vol_II_p115 — Bṛhaddeśī

Devanāgarī (Bṛhaddeśī)

[९. दोधक:]

ररअर्धंअर्थ गीत्वा परार्धंपरार्थ तु तस्योपरिततापरि ततस्वरम्⁶॰स्वरा(?) ॥३९१॥

[१०. तोटक:]

¹/₁[.....]

[११. वस्तु]

यत्र पाटाश्च तेत्राश्च शेषं भवेत् ततस्वरम्⁷³ततो परी ।

. . . . देशीगीतेऽपि वस्तु स्यात्राटकेऽपि प्रयुज्यते⁵¹^१३ ॥३९२॥

[१२. क्रौञ्चपद:]

गीतस्तु प्रतितालेन॰(ना?ता)॰ पदस्वरसमायुत:⁴।

मतः क्रौञ्चपदो नाम स तु गान्धर्ववेदिनाम्² १४॥३९३॥

[१३.हंसपद:]

संस्कृतं पादमेकं तु द्वितीयं देशसंयुतम्⁹।

सप्रासं गीयते यत्तद्यम गीतं हंसपदं विदु¹⁰ः १५॥३९४॥

[१४.शुकसारिक:]

यस्तु तालपदोपेत[:] पदपाटविराजित:। प्रश्नोत्तरसमायुक्तः॰यु(के:?क:) सदोक: स तूक्तः शुकसारिकः¹¹न्तः ॥३९५॥

[य: स्यात्] कर्णाटभाषायामथवा मिश्रितो यदि¹² ।

+ संवादकपदोपेत: स भवेच्छुकसारिक:¹³ १६॥३९६॥

English — Sharma (translation)

[9. Dodhaka]

Having sung the (first) half, the latter half is comprised of a stretching of svaras.

(391)

[10. Totaka]

[11. Vastu]

Where there are pāṭas and tennas 16 and the rest is comprised of a stretching (elaboration) of svaras³, that is vastu⁷¹⁷ used in desī gītas as well as in drama.⁵¹

(392)

[12. Krauńcapada]

Krauñcapada is known to those proficient in gandharva² as that which is sung in pratitāla, being comprised of pada and svara.⁸⁴

(393)

[13. Haṁsapada]

Where there is one foot in Sainskṛta and the second (foot) is composed in a regional (language)⁹ (and) which is sung with rhyme, that song is known as hamsapada.¹⁰

(394)

[14. Śukasārika]

That which is combined with tāla (and) pada, bedecked with pada (and) pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19.

(395)

That which is composed in the Karnāta language or is mixed (with other languages)¹² (and) is comprised of pada (text) embodying dialogue, is śukasārika.¹³

(396)

Sanskrit attestations (12)

1.[relation] ⇄Vastu is used in both desī gītas and in dramaदेशीगीतेऽपि वस्तु स्यात्राटकेऽपि प्रयुज?्यते

2.[relation] ⇄Gandharva professionals are the knowledgeable authorities on Krauńcapadaस तु गान्धर्ववेदिनाम्

3.[relation] ⇄Pāṭa is a constituent element of vastu and śukasārika formsयत्र पाटाश्च तेत्राश्च शेषं भवेत् ततस्वरम्

4.[relation] ⇄Pratitāla is the tāla context in which Krauńcapada is performedगीतस्तु प्रतितालेन पदस्वरसमायुतः

5.[relation] ⇄Desī gīta employs the vastu formदेशीगीतेऽपि वस्तु स्यात्राटकेऽपि प्रयुज?्यते

6.[structural] ⇄Dodhaka consists of two halves, where the second half is an elaboration of svarasररअर्धं गीत्वा परार्धं तु तस्योपरि ततस्वरम्

7.[structural] ⇄Vastu is characterized by the presence of pāṭas and tennas with svara elaborationयत्र पाटाश्च तेत्राश्च शेषं भवेत् ततस्वरम्

9.[structural] ⇄Haṁsapada has a bilingual structure with one foot in Sanskrit and one in a regional languageसंस्कृतं पादमेकं तु द्वितीयं देशसंयुतम्

10.[structural] ⇄Haṁsapada is characterized by the presence of rhyme (prasā)सप्रासं गीयते यत्तद् गीतं हंसपदं विदु

11.[structural] ⇄Śukasārika combines tāla, pada, pāṭa and features question-answer structureयस्तु तालपदोपेत[:] पदपाटविराज?ितः। प्रश्नोत्तरसमायुक्तः स तूक्तः शुकसारिकः

12.[structural] ⇄Śukasārika can be composed in Karnāta language or be linguistically mixedकर्णाटभाषायामथवा मिश्रितो यदि

13.[structural] ⇄Śukasārika is characterized by the presence of pada embodying dialogueसंवादकपदोपेतः स भवेच्छुकसारिकः

English attestations (13)

1.[relation]Vastu is used in both desī gītas and in dramathat is vastu¹⁷ used in desī gītas as well as in drama.

2.[relation]Gandharva professionals are the knowledgeable authorities on KrauńcapadaKrauñcapada is known to those proficient in gandharva

3.[relation]Pāṭa is a constituent element of vastu and śukasārika formsWhere there are pāṭas and tennas 16 and the rest is comprised of a stretching (elaboration) of svaras

4.[relation]Pratitāla is the tāla context in which Krauńcapada is performedthat which is sung in pratitāla, being comprised of pada and svara.

5.[relation]Desī gīta employs the vastu formthat is vastu¹⁷ used in desī gītas as well as in drama.

6.[structural]Dodhaka consists of two halves, where the second half is an elaboration of svarasHaving sung the (first) half, the latter half is comprised of a stretching of svaras.

7.[structural]Vastu is characterized by the presence of pāṭas and tennas with svara elaborationWhere there are pāṭas and tennas 16 and the rest is comprised of a stretching (elaboration) of svaras, that is vastu

8.[structural]Krauńcapada is sung in pratitāla and comprises pada and svara elementsKrauñcapada is known to those proficient in gandharva as that which is sung in pratitāla, being comprised of pada and svara.

9.[structural]Haṁsapada has a bilingual structure with one foot in Sanskrit and one in a regional languageWhere there is one foot in Sainskṛta and the second (foot) is composed in a regional (language)

10.[structural]Haṁsapada is characterized by the presence of rhyme (prasā)which is sung with rhyme, that song is known as hamsapada.

11.[structural]Śukasārika combines tāla, pada, pāṭa and features question-answer structureThat which is combined with tāla (and) pada, bedecked with pada (and) pāṭa (and) comprised of question and answer, is said to be śukaśārika.

12.[structural]Śukasārika can be composed in Karnāta language or be linguistically mixedThat which is composed in the Karnāta language or is mixed (with other languages)

13.[structural]Śukasārika is characterized by the presence of pada embodying dialogueis comprised of pada (text) embodying dialogue, is śukasārika.