annotation_inline
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57 Sangita Sudhākara, Palm Leaf manuscript, main
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58 Saraswati Mahal Library, Tanjore, transcript in main
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59 the Deptt. of Musicology, B.H.U. main
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60 Simha annotation_inline
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61 Simhabhūpāla main
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62 SR annotation_inline
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63 Sangita Ratnākara of Šārngadeva (Adyar edition) main
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vol_II_p083 RIGHT — 33 lignes

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1 4 - 1 annotation_inline
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2 149 page_number
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3 TRANSLATION page_header
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4 [ Vibhāṣā of ṭakkarāga] section_header
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5 Having pañcama as amsa and sadja as the concluding note, being main
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6 embellished with madhyama, potā is a vibhāṣā born of ṭakkarāga and is sung main
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7 at the end of the bhāṣās. annotation_inline
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8 (61) annotation_inline
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9 Illustration - Pāpānīsāsānīsārīmā dhārīdhāpāpāmāgāgā. main
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10 Sāgāsāgāgādharigarigarimā. Mamamaga. Garisānīdhādhā sāgāgā. Gā rī gā rī. main
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11 Sāsāgāmā nīdhādhāpāmārīsāsā gānīdhānī sāsāpāsā. Potā. main
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12 [2. Bhāṣās in mālavakaiśika] section_header
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13 Paurālī is born of <math>deśa^{24}</math>, i.e., is a regional variety, is combined with şadja main
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14 as the initial and concluding note, is complete in svaras (and) has profuse main
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15 șadja and madhyama. This bhāṣā should be known as the first one in main
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16 mālavakaišika (used as mālakaišika in the text due to exigency of metre) of main
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17 madhyama (grāma). annotation_inline
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18 (62) annotation_inline
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19 Illustration - Samā. Gāgāgāgāpāpā. Māmāgāgā. Sāmāmāmāmā. Māmā. main
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20 Māmārīrī. Rigāgārīsāsāsārī. Magasāsāmāgārīsānī. Sāsā. Paurālī. main
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21 Šuddhāhas madhyama as amśa, ṣadja as the concluding note, is a vibhāṣā, main
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22 complete in svaras, is associated with 'merriment' and is sung in mālavakaišika. main
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23 (63) annotation_inline
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24 Illustration - Māmādhāsāgārīsāsā. Nidhāsāsādhānimāmādhānīsā. Rigāmāsā. main
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25 Sādhāmāgārigāsāsā. Suddhā [i] editorial_bracket
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26 Ardhavesarī has madhyama as amśa and ṣadja as the concluding note, is main
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27 complete, weak in niṣāda and has profuse ṣaḍja and madhyama. This bhāṣā main
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28 should always be known as sankīrņā (mixed), by the knowledgeable ones in main
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29 gändharva. annotation_inline
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30 (64) annotation_inline
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31 Pāpāmāmā. annotation_inline
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32 Illustration - Māmāgāmāsāsā. Sāmāpāpādhāsādhā. main
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33 Gamagamāga. Sāsāsāsā. Gāmāpapādhapādhamapāmā. Gamagamagarīsā main
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208 lignes a valider — change uniquement les roles incorrects.