Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21771). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p022 LEFT — 36 lignes

page vol_II_p022 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 26 page_number
via heuristic_pagenum
3 गान्धार्या द्वावनंशौ च हेयावृषभधैवतौ । main
via surya_layout
4 <sup>६८</sup>षु (गेआ?हेपा) main
via surya_layout
5 क्रमात्रित्यं त्वपन्यासौ विज्ञेयौ षड्जपञ्चमौ ॥२२२॥ main
via surya_layout
6 ६९ल्यमफ annotation_inline
parent ligne 5
via heuristic_short
7 धैवतादृषभं गच्छेदेवं भ स्यात् सर्वमेव तत् । main
via surya_layout
8 तुष्ध unknown
via fallback
9 (व?वं) main
via surya_layout
10 प्रायशो रक्तगान्धार्यामपन्यासस्तु मध्यम: ॥२२३॥ main
via surya_layout
11 ७२०यां अ annotation_inline
parent ligne 10
via heuristic_short
12 (मा/प:) main
via surya_layout
13 बहुप्रयोग: कर्तव्यो धैवतोऽथ निषादवान् । main
via surya_layout
14 षड्जगान्धारसञ्चार: कार्यश्चास्यां प्रयोक्तभि: ॥२२४॥ main
via surya_layout
15 (जं?ज) annotation_inline
parent ligne 14
via heuristic_short
16 (₹?₹:) main
via surya_layout
17 श्स्याः annotation_inline
parent ligne 16
via heuristic_height
18 गान्धारोदीच्यवा प्राय: षड्जोदीच्यवतीसमा । main
via surya_layout
19 (य?य:) annotation_inline
parent ligne 18
via heuristic_short
20 षड्जश्च मध्यमश्चांशौ न चौडुवितमिष्यते ॥२२५॥ main
via surya_layout
21 0130 page_number
via heuristic_pagenum
22 पञ्चांशा मध्यमायास्तु ज्ञेया द्विश्रुतिवर्जिता:। main
via surya_layout
23 क्रमात् ताभ्यां च हीनत्वं बहुलौ षड्जमध्यमौ ॥२२६॥ main
via surya_layout
24 (मी) annotation_inline
parent ligne 23
via heuristic_short
25 गान्धारोदीच्यवावतु मध्यमोदीच्यवा भवेत्। main
via surya_layout
26 (तुल्या मध्यमोदीच्यवा) main
via surya_layout
27 साप्तस्वर्यं तु नित्यं स्यादस्यामंशस्तु पञ्चम: ॥२२७॥ main
via surya_layout
28 पञ्चम्यां गुरुभि: प्रोक्तावंशावृषभपञ्चमौ । main
via surya_layout
29 •धेवती<sup>७३</sup> annotation_inline
parent ligne 28
via heuristic_short
30 <sup>७४</sup>सनिषादावपन्यासौ मध्यमर्षभसंगति: ॥२२८॥ main
via surya_layout
31 समध्यमाः annotation_inline
parent ligne 30
via heuristic_height
32 षड्जमध्यमगान्धारा अल्पाश्च परिकोर्तिता: । main
via surya_layout
33 <b>ल्लु<sup>७५</sup>,</b> main
via surya_layout
34 स्यात्रिषादाच्च गान्धारो मध्यमावच्च हीनता ॥२२९॥ main
via surya_layout
35 अल्पस्य परिकोर्तिता annotation_inline
parent ligne 34
via heuristic_short
36 स्यात्रिपादाच्य + + + मध्यमा चच्च होनता(?) । main
via surya_layout

