Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21729). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 1 page_number
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2 216 page_number
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3 BRHADDEŚĪ page_header
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4 [२०.विचित्र:] section_header
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5 अनेकदेशभाषाभि: पाटैर्बिरुदतेनकै:। main
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6 पादै॰ annotation_inline
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7 चित्रित: स्वरतालैश्च विचित्र इति कीर्तित: ॥४०२॥ main
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8 [२१. त्रिभङ्गिः] section_header
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9 ٠ page_number
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10 पदै: स्वरैस्तथा पाटैर्वृत्तत्रयपदेन च । main
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11 पार्दै॰ annotation_inline
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12 तालत्रयविमिश्रेण त्रिभङ्गिरभिधीयते<sup>२१</sup> ॥४०३॥ main
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13 ٠ page_number
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14 [२२. चतुरङ्गः] section_header
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15 रागतालचतुष्केण यत्र भाषाचतुष्टयम् । main
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16 गीयते गीतचतुरैश्चतुरङ्गः स उच्यते ॥४०४॥ main
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17 [२३. जयवर्धन:] section_header
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18 जयमालापदैर्युक्तो यत्र स्याद् विजयो जय:। main
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19 क · म्तु<br>जयार्थं गीयते यस्तु ज्ञेयोऽसौ जयवर्धन: ॥ ४०५॥ main
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20 यत्र annotation_inline
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21 [२४. अङ्कचारिणी] editorial_bracket
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22 [.....] editorial_bracket
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23 [२५. सिंहविक्रान्त:] section_header
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24 आदितालेन संयुक्तं यत्र खण्डचतुष्टयम् । main
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25 खण्ड( भ्र?च) annotation_inline
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26 पदपादाष्टकं स स्यात् सिंहविक्रान्तसंज्ञकः २२॥४०६॥ main
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1 1 page_number
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2 77 page_number
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3 <b>TRANSLATION</b> page_header
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4 (Anu. 51) annotation_inline
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5 But if the indication of murchanas is done with the middle heptad, then why main
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6 has it been said to be (done) with madhyama svara? Truly has this been said. main
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7 The use of singular number is in relation with the jāti (species) of svara. The main
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8 purport is that the 'murchana' should be made in the kanthya svara (the tonal main
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9 range of the voice). The inclusion of the adjective vaina 46 (pertaining to viņā) main
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10 (for svara) is in order to encompass the sthana (register or range) that could main
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11 not be described in the body (human voice). main
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12 (Anu. 52) annotation_inline
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13 But when the (process of) sādavita and auduvita is being undertaken, then main
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14 does the recognition of the (original) murchana exist or does it not exist? The main
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15 recognition of the (original) mūrchanā is certainly there. Similarly has said main
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16 Dattila - annotation_inline
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17 "When the tana is made in this manner (by omission of the prescribed main
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18 svaras), the knowledgeable one should ascertain, by counting the perishable main
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19 (omitted) (svara), that this murchana is this-manieth." main
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20 [ Dattilam 37 ] editorial_bracket
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21 (Anu. 53) annotation_inline
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22 But when şadja is omitted in the first and seventh mūrchanā, both take an main
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23 identical form viz. ri-ga-ma-pa-dha-ni, there the distinction (between the two) is main
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24 not evident. True, there is no difference. If the components are counted, there main
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25 surely is a difference; the difference is created by mandra and tara.47 main
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26 (Anu. 54) annotation_inline
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27 This distinction of murchana and tana has been spoken of merely for the main
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28 sake of the convenience of the performer and the listener.48 The objective of main
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29 tāna has also been said to be for the sake of the attainment of the three main
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30 registers. annotation_inline
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31 (Anu. 55) annotation_inline
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32 But mūrchanās are useful in jātis and rāgas, hence their treatment is justified, main
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33 where are the tanas to be used? It is being answered. The tanas are useful for main
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34 the sake of bringing out the difference between jatis and ragas of both the main
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35 grāmas (i.e. between those of one grāma and the other).49 Or, the use of tānas is main
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36 for the sake of the demonstration of the number of nașța (lit. lost) and uddișța main
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37 (lit. enumerated) (varieties of tānas).50 annotation_inline
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vol_II_p145 RIGHT — 41 lignes

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1 PĀŢHAVIMARŚA page_header
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2 273 page_number
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3 याष्ट्रिकेन मुनिनात्र पञ्चमे, भाषितेति कथितात्र सैन्धवी । main
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4 81. cf. annotation_inline
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5 सैव गीतपरमार्थवेदिना सैन्धवी निगदिताङ्गसंज्ञया ॥ main
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6 S Rāj II.2.3.21, annotation_inline
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7 Saindhavī is mentioned here as a bhāṣāṅga rāga. main
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8 82. Kalā (appendix) on SR II, p. 135 reads pagrahāmšikā. describing main
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9 'pa' as the graha and amśa. S. Rāj. 11.2.1.868 cd reads - main
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10 .....मधनोस्वरभूयसी । main
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11 83. Kalā (appendix) on SR II, p. 135 and S Rāj II.2.1.868, 869 b treat main
