pentatonic technical_term

Dictionary: not in dictionary · Pages: 2 · Occurrences: 2 · Affirmations: 1 · Graph degree: 21 (in 19, out 2)

Variants (1): pentatonic (2)

Generative rules (1) ↗ filter all

BD_6_1_R024 classification · 1 att.
Śuddhakaiśikamadhyama rāga is pentatonic (5 svaras)

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: pentatonic (cluster 365)
SCOPE: technical_term family
STATUS: empirical
CONFIDENCE: empirical
PROTECT: false

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (2)

--[structural]--> śuddhakaiśikamadhyama (1)--[structural]--> rāga (1)

Incoming (18)

raktagāndhārī --[structural]--> (2)ṣāḍava --[definition]--> (1)raktagāndhārī --[enumeration]--> (1)auduvita --[definition]--> (1)auduvita --[structural]--> (1)kaiśikī --[structural]--> (1)gāndhārī --[structural]--> (1)dhruvā --[enumeration]--> (1)pañcamī --[structural]--> (1)gāndhārodīcyavā --[structural]--> (1)pulindikā --[structural]--> (1)dohyā --[structural]--> (1)ṛṣabha --[structural]--> (1)anauduvita --[definition]--> (1)Trāvaṇī --[structural]--> (1)hexatonic and pentatonic formations --[structural]--> (1)सप्तस्वरमूर्छना --[enumeration]--> (1)mahābhūta --[relation]--> (1)

Affirmations (1)

structural

p.vol_II_p054

english

conf 0.94

[show source]

śuddhakaiśikamadhyama rāga is pentatonic

"It is pentatonic."

91 TRANSLATION [Anu. 167] This means – śuddhasādhārita rāga is related to ṣaḍjagrāma on account of being born of şadjamadhyamā jāti. Tāra (high) şadja is the graha and aṁśa and madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. It is complete (with all the svaras). Its application is prescribed in the garbha- sandhi. 39 Vīra, raudra and the like (perhaps adbhuta also) are the rasas. The mūrchanā beginning with ṣaḍja obtains. Avarohin (descending) is the varṇa and prasannānta the alarikāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga), the kalā prevails in the citra (mārga). In the song comprised of svaras and padas a tāla like caccatpuṭa obtains. [4. Śuddhakaiśikamadhyama] Suddhakaisikamadhyama is born of kaisikī and şadjamadhyamā. Şadja is its aṁśa, madhyama the nyāsa and ṛṣabha – pañcama are omitted. (302) [Anu. 168] This means—the rāga śuddhakaiśikamadhyama is related to ṣaḍjagrāma on account of being born of kaiśikī and şadjamadhyamā jātis. (Contention) Kaiśikī ŧ is related to madhyamagrāma and ṣadjamadhyamā to ṣadjagrāma, hence this (r\bar{a}ga) is related to both the gr\bar{a}mas^{40}. This is the implication. On account of being devoid of ṛṣabha-pañcama, this is related only to ṣaḍjagrāma. In madhyamagrāma, the omission of ṛṣabha-pañcama does not take place; this is the implication. Tāra (high) ṣaḍja is its graha and aniśa. Madhyama is the nyāsa. There is the weakness of niṣāda and gāndhāra. The omission of pañcama and ṛṣabha obtains. Niṣāda is kākalī here. It is pentatonic. It is used in the nirvahaṇa (sandhi).41 The mūrchanā beginning with ṣaḍja obtains. Raudra, vīra and the like is the rasa. Prasannānta is the alaṅkāra. .................. [5. Šuddhakaisika] Kaišika has ṣaḍja as its aṁśa and pañcama as its nyāsa, is born of kaišikī jāti and kārmāravī jāti and is with complete svaras. (303)