vol_I_p067 LEFT — 44 lignes

page vol_I_p067 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDEŚ</b>I page_header
via surya_layout
2 116 page_number
via heuristic_pagenum
3 सरिरिस [स] रिगगरिस सरिगममगरिस सरिगमपपमगरिस editorial_bracket
parent ligne 4
via heuristic_brackets
4 सरिगमपध्धपमगरिस सरिगमपधिननिधपमगरिस सरिगमपधिनस- main
via surya_layout
5 सनिधपमग्रिस, प्रस्तारः [ १५ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 सा annotation_inline
parent ligne 4
via heuristic_height
7 सनिनिस सनिधधनिस सनिधपपधनिस सनिधपममपधनिस main
via surya_layout
8 सा annotation_inline
parent ligne 7
via heuristic_height
9 [ सनिधपमगगमपधनिस ] editorial_bracket
parent ligne 7
via heuristic_brackets
10 री annotation_inline
parent ligne 7
via heuristic_height
11 सा annotation_inline
parent ligne 7
via heuristic_height
12 सिन्धपमगरिरिगमपधिनस सिन्धपमगरिस [ स ] रिगमपधिनस, editorial_bracket
parent ligne 7
via heuristic_brackets
13 ृप्रसादः [ १६ ] editorial_bracket
parent ligne 7
via heuristic_brackets
14 सरि रिग गम मप पध धनि निस सनि निध main
via surya_layout
15 धप पम मग गरि रिस, उद्वाहितः [ १७ ] editorial_bracket
parent ligne 14
via heuristic_brackets
16 सरिसरि रिगरिंग गमगम मपमप पधपध main
via surya_layout
17 धनिधनि निसनिस सनिसनि निधनिध main
via surya_layout
18 धपधप पमपम मगमग गरिगरि रिसरिस, main
via surya_layout
19 उपलोलकः [ १८ ] editorial_bracket
parent ligne 18
via heuristic_brackets
20 ः सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस main
via surya_layout
21 सरिगमपध्धपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस- main
via surya_layout
22 सनिधपमगरिस, क्रमः [१९ ] editorial_bracket
parent ligne 21
via heuristic_brackets
23 ुमाः annotation_inline
parent ligne 21
via heuristic_height
24 सग रिम ग़प मध पनि धस, निष्कूजितः [ २० ] editorial_bracket
parent ligne 21
via heuristic_brackets
25 सध annotation_inline
parent ligne 21
via heuristic_height
26 सधसध निपनिप धमधम पगपग मरिमरि main
via surya_layout
27 गसगस, ह्रादमानः [ २१ ] editorial_bracket
parent ligne 26
via heuristic_brackets
28 सारी गरि। री गामग। गामापम। मापाधप। main
via surya_layout
29 पा धा निध। धा नी सनि। रञ्जितः [ २२ ] editorial_bracket
parent ligne 28
via heuristic_brackets
30 सरिगमपधनिसा। सनिधपमगरिसा। आवर्तकः, [ २३ ] editorial_bracket
parent ligne 28
via heuristic_brackets
31 सरिगपपमगस्। रिगमधधपमरि। गमपनिनिधपगः। मपधससनिपमः। main
via surya_layout
32 सा annotation_inline
parent ligne 31
via heuristic_height
33 मा annotation_inline
parent ligne 31
via heuristic_height
34 មា annotation_inline
parent ligne 31
via heuristic_height
35 गा annotation_inline
parent ligne 31
via heuristic_height
36 [ सनिपममपधस ] निधपगगमपनि। धपमरिरिगमध। editorial_bracket
parent ligne 31
via heuristic_brackets
37 धा annotation_inline
parent ligne 31
via heuristic_height
38 मप annotation_inline
parent ligne 31
via heuristic_height
39 (vide) annotation_inline
parent ligne 31
via heuristic_height
40 티 annotation_inline
parent ligne 31
via heuristic_height
41 गा annotation_inline
parent ligne 31
via heuristic_height
42 पमगससरिगप, परिवर्तकः [ २४ ] editorial_bracket
parent ligne 31
via heuristic_brackets
43 <sup>—</sup>सा <sup>-</sup> annotation_inline
parent ligne 31
via heuristic_height
44 पा annotation_inline
parent ligne 31
via heuristic_height

