anauduvita technical_term

ş ⁴¹ TRANSLATION "Şadjamadhyamā is not desired to be with six svaras when the seventh (niṣāda) is the aṁśa, because of the non-omission of the samvādī (of the amsa); similarly it is not desired to be so when gandhara (is the amsa). In gāndhārī, raktagāndhārī and kaiśikī, pañcama should be known as a-ṣāḍava (non-ṣāḍava) and in ṣaḍjā (jātī) the aṁśa gāndhāra should be known as such. O twice-born ones! when dhaivata is the aṁśa in ṣadjodīcyā there is no ṣāḍava (form) because of the non-omission of the samvādī. These seven (amśas) are devoid of the state of making six svara forms. In gāndhārī and raktagāndhārī, şadja, madhyama, pañcama and the seventh (niṣāda) should be known to be such as disallowing the formation of auduvita. In șadja-madhyamā, two amśas, viz. gāndhāra and niṣāda, in pañcamī ṛṣabha, similarly dhaivata in kaiśiki - these twelve should be avoided in making pentatonic (forms). These jātis should always be treated as anauduvita (non- pentatonic), when based on the above svaras.