Source scans · vol_I_p072
recto · open full
scan recto
verso · open full
scan verso
Bṛhaddeśī · Volume I
pp. 126–127folio 072
Devanāgarī
कलां द्वतलयेन.ला .वरदेन देवशर्व देवं शर्वीमिति पदद्वयेन2० वन्दे इति पदान्तरसहितेन ्रदये− निर्वाहयतीति कलात्रयव्यापनम्.वयव्यापातनाद् (?) २१। यथा - .हा.मा मा सा सा
[देवं]
मा सा सा मा
[देवंश र्व]
22सस मस मम रिरि
[देवं भर्व वं दे]
[अनु० ११२]
मगधदेशोद्भवत्वान्मागधी।3 अन्ये तु द्विर्निवृत्तां•सा मागधीं प्ठन्ति।
अर्धमिति पदसम्बन्ध्यर्धपदत्वेनार्धमागधी।4 न च पदार्द्यनिवृत्तावर्थः . El. .पा. .য₀ प्रवृत्तिनिवृत्तिगो हेतुर्मन्तव्यः । यतः सामवेदे२ गीतप्रधानेयादेव आवृत्तिष्वर्थो ,व्या,द .र्षग:
नाद्रियत इति । तदुक्तं—य आवृत्त्यात्मा जातवेदसमिति [ २४शब्दः] ।
गा, ਚ, अत्र वेदशब्दपर्यवसिता सम्भाविता, लघुप्रायत्वे.प्रभाव (?) 25 च पृथुला,
भूयस्त्वात् पदग्रामस्य पृथुलेत्युक्ता.स्त्वा
2611 इति मार्गलया [:] 11
[अनु० ११३]
मार्गत्रये•यो गीतिविधौ लयप्रयोगो नवधा द्रष्टव्यः.क्याः5 लयसम्प्रयोगं दर्शयति— दक्षिणो मार्गो, वार्तिको मार्गिश्चत्रमार्गइति दक्षिण— [ मार्ग - ] प्रवृत्तौ लयत्रयम् । वार्तिकमार्गश्चित्रमार्गो ध्वमार्गश्चेति । दक्षिणावृत्ती वृत्तिमार्गप्रवृत्तौ लयत्रयम्।6 चित्रमार्गो ध्रुवमार्गः शून्यमार्गप्रचेति चित्र - [ मार्गप्रवृत्तौ ] लयत्रयम्।7 चित्रे
English — Sharma
mā mā sā sā de - vam - mā sā sā mā de vam sa rvam sasa masa mama nn devam sarvam vande (Anu. 112) Māgadhī is (known as such) because of its origin in the magadha deśa (south Bihar).3 Others read māgadhī to be 'twice returned' (or 'twice repeated'). Ardhamāgadhi is (called so) because of there being the state of half 'pada',456 thus the 'ardha,' (half, forming part of the name ardhamāgadhī) is related to 'pada'. In the repetition of half a pada the verbal meaning should not be construed as the determining factor (hetu) in 'moving forward' (pravṛtti),or acceptance, and 'returning' (niviti) or rejection; because in Sāmaveda that is predominantly musical, the verbal meaning is not cared for in the repetitions.1 It has been said - the word jātavedasam (fire) that is repetitive, here (in the context of this word), sambhāvitā (gītī) ends at the word veda, 57 the pṛthulā gītī, on the other hand, is based on the predominance of laghu (short syllables); on account of the profusion of the grouping (grāma) of padas (syllabic units) it is called pṛthulā (lit. broad or large). (Anu. 113) In the three margas in the prescription about gitis, the use of laya should be seen to be ninefold.5 He (the author) shows the use of laya as - daksina marga, vartika marga and citra mārga, thus are the three layas in the 'operation'58 (pravṛtti) of dakṣina mārga.8 Vārtika mārga, citra mārga and dhruva mārga, thus are the three layas in the operation of vrttimārga.6 Citra mārga, dhruvamārga and śūnyamārga, thus are the three layas in the operation of citra-marga.7 Thus has been propounded in the chapter on gitis. As - in the daksina marga there are four gurus (long units) two gurus and one guru.10 In vārtika mārga there are two gurus, one guru and one laghu.11 In citra (mārga) there is one guru, one laghu and one druta (half - mātrā unit).12
3.[definition] Māgadhī derives its name from its origin in the Magadha regionमगधदेशोद्भवत्वान्मागधी।