vol_II_p103 RIGHT — 32 lignes

page vol_II_p103 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 189 page_number
via heuristic_pagenum
3 panīsani sāsāni gāgā pamamamārī māpādhāpā pāpamamapārī mapānisā rinisāsā. main
via surya_layout
4 Ravicandrā [ii] editorial_bracket
parent ligne 3
via heuristic_brackets
5 Having madhyama as amśa and ṣaḍja as the concluding note, (that which) main
via surya_layout
6 is known as complete in <i>hindola</i> (lit. swing) by the spectators (of drama), is main
via surya_layout
7 bhinnapaurālī bhāṣā, always sung with proper svaras. main
via surya_layout
8 (10) annotation_inline
parent ligne 7
via heuristic_short
9 Illustration-Māmāmadhyamāmā māmāpāmāpānisāsā gamagā nisādhādhāgāmā main
via surya_layout
10 maparisā ninisā māgari sāmāgari sānipasasā. Bhinnapaurālī [iii] editorial_bracket
parent ligne 9
via heuristic_brackets
11 Having pañcama as amśa and ṣaḍja as the concluding note, this (bhāṣā) main
via surya_layout
12 born of drāvida region is always sung in the (context of the ) search on the main
via surya_layout
13 part of one who has lost his way.8 main
via surya_layout
14 (11) annotation_inline
parent ligne 13
via heuristic_short
15 Illustration - Pāninidhāsā sāgarimā garisāsānirinipāpāni sāgari māsari sāsāsā main
via surya_layout
16 nirimadhāpāpā nininidhāsāsā. Drāviḍī [iv] editorial_bracket
parent ligne 15
via heuristic_brackets
17 Having gāndhāra as amśa and ṣadja as the concluding note, the vibhāṣā main
via surya_layout
18 pinjarī is auspicious. It is hexatonic and devoid of ni (niṣāda) and is sung by main
via surya_layout
19 Umādevī.9 annotation_inline
parent ligne 18
via heuristic_short
20 (12) main
via surya_layout
21 Illustration - <math>G</math>āgāgāri sādhāsāsī rīgāgā māgārisī. <math>D</math>hāsāpādhā pagāpādhāsu irigāpā. main
via surya_layout
22 <math>M</math>āgarisāmā risādhārisāsāri. <math>D</math>hāsārigāgā māmāgarisā ririgā ririsā rīsāpā. <math>D</math>hāsapā. main
via surya_layout
23 Sārīmāpā. Dhāpāsārigā māririsā. Pinjarī [v] editorial_bracket
parent ligne 22
via heuristic_brackets
24 Combined with <i>ṣadja</i> as <i>amśa</i> and <i>nyāsa</i>, complete, born in the mountainous main
via surya_layout
25 region, (this) auspicious bhāṣā is sung in hindolaka (rāga) in (the context of) main
via surya_layout
26 women excelling in bashfulness or men excelling in fame.<sup>10</sup> main
via surya_layout
27 (13) annotation_inline
parent ligne 26
via heuristic_short
28 Illustration - Sāsānima. Pāmāpānidhāni dhāpāmāpā. Rīsāpānini mārimāgani main
via surya_layout
29 sāninisāgā pānisāsā ninipāmāpānimā. Dhānidhāpā māmārimāmā pānisāmāgā. main
via surya_layout
30 Risāmāgāri sānīsāsāsā. Pārvatī [vi] editorial_bracket
parent ligne 29
via heuristic_brackets
31 Thus end the <i>bhāṣās</i> in <i>hindolaka</i> according to main
via surya_layout
32 the opinion of Śārdūla. main
via surya_layout

