Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21764). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p056 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	BŖHADDEŚĪ	page_header via surya_layout
2	94	page_number via heuristic_pagenum
3	संहारे कैशिक: प्रोक्त: पूर्वरङ्गे तु षाडव: ।	main via surya_layout
4	चित्रस्याष्टादशाङ्गस्य त्वन्ते कैशिकमध्यमः॥	main via surya_layout
5	शुद्धानां विनियोगोऽयं ब्रह्मणा समुदाहतः ।'"५०	main via surya_layout
6	[NŚ as quoted in Kalā on SR. II p.32]	editorial_bracket parent ligne 5 via heuristic_brackets
7	[ख. भिन्नरागाः]	section_header via surya_layout
8	इदानीं भिन्नानां लक्षणमाह -	main via surya_layout
9	श्रुतिभिन्नो जातिभिन्नः शुद्धभिन्नः ५१स्वरस्तथा ।	main via surya_layout
10	स्वरै॰	annotation_inline parent ligne 9 via heuristic_markers
11	चतुर्धिर्भिद्यते यस्मात् तस्माद् भित्रक उच्यते ॥३०४॥	main via surya_layout
12	[अनुः १७२]	editorial_bracket parent ligne 11 via heuristic_brackets
13	५२ननु भित्रशब्देन किमभिधीयते ? किं विदारितोऽर्थः, एतदस्मादयं व्यतिरिक्त इत्यर्थो वा	main via surya_layout
14	भित्रशब्दस्य। एतत्र वाच्यम्। भित्रोऽत्र विकृत उच्यते। विकृतत्वं च पूर्वोक्तश्रुतिभित्रेत्यादिलक्षणात्।	main via surya_layout
15	५३[स्वरभिन्न:]	section_header via surya_layout
16	[अनु॰ १७३]	editorial_bracket parent ligne 15 via heuristic_brackets
17	इदानीं भिन्नानां प्रागुक्तलक्षणप्रकटनार्थं तत्रादौ स्वरभिन्नस्य लक्षणमुच्यते -	main via surya_layout
18	यदा वादी गृहीत: स्यात् संवादी च विमोक्ष्यते ।	main via surya_layout
19	विवादी वानुवादी वा स्वरिभन्न: स उच्यते ॥ ३०५॥	main via surya_layout
20	५४चानुवादी च	annotation_inline parent ligne 19 via heuristic_height
21	[अन्॰ १७४]	editorial_bracket parent ligne 19 via heuristic_brackets
22	अस्यार्थ:-मध्यमग्रामाश्रितस्य शुद्धषाडवस्य योऽसौ मध्यमो ग्रहांश: तत्स्थाने धैवतो	main via surya_layout
23	धैवतोऽपि	annotation_inline parent ligne 22 via heuristic_height
24	योऽसा	annotation_inline parent ligne 22 via heuristic_height
25	५५विवादित्वेन वा[ऽ]नुवादित्वेन वा गृहीतो भवति। मध्यमस्वरस्य संवादी त्यज्यते न्यस्यते	editorial_bracket parent ligne 22 via heuristic_brackets
26	नानुवादित्वेन	annotation_inline parent ligne 22 via heuristic_height
27	विवादित्वे (न?)	annotation_inline parent ligne 22 via heuristic_height
28	वा तदासौ स्वरिभन्न उच्यते । भिन्नषड्जेऽत्र वदनाद् वादी धैवतः, पुनर्बहुप्रयोगो भवति [तस्य]।	editorial_bracket parent ligne 22 via heuristic_brackets
29	व्यह्ज: अत्र	annotation_inline parent ligne 22 via heuristic_height
30	ननु पश्चसु रागेषु मध्ये भित्रषड्जस्य लक्षणमुच्यते इत्यादावेवाभिधानं कृत:?	main via surya_layout
31	सत्यमुक्तम्	annotation_inline parent ligne 30 via heuristic_height
32	मुख्यत्वादस्य । मुख्यत्वं च यथा शुद्धगीतिषु शुद्धषाडवस्य एवं भिन्नगीतिषु भिन्नषड्जस्येति	main via surya_layout
33	तद्भेद[त्व]ादस्येति ।	editorial_bracket parent ligne 32 via heuristic_brackets

