sampradāna technical_term

¹⁰¹ TRANSLATION remaining svaras, udghațțita is composed of eighteen kalās (phrases). As - sarimapa pamarisa, rigapadha dhapagari, gamadhani nidhamaga, mapanisu 66 sanipama, padhanisa; sanipama mapanisa, nidhamaga gamadhani, dhapagari rigamadha, pamarisa sarimapa, magarisa. Thus is (ends) udghattita. (25) (Anu. ⁹⁵) Aksiptaka (is formed) with the measure of kalās (time-units) starting with one-kalā-unit 67 (and extending) upto six-kalā - unit with three svaras in the ascending order (in each phrase). As - sarigā nu, rigamā nu, gamapā nu, mapadhā nu, padhani nu, dhanisā 68 nu, sanidhā nu, nidhapā nu, dhapamā nu, (26) pamagā nu, magarī nu, garisā nu. Thus is (ends) ākṣiptaka. (Anu. ⁹⁶) Leaving the immediate (svara) after the first one and going (forward) in two svaras and on account of descent in the same order in the ekakala 69 (one time-unit form) (and) also (the same pattern) in ekakala in descent, thus is the sampradāna in dvikala 70 (with two-unit phrases) that is composed of twenty-two kalās (phrases). As - sagamā marisā, rimapā pagarī, gapadhā dhamagā, madhanī nipamā, panisā sadhapā, dhanisā; sadhapā panisā, nipamā madhani, dhamagā gapadhā, pagarī rimapā, marisā sagamā, garisā. Thus is (ends) sampradāna.71 Or, sagamā magasā, rimapā pamarī, gapadhā dhapagā, madhanī nidhamā, panisā sanipā, dhanisā; sadhapā padhasā, nipamā mapanī, dhamagā gamadhā, pagarī rigapā, marisā sarimā, garisā. Thus is (ends) sampradāna. (27) (Anu. ⁹⁷) Hasita is on account of 'laughter'72 (or sport) in the dvikala73 (composed of dual units) combination. As - saga mama risa, rima papa gari, gapa dhadha maga, madha nini pama, pani sasa dhapa, dhanisā;74 sadha papa nisa, nipa mama dhani, dhama gaga padha, paga riri mapa, mari sasa gama, garisā. Thus (28) is (ends) hasita. (Anu. ⁹⁸) Like hasita, through the ascent (and descent) of three svaras, or the ascent (and descent) of four svaras, both ways huṅkāra is ekakala 75 (with one-unit