vol_II_p031 RIGHT — 32 lignes

page vol_II_p031 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 45 page_number
via heuristic_pagenum
3 the samvādī of the amsa. It becomes ṣāḍavā with niṣāda when (any one of) main
via surya_layout
4 madhyama, pañcama and dhaivata is the amsa. main
via surya_layout
5 [ Anu. 145] section_header
via surya_layout
6 When sadji is sung as suddha then upon sadja being the amsa, there is main
via surya_layout
7 abundance of the remaining svaras. Upon<sup>57</sup> the profusion of sadja and main
via surya_layout
8 pañcama, there are thirty amsas (?). With six, it (?) becomes fourteen-fold. main
via surya_layout
9 Gāndhāra is nineteen-fold (?) and madhyama is fourteen-fold (?) - main
via surya_layout
10 Taken together seven svaras become hundred and twenty-eight (?), main
via surya_layout
11 suffice to say that. main
via surya_layout
12 [11. The particular characteristics of jātis] section_header
via surya_layout
13 [ Anu. 146] section_header
via surya_layout
14 Now out of the ten characteristics he (the author) shows the respective main
via surya_layout
15 ones of each jāti.- main
via surya_layout
16 [1. Şādjī] section_header
via surya_layout
17 Ṣādjī that pertains to ṣadja-grāma has five anisas and grahas. That is thus- main
via surya_layout
18 ṣadja, gāndhāra, madhyama, pañcama, dhaivata are grahas and amsas. Gāndhāra main
via surya_layout
19 and pañcama are the two apanyāsas. It is ṣāḍavā by being devoid of niṣāda. main
via surya_layout
20 Ṣadja is the nyāsa. There is sangati (concert) between ṣadja and gāndhāra as main
via surya_layout
21 well as ṣadja and dhaivata. Gāndhāra is very profuse, in spite of its being main
via surya_layout
22 vivādī. Sangatī<sup>58</sup> means 'reaching out to each other', i.e. to and fro movement main
via surya_layout
23 between the two svaras concerned. main
via surya_layout
24 The movement in tāra (high register) extends up to five svaras. The main
via surya_layout
25 movement in mandra (lower register) extends upto şadja (the lower octave main
via surya_layout
26 of the amsa). The state of auduvita does not obtain at all. It is complete and main
via surya_layout
27 hexatonic. When it is sung in its complete form, then the sparseness of main
via surya_layout
28 ṛṣabha-pañcama and niṣāda-pañcama should be brought about. Why? - main
via surya_layout
29 "( The svara) without which the incomplete state (of a given jāti) comes main
via surya_layout
30 about, that (svara) is sparse in that (jāti, in its complete state)." main
via surya_layout
31 [Datti 61 ab] editorial_bracket
parent ligne 30
via heuristic_brackets
32 - Because of the above statement. main
via surya_layout

vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [9. Dodhaka] table
via surya_layout
4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
via surya_layout
5 (391) table
via surya_layout
6 [10. <i>Totaka</i>] table
via surya_layout
7 [11. <i>Vastu</i>] section_header
via surya_layout
8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
via surya_layout
9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
via surya_layout
10 in drama. annotation_inline
parent ligne 9
via heuristic_short
11 (392) main
via surya_layout
12 [12. Krauńcapada] section_header
via surya_layout
13 Krauñcapada is known to those proficient in gandharva as that which is main
via surya_layout
14 sung in pratitāla, being comprised of pada and svara. main
via surya_layout
15 (393) main
via surya_layout
16 [13. Haṁsapada] section_header
via surya_layout
17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
via surya_layout
18 a regional (language) (and) which is sung with rhyme, that song is known main
via surya_layout
19 as hamsapada. annotation_inline
parent ligne 18
via heuristic_short
20 (394) main
via surya_layout
21 [14. Śukasārika] section_header
via surya_layout
22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
via surya_layout
23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
via surya_layout
24 (395) annotation_inline
parent ligne 23
via heuristic_short
25 That which is composed in the Karnāta language or is mixed (with other main
via surya_layout
26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
via surya_layout
27 (396) main
via surya_layout
171 lignes a valider — change uniquement les roles incorrects.