vol_I_p022 RIGHT — 27 lignes

L#	Texte OCR	Role auto
1	27	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Now I shall speak of the śruti-maṇḍala of madhyama (- grāma). This Madhyama	main via surya_layout
4	(having four śrutis) should be known (located), having transgressed three	main via surya_layout
5	(48)	annotation_inline parent ligne 4 via heuristic_short
6	(śrutis).	main via surya_layout
7	Having transgressed two śrutis (on the third śruti) should be (located)	main via surya_layout
8	pañcama. Thence having transgressed three (srutis) (on) the fourth (śruti) is	main via surya_layout
9	(49)	annotation_inline parent ligne 8 via heuristic_short
10	dhaivata.	main via surya_layout
11	Having transgressed one (śruti) niṣāda is known on the second (śruti).	main via surya_layout
12	Having transgressed three śrutis then is (located) şadja on the fourth (śruti).	main via surya_layout
13	(50)	annotation_inline parent ligne 12 via heuristic_short
14	Rṣabha is later (on) the third (śruti), leaving two (śrutis). Having	main via surya_layout
15	(51)	annotation_inline parent ligne 14 via heuristic_short
16	transgressed one śruti, (on) the second (śruti) is gāndhāra.	main via surya_layout
17	The śruti-maṇḍala of madhyama-grāma is thus—	main via surya_layout
18	ma	annotation_inline parent ligne 17 via heuristic_height
19	pa	unknown via surya_layout
20	ga	unknown via surya_layout
21	гi	unknown via surya_layout
22	dha	unknown via surya_layout
23	ni	annotation_inline parent ligne 17 via heuristic_height
24	sa	annotation_inline parent ligne 17 via heuristic_height
25	(Anu. 14)	main via surya_layout
26	Bharata, on the other hand, has shown śruti-maṇḍala (in ṣaḍja-grāma)	main via surya_layout
27	beginning with rṣabha.65 What is the reason? It is being said. In order to	main via surya_layout

vol_II_p027 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	37	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	[ Anu. 136]	editorial_bracket parent ligne 4 via heuristic_brackets
4	This means that kaiśikī, raktagāndhārī and gāndhārī, these three jātis do	main via surya_layout
5	not become ṣāḍava on account of (the omission of) ṛṣabha, on pañcama	main via surya_layout
6	being the amśa, because of the negation of the omission of the samvādī of	main via surya_layout
7	the amśa. Similarly, ṣāḍjī does not become ṣāḍava through (the omission	main via surya_layout
8	of) niṣāda, on gāndhāra being the aniśa (and) ṣadjodīcyavā should be known	main via surya_layout
9	as not being ṣāḍava through (the omission of) ṛṣabha, on dhaivata being the	main via surya_layout
10	ainsa. Now the giving up of the formation of auduvita that is obtained (due	main via surya_layout
11	to presription) is being prohibited (lit. its giving up is being prescribed).	main via surya_layout
12	In gāndhārī and raktagāndhārī, ṣaḍja, madhyama (and) pañcama alongwith	main via surya_layout
13	niṣāda are known as the amśas in which the formation of auduvita does not	main via surya_layout
14	operate.	annotation_inline parent ligne 13 via heuristic_height
15	(254)	annotation_inline parent ligne 13 via heuristic_height
16	[ Anu. 137 ]	editorial_bracket parent ligne 13 via heuristic_brackets
17	(Contention)	annotation_inline parent ligne 13 via heuristic_height
18	And this is incongruous because the formation of auduvita is not	main via surya_layout
19	obtained (through prescription). Truly has this been said. By the	main via surya_layout
20	statement negating the formation of auduvita, the auduvita obtained on	main via surya_layout
21	account of precription alone is prohibited.	main via surya_layout
22	In ṣadjamadhyamā jāti, gāndhāra and then niṣāda and then in kaiśikī and	main via surya_layout
23	dhaivatī, dhaivata and ṛṣabha respectively (are the svaras that are not	main via surya_layout
24	omitted for making auduva forms of the respective jātis when the above are	main via surya_layout
25	aniśas).	annotation_inline parent ligne 24 via heuristic_height
26	(255)	annotation_inline parent ligne 24 via heuristic_height
27	[ Anu. 138 ]	editorial_bracket parent ligne 24 via heuristic_brackets
28	This means that in ṣadjamadhyamā, gāndhāra and then niṣāda are not	main via surya_layout
29	entitled to form auduvita. Dhaivatain kaiśikī and ṛṣabhain pañcamī are not	main via surya_layout
30	entitled to form auduvita. The prohibition applies only to the auduvita that	main via surya_layout
31	is obtained through prescription. And the state of being anisa is being	main via surya_layout
32	hypothetically considered without its being obtained (?)	main via surya_layout
33	Now, he (the author) draws out the svaras that do not become exceptions	main via surya_layout
34	in the formation of ṣāḍava and auḍuvita.	main via surya_layout
35	Forty-seven (svaras) are to be applied in the formation of ṣāḍava.	main via surya_layout
36	(256)	annotation_inline parent ligne 35 via heuristic_height
37	[ Anu. 139]	editorial_bracket parent ligne 35 via heuristic_brackets
38	This means that in the formation of ṣāḍava, forty-seven ainśas are to be	main via surya_layout

