Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21695). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p070 LEFT — 43 lignes

L#	Texte OCR	Role auto
1	122	page_number via heuristic_pagenum
2	<b>BRHADDES!</b>	page_header via surya_layout
3	तत्र ध्रुवा सशब्दा स्यात् सर्पिणी वामगा भवेत् ।	main via surya_layout
4	ध्वका च गब्दस्याः	annotation_inline parent ligne 3 via heuristic_height
5	कृष्णा दक्षिणतो याता वर्तिनी चाप्यधोगता ॥१७९॥	main via surya_layout
6	(ना?ता)	annotation_inline parent ligne 5 via heuristic_short
7	.ताः	annotation_inline parent ligne 5 via heuristic_height
8	विसर्जिता बहिर्याता विक्षिप्ता कुञ्चिता भवेत् ।	main via surya_layout
9	•वर्ति₀10	annotation_inline parent ligne 8 via heuristic_markers
10	पताका चोर्ध्वगा जेया पतिता भूमिगा भवेत्12 ॥१८०॥	main via surya_layout
11	( का ?गा ) <sup>11</sup>वनि, भूम्मिगा (?)	main via surya_layout
12	ध्वका सर्पिणी चित्रे वार्तिक च परेऽपि द्वे ।	main via surya_layout
13	कृष्णापिद्मिनीनाम्न्यश्चाः दक्षिणेऽष्टौ स्मृता मात्राः ॥१८१॥	main via surya_layout
14	.नाम्न्यो	annotation_inline parent ligne 13 via heuristic_short
15	[ अनु॰ १०८ ]	editorial_bracket parent ligne 13 via heuristic_brackets
16	14दक्षिणावृतिषिचत्रेति वृत्तयो गीतोभयवाद्यप्राधान्यवशात्	main via surya_layout
17	प्रतीताः ।	annotation_inline parent ligne 16 via heuristic_short
18	वृत्तिः, उभयप्रधाना वृत्तिवृत्तिः, वाद्यप्रधाना चित्रा	main via surya_layout
19	दक्षिणा	annotation_inline parent ligne 18 via heuristic_short
20	गीतप्रधाना	main via surya_layout
21	वृत्तिः।	annotation_inline parent ligne 20 via heuristic_short
22	[ अनु॰ १०९ ]	editorial_bracket parent ligne 20 via heuristic_brackets
23	इदानी प्राधान्यं ज्ञापयति पाणिकृतं विवर्तितम्।	main via surya_layout
24	तदुक्तम् :-	main via surya_layout
25	•क्ताम्	annotation_inline parent ligne 24 via heuristic_height
26	"15ताल [ गीतिलय - ] यतिमार्गप्राधान्यान्यासां यथास्वं व्यञ्जकानि	editorial_bracket parent ligne 24 via heuristic_brackets
27	(न ?) न्यादासा <b>.संस्य</b> स्वरं (र) ( ? )	main via surya_layout
28	भवन्ति। 16चित्रे समा यतिः, द्वतो लयः, उपरिपाणिः, मागधीगीति -	main via surya_layout
29	याति+	annotation_inline parent ligne 28 via heuristic_short
30	रोघोऽवयवः। वार्तिक स्रोतोगता यतिर्मध्यो लयः, समपाणिः, सम्भाविता	main via surya_layout
31	.पनामुस्रो,	annotation_inline parent ligne 30 via heuristic_short
32	„Ц	annotation_inline parent ligne 30 via heuristic_height
33	गीतिरनुगतं चावयवः । तद्वद्क्षिणे गोपुच्छा यतिर्विलम्बितो लयः.	main via surya_layout
34	गवोबलयवः-----	annotation_inline parent ligne 33 via heuristic_short
35	उदाद.	annotation_inline parent ligne 33 via heuristic_height
36	अवपाणिः, पृथुला गीतिस्तत्त्वं चावयवः।"	main via surya_layout
37	÷	annotation_inline parent ligne 36 via heuristic_height
38	अधम,	annotation_inline parent ligne 36 via heuristic_height
39	₽.	annotation_inline parent ligne 36 via heuristic_height
40	[ अनु॰ ११० ]	editorial_bracket parent ligne 36 via heuristic_brackets
41	वृत्तीनां च वाद्यं 17समानागतातीतग्रहैः कार्यम्। तत्र	main via surya_layout
42	.पा	annotation_inline parent ligne 41 via heuristic_height
43	.ম.	annotation_inline parent ligne 41 via heuristic_height