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12 it as a bhāṣā. S. Rāj. 869 cd says - main
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13 इमामेव विभाषेति मुनिराचष्ट याष्टिक:। main
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14 84. SR II.2.151b reads - 'grahāniśa- nyāsa- dhaivatā ', describing list_item
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15 dhaivata as the graha, amsa and nyāsa. list_item
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16 85. This line seems to be misplaced here. list_item
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17 86. SR II.2.150 c, 15I c and S Rāj II.2.1, 849, 850 treat is as a bhāṣā. list_item
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18 87. Verse 27 d of our text reads 'āndhrī' in the enumeration (uddeśa). list_item
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19 Kalā (appendix) on SR II, p. 116 and S. Rāj II.2.1. 872 read it as āndhrī, list_item
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20 treating it as a bhāṣā with a description bearing similarity to that in our text list_item
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21 here. Andhālī, treated as a vibhāṣā in SR II.2.151d-153b and S Rāj II.2.1.890, list_item
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22 891 bears a different description. In S Rāj (ibid) Yāṣṭika is cited as the list_item
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23 authority, while giving the viniyoga (application). list_item
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24 मांशाल्पपञ्चमा पान्ता सङ्कीर्णा धमसङ्गता । main
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25 88. cf. annotation_inline
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26 तानोद्भवा पञ्चमस्य भाषा प्रवलपञ्चमा ॥ main
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27 Kalā (Appendix) on SR II, p.136. main
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28 याष्ट्रिके त्रावणी भाषा पञ्चमस्य ग्रहांशता । main
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29 89. cf. (i) annotation_inline
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30 पान्ता सरिपमैर्भूरिसङ्गतद्विश्रुतिर्मता ॥ main
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31 एषा भाषाङ्गमन्येषां भ्रग्रहांशा निपोन्झिता । main
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32 अतारा प्रार्थने मन्द्रधगन्यातोरुमध्यमा ॥ main
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33 SR II.2.186,187. annotation_inline
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34 निषादांशग्रहा न्यासपञ्चमा गनिसंयुता । main
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35 (ii) annotation_inline
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36 याष्टिकस्य मते चेयं पड्जांशा पञ्चमान्तिका ॥ main
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37 केपाञ्चिदेषा भाषाङ्गं धग्रहांशा रिपोन्झिता । main
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38 आतारमन्द्रधा गाल्पा प्रार्थने चोरुमध्यमा ॥ main
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39 S Rāj II.2.1.881 ab,884, 886. main
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40 90. SR 11.2.170 c reads 'panyāsāmśagrahā' describing 'pa' as the amśa, main
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41 graha and nyāsa and S Rāj. H.2.1.861 has a similar reading. In our text the main
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vol_I_p091 LEFT — 43 lignes

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1 BRHADDEŚI page_header
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2 164 page_number
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3 52. Abhivyañjakatā means the process of manifestation of something that is list_item
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4 already in existence. In Grammar Philosophy śabda is eternal and its subtle and list_item
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5 imperceptible element called sphota (lit. 'bursting' or flash on the mind) is list_item
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6 vyangya (object of vyanjanā). Matanga seems to be influenced by this line of list_item
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7 thought which later culminated in the dhvani theory in literature. list_item
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8 53. The visista dharma (specific quality or nature) i.e. the differentia of a list_item
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9 thing is svalakṣaṇa. This is understood at two levels, one is the specific nature of list_item
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10 a thing i.e. it is related to the <i>vyakti</i> or particular or individual, the other is the list_item
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11 dharma or nature that is common to many i.e. the generic nature or jāti. The list_item
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12 first one is according to the Bauddha system and the second one is according to list_item
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13 all those systems that accept jāti, e.g. Mīmāṃsā. Bauddha logic has given list_item
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14 elaborate treatment and discussion of svalakşana in the context of pratyakşa list_item
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15 (perception ). It does not seem probable that Matanga was influenced by this list_item
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16 system, because non-existence of a common quality or attribute or nature of a list_item
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17 thing accepted in majority of the schools of Bauddha logic could not perhaps be list_item
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18 congenial to the explanation of the perception of sruti and svara which would list_item
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19 require a 'continuity' of their common features. list_item
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20 54. Nabhaḥpuṣpa i.e. a flower grown in the sky is a classic example of an list_item
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21 absurdity or impossibility just like vandhyāputra, the son of a sterile woman. list_item
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22 55. Arthāpatti is one of the pramāņas i.e. means of valid knowledge list_item
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23 propounded specially by the mimāmsā system and accepted by Advaita Vedānta. list_item
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24 Nyāya includes it under anumāna. It has been defined as - list_item
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25 अर्थापतिरपि दृष्टः श्रुतो वाऽर्थः अन्यथा नोपपद्यते इत्यर्थकल्पना । main
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26 ( Śabarabhāṣya on Mīm Sū I, 1.5 ) main
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27 When a seen or heard thing is not proved right in another way, then the main
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28 imagination of something is known as arthāpatti. main
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29 For example, if Devadatta is alive and is not at home, it is imagined that he main
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30 is outside, or, the classic example is that if Devadatta is fat, but does not eat main
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31 during the day, then it is imagined that he eats at night, because his fatness that main
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32 is seen could not be explained or proved through non-consumption of food. main
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33 Hence arthāpatti is translated as negative inference. main
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34 56. All the systems of Indian philosophy except the Carvaka system, accept main
