Now he (the author) has spoken of the description of
jāti-bhinna -
The amśa of jātis should be established and so should be the sparse and the
abundant. Sparseness and abundance come about on account of sparse and
abundant usage.
Jāti-bhinnais so called, formed as it is with sūkṣma, atisūkṣma
(short and very short in time)2 and curved (phrases).150
(308)
[Anu. 178]
This means-
śuddhakaiśika madhyamais born of kaiśiki and ṣadjamadhyamā jā ūs.5
Bhinnakaisikamadhyama, on the other hand, is
jāti-bhinna on account of being
born of the
sadjamadhyamā jāti,51 the taking up of its (jāti's) amsaand
taking up
of the sthāyin varņa11 and is formed with sūkṣma and atisūkṣma (short and very short
in time) phrases, this is the import. Its description is thus -
Bhinnakaisikamadhyamacomes of
ṣadjamadhyamā jāti, has ṣadja as its ainśa,
<math>
madhyama</math> as its <math>ny\bar{a}sa</math> and is (endowed) with <math>mandra</math> (low) <math>
gamakas^{52}</math>
(309)
[Anu. 179]
This means-
bhinnakaisikamadhyama is related to
şadjagrāma on account
of being born of
şadjamadhyamā jāti.
Şadja is its graha and ainša.9 Madhyama
is the nyāsa.10 It has mandra (low)
gamakas.
Niṣāda is kākalī here4 and this (rāga)
is complete.
It is used in the context of dānavīra i.e. heroism in charity.7 53
Vīra, raudra and the like are the rasas.
The mūrchanā beginning with ṣaḍja
obtains.12 Sañcārin is the varņa.
Prasannādi is the
alankāra. The kalā is formed
in the
dakṣiṇa (mārga), the kalā obtains in the
vṛtti (mārga) and the kalā
prevails in the
citra (mārga).
A tāla like caccatpuța obtains in the songs
comprised of svara and pada.6
Now he (the author) has spoken of the definition of
śuddhabhinna-
(The rāga) that bedecks itself with its own jāti (from which it is born) and
kula (family), leaving the other jāti and taking up (the qualities of) its own
family, is called
śuddhabhinna.
(310)