vol_II_p121 RIGHT — 32 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	225	page_number via heuristic_pagenum
3	The lineage of kṣatriyas is there and the rasa has been said to be raudra.	main via surya_layout
4	Where there are five analoganas <math>^{40}</math> and the sixth is a vāyugana, <math>^{41}</math> lo! that elä	main via surya_layout
5	is known to be <i>hamsāvatī</i>, by the experts in music.	main via surya_layout
6	(430)	main via surya_layout
7	[3. Nandāvatī]	section_header via surya_layout
8	Combined with small gamakas in mālavakaišika rāga, the nandāvatī elā is	main via surya_layout
9	sung in <i>pratitāla</i>.	main via surya_layout
10	(431)	annotation_inline parent ligne 9 via heuristic_short
11	Indrāņī is the devatā (presiding deity), sāttvatī is the vṛtti<sup>42</sup> spoken of here,	main via surya_layout
12	gaudi is the <math>riti^{43}</math> spoken of (and) yellow is the colour accepted by the wise.	main via surya_layout
13	(432)	annotation_inline parent ligne 12 via heuristic_short
14	Vīra is the rasa that is said to be, (this clā) is born of the lineage of vaisyas.	main via surya_layout
15	Everything (else) beginning with rāga should be done as in nādāvatī.	main via surya_layout
16	(433)	annotation_inline parent ligne 15 via heuristic_short
17	Where there are five <math>ambara</math>-gaņas, <math>^{44}</math> combined with <math>m\bar{a}rta\eta daga\eta as^{45}<	main via surya_layout
18	should be known as nādāvatī elā by the experts in music.	main via surya_layout
19	(434)	main via surya_layout
20	[4. Bhadrāvatī]	section_header via surya_layout
21	Structured with padas one by one, brimming with mūrchanā 46 sounds,	main via surya_layout
22	combined with kańkāla tāla, it is sung in kakubha (rāga).	main via surya_layout
23	(435)	annotation_inline parent ligne 22 via heuristic_short
24	Bhadrāvatī elā is born of the śūdra caste and should be known to be of black	main via surya_layout
25	colour, being bedecked with vaidarbhī rīti.47	main via surya_layout
26	(436)	annotation_inline parent ligne 25 via heuristic_short
27	Combined with bhāratī vṛtti 48 and embellished with bībhatsa rasa, it is said	main via surya_layout
28	to be endowed with vārāhī devatā,49 by those adept in music.	main via surya_layout
29	(437)	annotation_inline parent ligne 28 via heuristic_short
30	Where there are five <math>bh\bar{u}mi</math>-gaņas<sup>50</sup> and similarly the sixth is <math>jalagaņa_i^{51}</math>	main via surya_layout
31	that is known by the best among munis to be famous as bhadrāvatī.	main via surya_layout
32	(438)	main via surya_layout