vol_I_p093 RIGHT — 44 lignes

L#	Texte OCR	Role auto
1	VIMARŚA	main via surya_layout
2	169	page_number via heuristic_pagenum
3	6, 7. The author seems to be speaking of svara at the same level at which	list_item via surya_layout
4	sabda has been treated as eternal and vibhu (all-pervading) by several systems	list_item via surya_layout
5	of philosophy, e.g. grammar, mimāmsā.	list_item via surya_layout
6	8. The infinity of svara, as propounded here, could be understood in two	list_item via surya_layout
7	layers viz. (i) the infinite melodic combinations and permutations of the seven	list_item via surya_layout
8	svaras (ii) the multi-farious shades of intervals coming into usage on account of	list_item via surya_layout
9	various relationships between svaras established on account of variety of	list_item via surya_layout
10	melodic phrasing involving leaps, glides, pauses etc. Jāti, the initial form of	list_item via surya_layout
11	melodic configuration and bhāṣā, the derived form of rāga have been	list_item via surya_layout
12	mentioned here for indicating the infinity of variety in melodic phrasing that	list_item via surya_layout
13	brings about the infinity of svara. Raga has been omitted here, but its relevance	list_item via surya_layout
14	could be inferred on the basis of its derivative bhāṣā.	list_item via surya_layout
15	9. The statement that svaras are combined with padas means that syllabic	list_item via surya_layout
16	units are combined with svaras when the latter are rendered. These (units)	list_item via surya_layout
17	could be meaningful linguistic units or non-sensical so far as linguistic meaning	list_item via surya_layout
18	is concerned. Pada has been thus defined by Bharata -	list_item via surya_layout
19	यत् स्यादक्षरसम्बद्धं तत्सर्वं पदसन्नितम् ।	main via surya_layout
20	( NŚ XXXII, 28 ab )	annotation_inline parent ligne 19 via heuristic_short
21	"Whatever is formulated with syllables, all that is called pada".	main via surya_layout
22	Thus meaningfulness is not a condition for pada in music. Tonal rendering	main via surya_layout
23	with the voice is usually combined with syllabic units, e.g. in the ālāpa in	main via surya_layout
24	dhrupad, syllabic units like nom tom diri etc. are used. NS also prescribes the	main via surya_layout
25	following (and a few more) syllabic units known as padas spoken of by Brahmā	main via surya_layout
26	for nirgita (music devoid of meaningful text, rendered mainly on stringed and	main via surya_layout
27	wind instruments, accompanied by voice )-	main via surya_layout
28	झण्दु जगतिय दिगिनिगि तितिझल कुचझल	main via surya_layout
29	( NŚ XXXI, 104 )	annotation_inline parent ligne 28 via heuristic_short
30	It will be seen that these are formulated units of four-matras (time-units)	main via surya_layout
31	each. If the voice renders svaras without padas (meaningful or non-sensical	main via surya_layout
32	syllabic units) then it is combined with vowels like a, i, u etc. which themselves	main via surya_layout
33	are primary units of pada. Hence the combination of svara with pada is spoken	main via surya_layout
34	of.	main via surya_layout
35	10. In Indian music svaras are not used in a plain or unornamented way;	list_item via surya_layout
36	hence alankāra is mentioned here. The concept of alankāra will be discussed in	list_item via surya_layout
37	the respective section.	list_item via surya_layout
38	11. The prescription of the use of specific svaras in the context of different	list_item via surya_layout
39	rasas dates back to NS. It will be discussed under the reproduction of this	list_item via surya_layout
40	prescription in our text later in this section.	list_item via surya_layout
41	12,13. Pāršyadeva refutes the view that svaras are indestructible and all-	list_item via surya_layout
42	pervading (vide Sam S Sa, p. 12). His argument is that since svara is heard in	list_item via surya_layout
43	a limited time and space and not for all times or everywhere, it could not be	list_item via surya_layout
44	said to be indestructible or all-pervading.	list_item via surya_layout