4.[definition] Ardhamāgadhī is called so because it consists of half a pada (metrical unit)अर्धमिति पदसम्बन्ध्यर्धपदत्वेनार्धमागधी।
5.[enumeration] Nine varieties of laya use are distributed across three margas in giti prescriptionमार्गत्रये गीतिविधौ लयप्रयोगो नवधा द्रष्टव्यः।
6.[enumeration] Vṛtti-mārga operation contains three layas: Vārtika mārga, citra mārga, and dhruva mārgaवार्तिकमार्गश्चित्रमार्गो ध्वमार्गश्चेति । दक्षिणावृत्ती वृत्तिमार्गप्रवृत्तौ लयत्रयम्।
7.[enumeration] Citra mārga operation contains three layas: Citra mārga, dhruva mārga, and śūnya mārgaचित्रमार्गो ध्रुवमार्गः शून्यमार्गप्रचेति चित्र - [ मार्गप्रवृत्तौ ] लयत्रयम्।
8.[enumeration] Daksina marga has three layas in its operation: daksina marga, vartika marga, and citra mārgaदक्षिणो मार्गो, वार्तिको मार्गिश्चत्रमार्ग इति दक्षिण— [ मार्ग - ] प्रवृत्तौ लयत्रयम्
1.[attribution]In Sāmaveda, which is predominantly musical, verbal meaning is not regarded in repetitionsbecause in Sāmaveda that is predominantly musical, the verbal meaning is not cared for in the repetitions.
2.[citation]Jātavedasam is a word exemplifying repetitive gīti where the musical meaning ends at the word 'veda'the word jātavedasam (fire) that is repetitive, here (in the context of this word), sambhāvitā (gīti) ends at the word veda,
3.[definition]Māgadhī derives its name from its origin in the Magadha regionMāgadhī is (known as such) because of its origin in the magadha deśa (south Bihar).
4.[definition]Ardhamāgadhī is called so because it consists of half a pada (metrical unit)Ardhamāgadhi is (called so) because of there being the state of half 'pada',
5.[enumeration]Nine varieties of laya use are distributed across three margas in giti prescriptionIn the three margas in the prescription about gitis, the use of laya should be seen to be ninefold.
6.[enumeration]Vṛtti-mārga operation contains three layas: Vārtika mārga, citra mārga, and dhruva mārgaVārtika mārga, citra mārga and dhruva mārga, thus are the three layas in the operation of vrttimārga.
7.[enumeration]Citra mārga operation contains three layas: Citra mārga, dhruva mārga, and śūnya mārgaCitra mārga, dhruvamārga and śūnyamārga, thus are the three layas in the operation of citra-marga.
8.[enumeration]Daksina marga has three layas in its operation: daksina marga, vartika marga, and citra mārgadaksina marga, vartika marga and citra mārga, thus are the three layas in the 'operation' (pravṛtti) of dakṣina mārga.
9.[structural]Pṛthulā gīti is characterized by a predominance of short syllables (laghu)the pṛthulā gīti, on the other hand, is based on the predominance of laghu (short syllables)
10.[structural]Daksina marga contains gurus (long units) in configuration of four, two, and one guruin the daksina marga there are four gurus (long units) two gurus and one guru.
11.[structural]Vārtika mārga contains metrical units with two gurus, one guru, and one laghuIn vārtika mārga there are two gurus, one guru and one laghu.
12.[structural]Citra mārga is characterized by one guru, one laghu, and one druta (half-mātrā unit)In citra (mārga) there is one guru, one laghu and one druta (half - mātrā unit).