Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21770). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p068 LEFT — 34 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	118	page_number via heuristic_pagenum
3	सरिमपपमरिस । रिगपधधपगरि । गमधनिनिधमग ।	main via surya_layout
4	मपनिससनिपम। सनिपममपनिस। निधमगगमधनि।	main via surya_layout
5	धपगरिरिगपध। पमरिससरिमप। उद्घट्टितः [ २५ ]	editorial_bracket parent ligne 4 via heuristic_brackets
6	सिरिग्। रिग्म। गमप्। मप्ध। पधनि। धनिस। सनिध। निधप। धपम।	main via surya_layout
7	पमग्। मगरि। गरिस। आक्षिप्तकः [ २६ ]	editorial_bracket parent ligne 6 via heuristic_brackets
8	सगमा मरिसा। रिमपा पगरी। गपधा धमगा।	main via surya_layout
9	मधनी निपमा। पनिसा सधपा। धनिसा। सधपा पनिसा।	main via surya_layout
10	निपमा मधनी। धमगा गपधा। पगरी रिमपा।	main via surya_layout
11	मरिसा सगमा। गरिसा। सम्प्रदानमः [ २७ ]	editorial_bracket parent ligne 10 via heuristic_brackets
12	。नम्	annotation_inline parent ligne 10 via heuristic_height
13	सगम मरिस। रिमप पगरि-- - - - - - -	unknown via fallback
14	VII [ पदगीतिप्रकरणम् ]	section_header via surya_layout
15	अलङ्कारा मया प्रोक्ता यथावन्मुनिसत्तम	main via surya_layout
16	1अथ गीतिं प्रवक्ष्यामि छन्दोऽक्षर- [ समन्विताम् ] ॥१७०॥	editorial_bracket parent ligne 15 via heuristic_brackets
17	प्रथमा मागधी जेया द्वितीया चार्धमागधी ।	main via surya_layout
18	सम्भाविता तृतीया च चतुर्थी पृथुला स्मृता ॥१७१॥	main via surya_layout
19	थित्रिर्निवृत्ता च या गीतिः सा गीतिर्मागधी स्मृता ।	main via surya_layout
20	अर्धकालनिवृत्ता च विज्ञेया त्वर्धमागधी ॥१७२॥	main via surya_layout
21	सम्भाविता च विज्ञेया गुर्वक्षरसमन्विता ।	main via surya_layout
22	पृथुलास्या च विज्ञेया लघ्वक्षरसमन्विता ॥१७३॥	main via surya_layout
23	[ अनु₀ १०४ ]	editorial_bracket parent ligne 22 via heuristic_brackets
24	दक्षिणे मार्गे पृथुला गीति [:], वार्तिक मार्गे सम्भाविता, चित्रे मार्गे	editorial_bracket parent ligne 22 via heuristic_brackets
25	र्मा.	annotation_inline parent ligne 22 via heuristic_height
26	<b>,</b>†	annotation_inline parent ligne 22 via heuristic_height
27	र्गा	annotation_inline parent ligne 22 via heuristic_height
28	मागधी । अष्टौ ३ मात्रा [ दक्षिणमार्गे, चतस्रो मात्रा	editorial_bracket parent ligne 22 via heuristic_brackets
29	.धिः	annotation_inline parent ligne 22 via heuristic_height
30	वार्तिकमार्गे, द्वे मात्रे चित्रमार्गे ] कलाप्रयोगक्रमेण ।	editorial_bracket parent ligne 22 via heuristic_brackets
31	⁴ताल.	annotation_inline parent ligne 22 via heuristic_height
32	चित्रे चैककले ताले विज्ञेया गीतिर्मागधी ।	main via surya_layout
33	वार्तिक द्विकले ज्ञेया गीतिः सम्भाविता बुधैः ॥१७४॥	unknown via fallback
34	.ला	annotation_inline parent ligne 32 via heuristic_height