vol_II_p068 LEFT — 31 lignes

L#	Texte OCR	Role auto
1	118	page_number via heuristic_pagenum
2	BRHADDESÎ	page_header via surya_layout
3	[अनु॰ २०२]	editorial_bracket parent ligne 4 via heuristic_brackets
4	ननु कश्यपमुनिना नर्तरागस्य किमित्यादौ निर्देश: कृत: ? उच्यते । उद्भटचांरिमण्डलाजौ	main via surya_layout
5	न(क?) र्क	annotation_inline parent ligne 4 via heuristic_height
6	न्दौ	annotation_inline parent ligne 4 via heuristic_height
7	विनियुज्यमानत्वान्मुख्यत्विमिति कश्यपमते । दुर्गशक्तिमते तु षड्जकैशिक एव मुख्यः । कुतः ?	main via surya_layout
8	षाडवत्वेन क्रमायातत्वात् । तद्यथा -	main via surya_layout
9	[१.नर्तरागः]	section_header via surya_layout
10	९१पञ्चमांशो मध्यमान्तः पञ्चमीमध्यमोद्भवः ।	main via surya_layout
11	नर्तरागस्तु विज्ञेय: स्वल्पद्विश्रुतिकस्वर: ॥ ३३३॥	main via surya_layout
12	·(वि ? द्वि)·	main via surya_layout
13	[अनु॰ २०३]	section_header via surya_layout
14	अस्यार्थः - नर्तरागो मध्यमग्रामसम्बन्धः पञ्चमीमध्यमोद्भवत्वात् । पञ्चमो ग्रहोंऽशश्च ।	main via surya_layout
15	मध्यमो न्यास: । निषादगान्धारयोरत्राल्पत्वम् । निषादोऽत्र काकली । उद्भटचारिमण्डलाजौ<sup>९२</sup>	main via surya_layout
16	(जी?दी)	annotation_inline parent ligne 15 via heuristic_height
17	चास्य विनियोग: । शृङ्गारादिरस:<sup>९३</sup>। पञ्चमादिमूर्छना । अलङ्कार: प्रसन्नमध्यम: । वर्ण: सञ्चारी ।	main via surya_layout
18	इति कश्यपमते॥	main via surya_layout
19	[अनु॰ २०४]	section_header via surya_layout
20	<sup>९४</sup>दुर्गशक्तिमते तु अयमेव राग: पञ्चमीधैवतीजात्योर्जायते, षड्जग्रामसम्बन्ध एव	main via surya_layout
21	बोद्धव्यः। कुतः? पञ्चमस्य चतुःश्रुतिकत्वाद्भैवतस्य त्रिश्रुतिकत्वात् षड्जग्रामसम्बन्धः ।	main via surya_layout
22	<b>॰त्वात्, धैवतस्य</b>	annotation_inline parent ligne 21 via heuristic_markers
23	[२. शक:]	section_header via surya_layout
24	स्यात् षाड्जीधैवतीजात्योः षड्जन्यासांशसंयुतः ।	main via surya_layout
25	(जि? ह्जी)	annotation_inline parent ligne 24 via heuristic_short
26	दुर्बल: पञ्चमो यत्र १५स शक: परिकीर्तित: ॥ ३३४॥	main via surya_layout
27	काकल्य:(?)	annotation_inline parent ligne 26 via heuristic_height
28	[अनुष् २०५]	section_header via surya_layout
29	अस्यार्थः - शकः षड्जग्रामसम्बन्धः, षाड्जीधैवतीसमुत्पत्रत्वात् । षड्जोऽस्य	main via surya_layout
30	ग्रहोंऽशो न्यासश्च। <sup>१६</sup>पञ्चमस्याल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् ।	main via surya_layout
31	(पश्चमस्याल्पत्वम्)	annotation_inline parent ligne 30 via heuristic_height

vol_II_p060 LEFT — 26 lignes

L#	Texte OCR	Role auto
1	102	page_number via heuristic_pagenum
2	BRHADDEŠĪ	page_header via surya_layout
3	[अनु॰ १८३]	editorial_bracket parent ligne 5 via heuristic_brackets
4	[ अस्यार्थ:- ]चतुःश्रुतेः पञ्चमस्य यदा श्रुतिद्वयं गृह्णाति निषादः तदासौ श्रुतिभिन्नोऽभिधीयते।	editorial_bracket parent ligne 5 via heuristic_brackets
5	ननु मध्यमग्रामे पञ्चमस्य त्रिश्रुतिकत्वात् कथं श्रुतिद्वयं गृह्णाति निपाद:?	main via surya_layout
6	उच्यते ।	annotation_inline parent ligne 5 via heuristic_height
7	(fa)	annotation_inline parent ligne 5 via heuristic_height
8	भूतपूर्वन्यायेन चतुः श्रुतिरुच्यते । यथा भित्रकैशिकरागे त्रिश्रुतिपञ्चमस्य च[तुः] श्रुतित्वमाश्रित्य लोपः	editorial_bracket parent ligne 5 via heuristic_brackets
9	कृतः पड्जग्रामे, एवमत्रापि भविष्यतीति न दोषः । लक्षणं चास्य तद्यथा -	main via surya_layout
10	[५. भिन्नतान:]	editorial_bracket parent ligne 9 via heuristic_brackets
11	<sup>६र</sup>तानस्तु मध्यमन्यासः पञ्चमांशोऽल्पसप्तमः ।	main via surya_layout
12	मध्यमापञ्चमीजात्योर्ऋषभेण तु दुर्बल: ॥ ३१३॥	main via surya_layout
13	[अनु॰ १८४]	editorial_bracket parent ligne 12 via heuristic_brackets
14	अस्यार्थः - भिन्नतानो मध्यमग्रामसम्बन्धः मध्यमापञ्चमीजात्युत्पन्नत्वात् ।	main via surya_layout
15	पञ्चमो	annotation_inline parent ligne 14 via heuristic_height
16	भित्रनासिका(?)	annotation_inline parent ligne 14 via heuristic_height
17	ग्रहोंऽशश्च। मध्यमो न्यास:। मध्यमनिषादयोरल्पत्वम् [?]<sup>६२</sup>। निषादोऽत्र काकली। पूर्णश्चायम	editorial_bracket parent ligne 14 via heuristic_brackets
18	प्रौढकरुणेऽस्य प्रयोग:। पञ्चमादिमूर्छना।सञ्चारी वर्ण:।प्रसन्नादिरलङ्कार;।दक्षिणे कला, वार्तिके	main via surya_layout
19	कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:।	main via surya_layout
20	[भिन्नरागाणां ग्रामविभागः]	section_header via surya_layout
21	[अनु॰ १८५]	editorial_bracket parent ligne 20 via heuristic_brackets
22	भित्रानां ग्रामविभागस्तु काश्यपेनोक्त:। तथा च -	main via surya_layout
23	‘‘भित्रषड्जस्तु षड्जे स्याद् भिन्नकैशिकमध्यम:।	main via surya_layout
24	पञ्चम: कैशिकस्तानो मध्यमग्रामसंश्रित: ॥''	main via surya_layout
25	<b>ल्स्ता</b>ने	annotation_inline parent ligne 24 via heuristic_height
26	इति भित्रा: समाख्याता गौडकाञ् शृणु साम्प्रतम् ॥ ३१४॥	main via surya_layout

