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Bṛhaddeśī · Volume II
pp. 74–75folio 046
Devanāgarī (Bṛhaddeśī)
table
phrase_sequences_numbered — Suite numérotée (13)-(32) de phrases mélodiques de 7 svaras chacune, faisant partie de l'illustration des jātis (fin du chapitre 2 — iti jātīnāṃ dvitīyo'dhyāyaḥ)
phrasenum
['dha', 'ni', 'sa/ni', 'dha', 'pa', 'pa', 'pa'](13)
['dha', 'ni', 'ma', 'ga', 'ga', 'ma', 'ma'](14)
['ga', 'pa', 'pa', 'dha', 'ma', 'ma', 'ma'](15)
['dha', 'dha', 'ni', 'pa', 'pa', 'pa', 'pa'](16)
['ri', 'ga', 'ma', 'pa', 'ma', 'pa', 'ni'](17)
['ri', 'ri', 'ri', 'ri', 'pa', 'ma', 'ma'](18)
['ni', 'pa', 'ma', 'ma', 'ga', 'ga', 'ga'](19)
['ni', 'pa', 'ma', 'ga', 'ma', 'gā', 'gā', 'gā'](20)
['sā', 'sā', 'ga', 'ga', 'ma', 'ma', 'ma'](21)
['ni', 'ni', 'ni', 'ma', 'ma', 'pa', 'pa'](22)
['sa', 'sa', 'dha', 'ni', 'pa', 'pa', 'pa'](23)
['ma', 'ri', 'ga', 'ga', 'pa', 'ri', 'ga', 'sā', 'sā'](24)
['ri', 'ri', 'ga', 'ga', 'ma', 'ma', 'ma'](25)
['sā', 'sā', 'sā', 'sā', 'ri', 'ga', 'ma', 'ma'](26)
['sa', 'ni', 'ni', 'ma', 'ma', 'pa', 'pa'](27)
['ma', 'ma', 'pa', 'pa', 'ma', 'dha', 'ni', 'dha', 'ma'](28)
['dha', 'dha', 'sa', 'ni', 'dha', 'ni', 'pa', 'pa'](29)
['sā', 'sā', 'sā', 'sā', 'dha', 'ni', 'pa', 'pa'](30)
['ni', 'ni', 'ni', 'dha', 'dha', 'pa', 'pa'](31)
['ma', 'pa', 'ri', 'ga', 'ga', 'ga', 'ga'](32)
— ?
॥ [इति] नन्दयन्ती
। म ॥१९१ [॥१९२इति जातिर्नाम द्वितीयोऽध्याय:॥]43
English — Sharma (translation)
table
nandayantī jāti — phrases (continuation, verses 13–32) — Translation, Chapter 2 (Jāti). End of nandayantī jāti enumeration.
phraseverse_number
dhā nī sani dhā pā pā pā(13)
dhā nī mā pā gā gā gā(14)
gā pā pā pā dhā mā gā gā(15)
dhā dhā nī dhā pā pā pā(16)
rī gā mā pā pama pā nī(17)
rī rī rī rī pā pā pā(18)
pā pā pā dhā mā mā mā(19)
nī mā gama pā gā gā(20)
rī rī gā gā mā mā mā(21)
nī pā nī mā nī dhā pā pā(22)
sā sā dhani dhā pā pā pā(23)
mā pā mā pariga gā sā sā(24)
rī rī gā mā mā pā mā(25)
rī rī rī gā mā riga mā mā(26)
mā nī pā nī gā gā gā(27)
mā mā pā dhā dhani nidha mā(28)
dhā dhā sā nī dhā nī pā pā(29)
rī rī rī rī mā pā dhā mā(30)
nī nī nī nī dhā pā mā mā(31)
mā pari gā gā gā gā gā gā(32)
— Thus ends nandayantī. [Thus ends the second chapter entitled 'Jāti'.]
[Thus ends the second chapter entitled 'Jāti'. 78]3
1.[attribution] nandayantī is the title of a musical composition or section॥ [इति] नन्दयन्ती
2.[attribution]nandayantī is the title of a musical composition or section॥ [इति] नन्दयन्ती
3.[attribution]Jāti is the subject of the second chapter of this treatise[॥१९२इति ज?ातिर्नाम द्वितीयोऽध्यायः॥]
4.[attribution] Jāti is the subject of the second chapter of this treatise[॥१९२इति ज?ातिर्नाम द्वितीयोऽध्यायः॥]
5.[structural]nandayantī is composed of a series of solfège syllables (dhā, nī, sani, pā, gā, mā, rī, sā) arranged in sequencesdhā nī sani dhā pā pā pā pā (१३) dhā nī mā pā gā gā gā gā
1.[attribution]nandayantī is the title of a musical composition or sectionThus ends nandayantī.
2.[attribution] nandayantī is the title of a musical composition or sectionThus ends nandayantī.
3.[attribution] Jāti is the subject of the second chapter of this treatise[Thus ends the second chapter entitled 'Jāti'. 78]
4.[attribution]Jāti is the subject of the second chapter of this treatise[Thus ends the second chapter entitled 'Jāti'. 78]