vol_I_p102 RIGHT — 49 lignes

L#	Texte OCR	Role auto
1	VIMARŚA	annotation_inline parent ligne 3 via heuristic_height
2	187	page_number via heuristic_pagenum
3	75. If ekakala is related to phrasing then sarigā and each of the other units	list_item via surya_layout
4	will be taken to be forming one phrase each; if it is taken to be related to the	list_item via surya_layout
5	duration of kalā, then the duration of each phrase will have to be taken as two	list_item via surya_layout
6	mātrās; there also each kalā of time will be related to each phrase.	list_item via surya_layout
7	76,77. Identical with note 52 above.	list_item via surya_layout
8	78. All the four sa belong to the tāra-sthāna.	list_item via surya_layout
9	79. See note 47 above.	list_item via surya_layout
10	80. Samyuktam is used as an adverb, its implication is not very clear, most	list_item via surya_layout
11	probably it has been used because the units of phrases here are not equal, they	list_item via surya_layout
12	are 3+2+2=7. There is no other alankāra like this in BrD.	list_item via surya_layout
13	81. Here the traditional rule of having a shake only on svaras with three	list_item via surya_layout
14	<i>śrutis</i> seems to have been abandoned.	list_item via surya_layout
15	82. Kalā obviously means phrase-unit here.	list_item via surya_layout
16	83. Ekakula could not, perhaps, be understood as the first degree of kalā	list_item via surya_layout
17	being of the measure of 2 mātrās. It perhaps indicates that each svara will be of	list_item via surya_layout
18	the duration of one mātrā; that would make each phrase of the duration of	list_item via surya_layout
19	seven mātrās which would not fit into the ancient tāla system and could,	list_item via surya_layout
20	perhaps, be taken as the first indication of the advent of desi talas.	list_item via surya_layout
21	84. It is notable that BrD has not classified alankāras into varņas.	list_item via surya_layout
22	85. The names like tāramandra and mandratāra do occur in NŠ (XXIX, 31)	list_item via surya_layout
23	but they have not been described.	list_item via surya_layout
24	It is notable that NS has the name dipta for tara and prasanna for mandra.	main via surya_layout
25	While BrD profusely uses prasanna for mandra, it does not even once use dipta	main via surya_layout
26	for <i>tāra</i>.	main via surya_layout
27	86. The seven gitakas are described in NS XXXI. They are - madraka,	list_item via surya_layout
28	aparāntaka, ullopyaka, prakarī, oveņaka, rovindaka and uttara. Apart from these,	list_item via surya_layout
29	āsārita and vardhamāna have been extensively described in NŠ (ibid.); they are	list_item via surya_layout
30	outside the above seven, but are very important on account of special tala	list_item via surya_layout
31	patterns and association with dance. All these forms are prescribed in	list_item via surya_layout
32	pūrvaranga (preliminaries of drama). Since no dramatic situation is required	list_item via surya_layout
33	to be highlighted in Pūrvaranga, the music there could be autonomous and	list_item via surya_layout
34	hence the units of text of songs could be stretched by the melody through	list_item via surya_layout
35	alankāras, the comprehension of the meaning of the text of songs being not	list_item via surya_layout
36	important there.	list_item via surya_layout
37	87. In dhruvās (songs prescribed for highlighting different situations in	list_item via surya_layout
38	drama), as distinct from gîtaka, the comprehension of meaning of text by the	list_item via surya_layout
39	listener is very important and hence stretching of the syllables of the text is not	list_item via surya_layout
40	desirable.	list_item via surya_layout
41	88. The implication of this statement is not clear, because alankaras of the	list_item via surya_layout
42	sthāyi-varņa are being described immediately after this verse. Abhi Bhā on NŠ	list_item via surya_layout
43	XXIX, 33 says that the alankāras of sthāyi-varņa could be used at will (in	list_item via surya_layout
44	dhruvās ); there is no restriction prescribed for them.	list_item via surya_layout
45	89. Brightening means movement towards high svaras.	list_item via surya_layout
46	90. Reverse order would mean proceeding from high to low.	list_item via surya_layout
47	(vide)	annotation_inline parent ligne 46 via heuristic_height
48	e le par Alle	annotation_inline parent ligne 46 via heuristic_height
49	and the second	annotation_inline parent ligne 46 via heuristic_height