vol_I_p036 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	55	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	The heptad of svaras (that functions) through ascent and descent<sup>21</sup> in	main via surya_layout
4	respective order,22 should be known by the adept ones as being spoken of by the	main via surya_layout
5	(91)	annotation_inline parent ligne 4 via heuristic_height
6	word mürchanā.	annotation_inline parent ligne 4 via heuristic_height
7	[ Anu. 36 ]	editorial_bracket parent ligne 4 via heuristic_brackets
8	That murchanā again is twofold — one composed of seven svaras and the	main via surya_layout
9	other of twelve svaras.25 Out of these the murchana of seven svaras is fourfold24	main via surya_layout
10	__ pūrņā (lit. complete, here with all the seven svaras), ṣāḍavā (hexatonic),	main via surya_layout
11	auduvitā (pentatonic) and sādhāraņā (with sādhāraņa svaras). Out of them	main via surya_layout
12	pūrņā is that which is sung with seven svaras, that which is sung with six svaras is	main via surya_layout
13	ṣāḍavā, that which is sung with five svaras is auduvitā, that which is sung with	main via surya_layout
14	kākalī and antara svaras, is sādhāraņā.	main via surya_layout
15	(Anu. 37)	annotation_inline parent ligne 14 via heuristic_height
16	Now the mūrchanā-maṇḍala is being spoken of. In this (maṇḍala) for	main via surya_layout
17	mūrchanās of seven svaras in each grāma there are forty-nine svaras and (the	main via surya_layout
18	same number of) squares (kosthakas), on account of the process that follows a	main via surya_layout
19	set path or order.	annotation_inline parent ligne 18 via heuristic_short
20	That is thus—	annotation_inline parent ligne 18 via heuristic_height
21	Forty-nine squares filled25 with svaras, have, indeed, to be made with eight	main via surya_layout
22	(92)	annotation_inline parent ligne 21 via heuristic_height
23	horizontal and vertical lines.	main via surya_layout
24	(Anu. 38)	annotation_inline parent ligne 23 via heuristic_height
25	There (in the maṇḍala) are seven (mūrchanās) beginning with 26 sa - ni - dha	main via surya_layout
26	- pa - ma - ga - ri in sadjagrāma and seven beginning with ma - ga - ri - sa - ni -	main via surya_layout
27	dha - pa in madhyama-grāma. Svaras have to be 'made' (filled) (in the squares) in	main via surya_layout
28	the horizontal and vertical (order). That is thus - ni - dha - pa - ma - ga - ni -	main via surya_layout
29	į	annotation_inline parent ligne 28 via heuristic_height
30	sa is (the order) in şadja-grāma. Ga - ni - sa - ni - dha - pa - ma is (the	main via surya_layout
31	order) in madhyama-grāma.	main via surya_layout
32	Thus there are the fourteen sampūrņā (complete) mūrchanās of the two	main via surya_layout
33	grāmas.	annotation_inline parent ligne 32 via heuristic_height
34	sa - ri - ga - ma - pa - dha - ni<br>ni - sa - ri - ga - ma - pa - dha	main via surya_layout

166 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p070 LEFT — 43 lignes

vol_II_p121 RIGHT — 32 lignes

vol_II_p068 LEFT — 31 lignes

vol_II_p060 LEFT — 26 lignes

vol_I_p036 RIGHT — 34 lignes