nivṛttapravṛtta technical_term

⁹³ TRANSLATION (Anu. ⁷⁵) Where, having 'stayed' (stopped) for a long time at one svara in the form of șadja and the like, having touched the octave36 (tara) of that like fire and having stayed there for one (short) time-unit³⁷ (kalā), suddenly the 'low' (svara) (6) is reached, that is bindu. As - sā sa - sā. Thus is (ends) bindu. (Anu. ⁷⁶) Having touched (a svara) for the interval of one kalā (time-unit), on account of the pronunciation of (svaras) in the reverse order of bindu, (the alaṅkāra) named nivīttapravītta (comes into being). As - sā sā sā. thus ends (7) nivṛttapravṛtta. (Anu. ⁷⁷) Veņu is with seven kalās 40 (phrases) in the order of ascent and descent, like ākrīḍita 11 (playful way?). sarigamapadhani nidhapamagarisa. Thus is (ends) veņu. (8) (Anu ⁷⁸) On account of the shake of (svara having) three srutis in the lower heptad, kampita (is formed), that is composed of three kalās (time-units). As - (9) sarigamapadhanisa,42 thus is (ends) kampita. (Anu. ⁷⁹) On account of the shake of (svara having) three śrutis 43 in the middle heptad kuharita (is formed), that is composed of three kalās. As - (10) sarigamapadhanisa.44 Thus is (ends) kuharita. (Anu. ⁸⁰) On account of the shake of (svara having) three śrutis in the higher heptad, recita (is formed), that is composed of three kalās. As - (11) sarigamapadhanisa ⁴⁵ Thus is (ends) recita. (Anu. ⁸¹) Prenkholita is with fourteen kalās 16 (phrases) on account of 'going' (ascent) and 'coming' (descent) of (groups of) two or more svaras, in equal temporal