vol_II_p058 LEFT — 30 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	98	page_number via heuristic_pagenum
3	[ जातिभिन्न:]	section_header via surya_layout
4	इदानीं जातिभिन्नस्य लक्षणमाह -	main via surya_layout
5	जातीनामंशक: स्थाप्य: स्वल्पकस्तु बहुस्तथा ।	main via surya_layout
6	॰कं स्थाय(?)	annotation_inline parent ligne 5 via heuristic_markers
7	अल्पत्वं च बहुत्वं च प्रयोगाल्पबहुत्वतः ॥	main via surya_layout
8	सूक्ष्मातिसूक्ष्मैर्वक्रैश्च जातिभिन्नः स उच्यते ॥ ३०८॥	main via surya_layout
9	[अनु॰ १७८]	editorial_bracket parent ligne 8 via heuristic_brackets
10	अस्यार्थ: - शुद्धकैशिकमध्यमो हि कैशिकीषड्जमध्यमाजात्योर्जात:।भित्रकैशिकमध्य [म]स्तु	editorial_bracket parent ligne 8 via heuristic_brackets
11	<b>र्जात(य?):</b>	annotation_inline parent ligne 8 via heuristic_height
12	न्मध्यो	annotation_inline parent ligne 8 via heuristic_height
13	पड्जमध्यमाजातेर्जातत्वात् तदंशग्राहित्वेन स्थायिवर्णग्राहित्वेन च सूक्ष्मातिस्क्ष्मै: प्रयोगैश्च	main via surya_layout
14	(ति)	annotation_inline parent ligne 13 via heuristic_height
15	जातिभिन्नो भवेदित्यर्थ:। लक्षणं चास्य यथा -	main via surya_layout
16	(दि)	annotation_inline parent ligne 15 via heuristic_height
17	[३.भिन्नकैशिकमध्यमः]	section_header via surya_layout
18	स्यात् षड्जमध्यमाजातेभित्रकैशिकमध्यमः।	main via surya_layout
19	(तै?ते)	main via surya_layout
20	षङ्जांशो मध्यमन्यासो मन्द्रैस्तु गमकैर्युत: ॥३०९॥	unknown via fallback
21	[अन्॰ १७९]	editorial_bracket parent ligne 19 via heuristic_brackets
22	[अस्यार्थ:-] भित्रकैशिकमध्यमः षड्जग्रामसम्बन्धः षड्जमध्यमाजातेरुत्पन्नत्वात् ।	editorial_bracket parent ligne 19 via heuristic_brackets
23	षङ्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यासः । मन्द्रगमकश्च । निषादोऽत्र काकली । पूर्णश्चायम् । दानवीर	main via surya_layout
24	पह्(जॉऽश ? जो)स्य	annotation_inline parent ligne 23 via heuristic_short
25	चास्य प्रयोगः । वीररौद्रादिको रसः । षड्जादिमूर्छना । वर्णः सञ्चारी । प्रसन्नादिरलङ्कारः । दक्षिणे	main via surya_layout
26	कला, वार्तिके कला, चित्रे कला। [स्वरपदगीते] चच्चत्पुटादिताल:।	editorial_bracket parent ligne 25 via heuristic_brackets
27	[शुद्धभिनः]	section_header via surya_layout
28	[इदानी]शुद्धभित्रस्य लक्षणमाह -	section_header via surya_layout
29	परित्यजन्नन्यजातिं स्वजातिकुलभूषणः।	main via surya_layout
30	स्वकं कुलं तु संगृह्धन् शुद्धभित्रः प्रकीर्तितः ॥३१०॥	main via surya_layout