vol_I_p049 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	80	page_number via heuristic_pagenum
2	<b>BRHADDEŚ</b>I	page_header via surya_layout
3	व्युत्क्रमाः पञ्च।गरिस गसरि रिगस [ रिसग ] सगरि इति व्युत्क्रमेण	editorial_bracket parent ligne 5 via heuristic_brackets
4	रिगस गसरि	annotation_inline parent ligne 5 via heuristic_height
5	क्टतानाः पञ्च। तदेवं गान्धारस्य षट् तानाः।	main via surya_layout
6	ुञ्चम (?)	annotation_inline parent ligne 5 via heuristic_height
7	एवं मध्यमस्य सरिगमेत्येकः क्रमः। मगरिसेत्येवमादयस्त्रयो-	main via surya_layout
8	्रयो- -	annotation_inline parent ligne 7 via heuristic_height
9	विंशतिरुत्क्रमाः। तद्यथा—ब्ध्मगरिस, मगसरि, मरिगस, मरिसग, मसगरि,	main via surya_layout
10	मसरिग इति मध्यमपूर्वाः षट् तानाः व्युत्क्रमकृताः। एवं गान्धारर्षभषङ्जानां	main via surya_layout
11	प्रत्येकं षट् ताना भवन्ति मिलित्वा चतुर्विशतिर्भवन्ति।	main via surya_layout
12	एवं पञ्चमस्य सरिगमपेत्येक एव क्रमः। पमगरिसेत्या-	main via surya_layout
13	दिव्युत्क्रमकूटतानानां शतमेकोनविंशतिर्भवन्ति। तद्यथा— सरिगमप, पमगरिस।	main via surya_layout
14	पमगरिसानां प्रत्येकं चतुर्विंशतिर्भवन्ति, मिलित्वा विंशत्यधिकं शतं	main via surya_layout
15	भवति। एवं धैवतस्य सरिगमपधेत्येकः क्रमः। धपमगरिसेति व्युत्क्रमः।	main via surya_layout
16	धपमगरिसानां प्रत्येकं विंशत्यधिकं [ शतं ] भवति,	editorial_bracket parent ligne 15 via heuristic_brackets
17	मिलित्वा	annotation_inline parent ligne 15 via heuristic_height
18	सप्तशतानि विंशत्यधिकानि भवन्ति। एवं निषादस्यापि सरिगमपधनीत्येकः	main via surya_layout
19	क्रमः। निधपमगरिसेति व्युत्क्रमः। निधपमगरिसानां प्रत्येकं सप्तशतानि	main via surya_layout
20	विंशत्यधिकानि भवन्ति, मिलित्वा पञ्चसहस्राणि चत्वारिशच्च भवन्ति।	main via surya_layout
21	. अनु₀ ५९ ो	editorial_bracket parent ligne 20 via heuristic_brackets
22	तदेवमेतेषां स्वराणां तानविधानं षट्षष्टितन्त्र्यां शततन्त्र्यां चोपलभ्यते।	main via surya_layout
23	ुन्	annotation_inline parent ligne 22 via heuristic_height
24	ुना	annotation_inline parent ligne 22 via heuristic_height
25	तयोः स्वमानानि मध्यमादीनि ।	main via surya_layout
26	ुभावा ऋ (२म) ना	annotation_inline parent ligne 25 via heuristic_height
27	( तत्र ) कूटतानभेदप्रदर्शनमिह न कृतमितप्रसङ्गनिवृत्त्यर्थम् । एतेनैव	main via surya_layout
28	क्रमेण बुद्धिमद्भिः स्वयमेव लक्षणीयमिति।	main via surya_layout
29	[ अनु<sub>0</sub> ६० ]	editorial_bracket parent ligne 28 via heuristic_brackets
30	87 तदेषां तानानां प्रयोजनं 88 [ स्थान- ] प्राप्त्यर्थमुक्तम् 89स्थानानि	editorial_bracket parent ligne 28 via heuristic_brackets
31	त्रीण्युक्तानि काकुविधौ, व्यस्तानि षट्षष्टिं विद्या [न्] मन्द्रादिसिद्धये।	editorial_bracket parent ligne 28 via heuristic_brackets
32	ुरुविधो	annotation_inline parent ligne 28 via heuristic_height
33	स्यू	annotation_inline parent ligne 28 via heuristic_height

175 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p056 LEFT — 33 lignes

vol_I_p022 RIGHT — 27 lignes

vol_II_p027 RIGHT — 38 lignes

vol_I_p093 RIGHT — 44 lignes

vol_I_p049 LEFT — 33 lignes