Ţakkakaiśika technical_term

Dictionary: not in dictionary · Pages: 1 · Occurrences: 1 · Affirmations: 2 · Graph degree: 10 (in 6, out 4)

Variants (1): Ţakkakaiśika (1)

Generative rules (1) ↗ filter all

R_884_takkakaishika derivation · 2 att.
Ṭakkakaiśika is born of dhaivatī and madhyamā jātis, and is related to ṣaḍjagrāma.

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: ţakkakaiśika (cluster 884)
SCOPE: technical_term family
STATUS: empirical
CONFIDENCE: empirical
PROTECT: false

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (4)

--[definition]--> jāti (1)--[relation]--> sadjagrāma (1)--[definition]--> dhaivatī (1)--[definition]--> madhyama (1)

Incoming (6)

mūrchanā --[structural]--> (1)kākalī --[structural]--> (1)caccatpuṭa --[structural]--> (1)sadjagrāma --[relation]--> (1)antara --[structural]--> (1)ārohin --[structural]--> (1)

Affirmations (2)

definition

p.vol_II_p066

english

conf 0.98

[show source]

Ţakkakaiśika is born of dhaivatī and madhyamā jātis

"Ţakkakaiśika is born of dhaivatī and madhyamā jātis"

1.50 4 1 TRANSLATION 115 [Anu. 198] Ṣaḍjais its graha, aṁśa and nyāsa. Niṣādais kākalī here. It is pentatonic with the omission of dhaivata and ṛṣabha. Its application is prescribed in sambhoga- śṛṅgāra (love in union). Vīra72 and the like are the rasas. The mūrchanā beginning with sadja obtains. Ārohin is the varņa. Prasannādi is the alaṅkāra. The kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in songs comprised of svara and pada. [7. Ţakkakaiśika] Ţakkakaiśika is born of dhaivatī and madhyamā jātis, has dhaivata as its aṁśa and concluding note and is weak in the svaras comprised of two śrutis each (gāndhāra and niṣāda). (326) [Anu. 199] Takkakaišika is related to sadjagrāma. (Contention) This rāga is born of jātis related to both the grāmas, how is it proper to say that it is related to șadjagrāma? [Answer] În its performance pañcama related to four śrutis is obtained. Pañcama and dhaivata are the two that bring about a distinction between the two grāmas. Hence, this rāga is related to sadjagrāma alone on account of pañcama being comprised of four śrutis. Dhaivata is the graha, aṁśa and nyāsa. Niṣāda and gāndhāra are kākalī and antara here. This (rāga) is complete in svaras. In the opinion of Kasyapa it becomes auduvita (pentatonic) with the omission of niṣāda and gāndhāra. Its application is prescribed in passionate acting (or dance) and in the entry of a love-lorn one and his kañcukin (attendant of the female apartments). \dot{B}\bar{\imath}bhatsa^{73} and the like are the rasas. The mūrchanā beginning with dhaivata obtains. Ārohin is the varna. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in songs comprised of svara and pada. [8. Mālavakaisika] The rāga mālavakaišika is born of kaišikī jāti, is combined with ṣaḍja as amša and nyāsa and is weak in dhaivata. (327) Some prefer pancama for the function of nyāsa in it and others prefer găndhāra, but that is not seen in practice. (328)

relation

p.vol_II_p066

sanskrit

conf 0.95

[show source]

Ţakkakaiśika is related to ṣadjagrāma

"षड्जग्रामसम्बन्धः।"

BRHADDEŚĪ 114 [अनु॰ १९८] षड्ज?ोऽस्य ग्रहोंऽशो न्यासश्च । निषादोऽत्र काकली । धैवतर्षभहीनमौडुवितम् । धैवत ऋषभहीन( ध ?)मौडवितम् ८२सम्भोगशृङ्गारेऽस्य विनियोगः। वीरादिरसः। मूर्छना षड्ज?ादिः। वर्ण आरोही। ॰ना(दि) प्रसन्नादिरलङ्कारः । दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल । [७. टक्ककेशिकः] धैवतांशस्तदन्तश्च स्वल्पद्विश्रुतिकस्वरः । धैवतीमध्यमाज?ात्योः सञ्ज?ातष्टक्ककैशिकः ॥३२६॥ ॰एक [अनु॰ १९९] धैवतीमध्यमाज?ात्योर्ज?ातत्वाट्टक्ककेशिकः षड्जग्रामसम्बन्धः। ८३ननु उभयग्रामसम्बन्धिन्यो- (यस्याज?? ठमय) र्ज?ात्यो समुत्पन्नोऽयं गगः षड्जग्रामसम्बन्ध इति कथं वक्तु युक्तम् ? अस्य प्रयोगे चतुःश्रुतिसम्बन्धः र्ज?ा(न्यो?त्यो) (कथं) पञ्चम उपलभ्यते। पञ्चमधैवतौ द्विग्रामयोर्भेदकारिणौ अतः पञ्चमस्य चतुःश्रुतिकत्वात् । षङ्जग्रामसम्बन्ध (पञ्चमे पैवतेन भिग्रामयोर्भेदकारिणौ ?) एवायं रागः। ग्रहोंऽशो न्यासश्च धैवतः। निषादगान्धारौ चात्र काकल्यन्तरौ। पूर्णस्वरश्चायम्। ८४कश्यपमते निषादगान्धारयोर्लोपादयमौडुवितः । उद्भटनाट्ये कामग्रस्ततत्कञ्चकिप्रवेशे चास्य विनियोगः। बीभत्सादिरसः । धैवतादिमूर्छना। आरोही वर्णः। दक्षिणे कला, वार्तिके कला, चित्रे मध्यमादिधैवता(?) कला । स्वरपदगीते चच्चत्पुटादितालः । [८. मालवकैशिकः] ८५कैशिकीज?ातिसम्भूतः षड्ज?ांशन्याससंयुतः । दुर्बलो धैवतेन स्याद् रागो मालवकैशिकः ॥ ३२७॥ ८६पञ्चमं केचिदिच्छन्ति चास्य वै न्यासकर्मणि । हात्याद्या + कर्मणि गान्धारं च तथा चान्ये तद्धि लक्ष्ये न दृश्यते ॥ ३२८॥