vol_II_p004 RIGHT — 103 lignes

L#	Texte OCR	Role auto
1	General Section	annotation_inline via heuristic_height
2	<b>CONTENTS</b>	table via surya_layout
3	ix	table via surya_layout
4	.	table via surya_layout
5	83	page_number via heuristic_pagenum
6	Sādhāraņīgīti	table via surya_layout
7	5.	table via surya_layout
8	85	page_number via heuristic_pagenum
9	6.	table via surya_layout
10	Bhāṣāgīti	table via surya_layout
11	85	page_number via heuristic_pagenum
12	Vibhāṣāgīti	table via surya_layout
13	7.	table via surya_layout
14	85	page_number via heuristic_pagenum
15	The number and nomenclature of ragas	table via surya_layout
16	87	page_number via heuristic_pagenum
17	The specific description of rāgas	table via surya_layout
18	87	page_number via heuristic_pagenum
19	A. Out of them <i>śuddha rāgas</i>	table via surya_layout
20	87	page_number via heuristic_pagenum
21	Suddhaşādava	table via surya_layout
22	1.	table via surya_layout
23	Śuddhapańcama	table via surya_layout
24	89	page_number via heuristic_pagenum
25	2.	table via surya_layout
26	89	page_number via heuristic_pagenum
27	Suddhasādhārita	table via surya_layout
28	3.	table via surya_layout
29	91	page_number via heuristic_pagenum
30	Suddhakaisikamadhyama	table via surya_layout
31	4.	table via surya_layout
32	91	page_number via heuristic_pagenum
33	Śuddhakaiśika	table via surya_layout
34	5.	table via surya_layout
35	93	page_number via heuristic_pagenum
36	The assignment of grāmas to śuddha rāgas	table via surya_layout
37	93	page_number via heuristic_pagenum
38	The application of <i>suddha rāgas</i>	table via surya_layout
39	95	page_number via heuristic_pagenum
40	B. Bhinna rāgas	table via surya_layout
41	95	page_number via heuristic_pagenum
42	Svara-bhinna	table via surya_layout
43	97	page_number via heuristic_pagenum
44	Bhinna-şadja	table via surya_layout
45	l.	table via surya_layout
46	97	page_number via heuristic_pagenum
47	Bhinna-pañcama	table via surya_layout
48	2.	table via surya_layout
49	99	page_number via heuristic_pagenum
50	Jāti-bhinna	table via surya_layout
51	99	page_number via heuristic_pagenum
52	3.	table via surya_layout
53	Bhinnakaisikamadhyama	table via surya_layout
54	99	page_number via heuristic_pagenum
55	Suddhabhinna	table via surya_layout
56	101	page_number via heuristic_pagenum
57	Bhinnakaisika	table via surya_layout
58	4.	table via surya_layout
59	101	page_number via heuristic_pagenum
60	Śruti-bhinna	table via surya_layout
61	103	page_number via heuristic_pagenum
62	Bhinnatāna	table via surya_layout
63	5.	table via surya_layout
64	103	page_number via heuristic_pagenum
65	The assignment of bhinna-rāgas to grāmas	table via surya_layout
66	105	page_number via heuristic_pagenum
67	C. Gauda rāgas	table via surya_layout
68	105	page_number via heuristic_pagenum
69	1. Gaudapañcama	table via surya_layout
70	105	page_number via heuristic_pagenum
71	Gaudakaisika	table via surya_layout
72	2.	table via surya_layout
73	107	page_number via heuristic_pagenum
74	Gaudakaisikamadhyama	table via surya_layout
75	3.	table via surya_layout
76	107	page_number via heuristic_pagenum
77	The assignment of gauda rāgas to grāmas	table via surya_layout
78	109	page_number via heuristic_pagenum
79	D. The rāgas pertaining to rāga-gīti or vesarā-gīti	table via surya_layout
80	109	page_number via heuristic_pagenum
81	1. Takkarāga	table via surya_layout
82	109	page_number via heuristic_pagenum
83	Sauvīra	table via surya_layout
84	2.	table via surya_layout
85	111	page_number via heuristic_pagenum
86	Mālavapancama	table via surya_layout
87	3.	table via surya_layout
88	111	page_number via heuristic_pagenum
89	Vesarașādava	table via surya_layout
90	4.	table via surya_layout
91	113	page_number via heuristic_pagenum
92	Botta-rāga	table via surya_layout
93	5.	table via surya_layout
94	113	page_number via heuristic_pagenum
95	Hindola	table via surya_layout
96	6.	table via surya_layout
97	115	page_number via heuristic_pagenum
98	Takkakaisika	table via surya_layout
99	7.	table via surya_layout
100	115	page_number via heuristic_pagenum
101	Mālavakaišika	unknown via fallback
102	8.	unknown via fallback
103	. .	unknown via fallback