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35 anumāna as a pramāņa. The Nyāya system has given its elaborate treatment. It main
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36 has to be preceded by perception ( pratyaksa ). One who has not seen the main
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37 concomitance of smoke and fire, could not infer fire on the basis of the main
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38 perception of smoke. The classic example of anumana is — main
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39 पर्वतोऽयं विश्वमान् धूमवत्त्वात् । main
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40 This hill is fiery because of there being smoke. This inference presumes or main
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41 is preceded by vyāpti-graha (apprehension of universal concomitance) which is main
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42 thus expressed - main
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43 यत्र यत्र धूमस्तत्र तत्र बह्निः । unknown
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vol_I_p007 RIGHT — 81 lignes

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1 CONTENTS section_header
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2 ix table
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3 Foreword by Kapila Vatsyayan table
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4 XI table
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5 Introduction table
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6 xvii table
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7 <b>Abbreviations</b> table
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8 Brhaddesi of Śri Matanga Muni table
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9 3 page_number
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10 <b>Text and Translation</b> table
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11 3 page_number
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12 Section I: Deśī table
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13 3 page_number
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14 The desi nature of Dhvani table
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15 5 page_number
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16 The definition of desi and marga table
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17 7 page_number
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18 Section II: Nāda table
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19 7 page_number
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20 The glory, origin, definition and kinds of Nāda table
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21 9 page_number
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22 Section III: Sruti table
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23 9 page_number
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24 The definition of śruti and its numeration table
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25 Five alternatives in the relationship between sruti and svara table
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26 19 page_number
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27 The demonstration of visual representation of srutis by table
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28 25 page_number
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29 Mandala-prastāra table
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30 <b>29</b> table
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31 Section IV: Svara table
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32 29 page_number
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33 The laksana of svara table
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34 The fourfoldness of svaras according to kinds beginning table
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35 33 page_number
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36 with vādin table
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37 35 page_number
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38 The samvādi-mandala in sadjagrāma table
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39 37 page_number
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40 The anuvādi-maṇḍala in ṣaḍjagrāma table
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41 39 page_number
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42 The vivādi-maṇḍala in ṣaḍjagrāma table
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43 41 page_number
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44 The saṃvādi-maṇḍala in madhyama-grāma table
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45 41 page_number
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46 The anuvādi-maṇḍala in madhyama-grāma table
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47 43 page_number
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48 The vivādi-maṇḍala in madhyama-grāma table
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49 The sevenfold combination of svaras according to the table
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50 43 page_number
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51 types beginning with arcika table
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52 43 page_number
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53 The etymology of svara-names table
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54 45 page_number
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55 The castes of svaras table
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56 45 page_number
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57 The drawing out of svara signs as contained in agama table
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58 47 page_number
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59 Assignment of community, colour and the like to svaras table
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60 51 page_number
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61 Section V: Grāma-mūrchanā table
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62 51 page_number
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63 The treatment of grāma table
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64 <b>53</b> table
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65 The treatment of mūrchanā table
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66 57 page_number
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67 Mūrchanā-maṇḍala table
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68 67 page_number
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69 The distinction between Mürchanā and tāna table
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70 69 page_number
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71 The yajña-names of tanas table
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72 <b>73</b> table
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73 The performance of tanas table
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74 83 page_number
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75 The mūrchanā of twelve svaras table
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76 85 page_number
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77 Section VI: Varņas and Alankāras table
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78 85 page_number
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79 The Varnas table
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80 89 page_number
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81 The Alankaras table
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228 lignes a valider — change uniquement les roles incorrects.