vol_II_p015 LEFT — 42 lignes

L#	Texte OCR	Role auto
1	12	page_number via heuristic_pagenum
2	BRHADDEŚĪ	page_header via surya_layout
3	[२. अंशलक्षणम्]	section_header via surya_layout
4	[अनु॰ १२०]	section_header via surya_layout
5	अथांश: कथ्यते - ३०अङ्गविभागात् स दशविधो बोद्धव्य: । यस्मिन् ३१ क्रियमाणे	main via surya_layout
6	अ(थवांश ख ? थांश:क)	annotation_inline parent ligne 5 via heuristic_short
7	अंशविभाग:	main via surya_layout
8	न्त्रंशे	annotation_inline parent ligne 7 via heuristic_height
9	गगाभिव्यक्तिर्भवति सोंऽश: [प्रथम:]। यस्माचा[ऽऽ] रभ्य गीतं प्रवर्तते ग्रहविकल्पित: सोंऽशो	editorial_bracket parent ligne 7 via heuristic_brackets
10	(পি?)	main via surya_layout
11	३२यस्माद्वाः	annotation_inline parent ligne 10 via heuristic_short
12	गीत:	main via surya_layout
13	न ग्रहस्स्वरित: (स्वं?स्वां) शो।	main via surya_layout
14	द्वितीय: [1] तारमन्द्राभिव्यक्तिहेतु: सोंऽशस्तृतीय: । पञ्चमस्वरारोहणं तार:, कदाचित्	editorial_bracket parent ligne 13 via heuristic_brackets
15	द्वितीया	main via surya_layout
16	<b>॰रगारो</b>॰	annotation_inline parent ligne 15 via heuristic_markers
17	षष्ठस्वरारोहणमपि तार:, यथा गान्धार्या: षड्जस्तार:, निध निध सा इति । यथा	main via surya_layout
18	णं पि	annotation_inline parent ligne 17 via heuristic_height
19	तथा	annotation_inline parent ligne 17 via heuristic_height
20	तारिनयामक [:] तथा मन्द्रनियामकस्वरोऽप्यंश[:]	editorial_bracket parent ligne 17 via heuristic_brackets
21	सप्तस्वरावरोहणा[तु]।	editorial_bracket parent ligne 17 via heuristic_brackets
22	३३प्यांश<sup>></sup>	main via surya_layout
23	यथा ३४पञ्चमांशाया: षाङ्ज्या: स्वस्थाने सासासाधा इति । यश्च बहुप्रयोगतर: सोऽप्यंश: [चतुर्थ:]	editorial_bracket parent ligne 22 via heuristic_brackets
24	मन्द्रांशाया:	annotation_inline parent ligne 22 via heuristic_height
25	<sup>३५</sup>संस्थाने	main via surya_layout
26	पड्जा	annotation_inline parent ligne 25 via heuristic_height
27	यो रागस्य विषयत्वेनावस्थित: स्वर: सोऽप्यंश: [पञ्चम:] <sup>३६</sup> [यश्च ग्रहापन्यास-विन्यास-संन्यास-	editorial_bracket parent ligne 25 via heuristic_brackets
28	न्यासगोचरः, सोऽप्यंशः षष्ठः, सप्तमः, अष्टमः, नवमः, दशमश्च ।]	editorial_bracket parent ligne 25 via heuristic_brackets
29	[अंशलक्षणान्तर्गतम् अपन्यासलक्षणम्]	section_header via surya_layout
30	[अनु॰ १२१]	section_header via surya_layout
31	यत्र गीतमिति समाप्तमिति सम्भाव्यते, सोऽपन्यासः, सर्वविदारी-मध्यमो भवति । सा	main via surya_layout
32	च विदारी द्विविधा - गीतविदारी पदविदारी चेति । ननु विदारीशब्देन किमुच्यते ? पादानां विदारणं	main via surya_layout
33	॰णा	annotation_inline parent ligne 32 via heuristic_markers
34	खण्डनमिति यावत् । ३८गीतपेशी, गीतखण्डमिति यावत् ।	main via surya_layout
35	गीतकेशी	annotation_inline parent ligne 34 via heuristic_height
36	[अंशलक्षणान्तर्गतं संन्यासलक्षणम्]	section_header via surya_layout
37	[अनु॰१२२]	section_header via surya_layout
38	इदानीं संन्यासोऽभिधीयते - तत्र प्रथम-विदारीमध्ये न्यासस्वरः प्रयुक्तः संन्यासः	main via surya_layout
39	स न्यासोः	annotation_inline parent ligne 38 via heuristic_height
40	राष्ट्र	annotation_inline parent ligne 38 via heuristic_height
41	॰क्ताः	annotation_inline parent ligne 38 via heuristic_markers
42	The state of the same of	annotation_inline parent ligne 38 via heuristic_height

258 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p068 LEFT — 34 lignes

vol_I_p102 RIGHT — 49 lignes

vol_II_p058 LEFT — 30 lignes

vol_II_p004 RIGHT — 103 lignes

vol_II_p015 LEFT — 42 lignes