vol_II_p082 — Bṛhaddeśī

Bṛhaddeśī · Volume II

pp. 146–147folio 082

Devanāgarī (Bṛhaddeśī)

भाषा ४० औडुविता तत्र सङ्कीर्णा टक्करागजा⁸ ।

कोलाहली तु विख्याता गीयते गानवेदिभिः¹ ॥५७॥ उदाहरणम् -सामासामा । मा मा गा धा मा गा रि सा सा । धा सा गा गा रि सा सा माधसासारिरीरिगागा- मामा गारी गाधामारीसासा । धारीसासामाधरीमाधरीरीधाधागरीगासासा सामागारीसासागारी- न्नो नीनी पा मागारीसा धाधामागारीसा । कोलाहली । [१४] पा

मध्यमांशा तु षड्ज?ान्ता षड्जमध्यमसङ्गता ।

षड्ज? मध्यमः

सुसम्पूर्णा स्मृता नित्यं मध्यमग्रामिका मता ॥

^४१असम्पूर्णा सङ्कीर्णेयं सदा भाषा टक्करागे व्यवस्थिता⁷^४२॥५८॥ ণিন্ন

उदाहरणम् –माधानी । गा धा नी । सा नी धा । मा मा मा धा नी मा धा नी सा सा मा धा नी । मा। धानीनी।

धापागारीगासासा । गा सा सा । नीनीसानी। धाधा। नि धा मा मा मा धा नी धा मा मा ध नी मा धा नी सा सा ।

^४३मध्यमदेहा । [१५]

धैवतांशा तु षड्ज?ान्ता गान्धारस्वरभूषिता ।

गान्धारपञ्चमी ज?्ञेया षड्जमध्यमसंयुता ॥

पूर्णा भाषा च सङ्कीर्णा गीयते नागिकत्ररैः² ॥५९॥ च ++ पालकित्ररैः

उदाहरणम् – ध धा पा पा धा मा मा । धा पा मा मा धापामागारी । गागा । धा प मा गा सा सा मा सा नी ।

धाधा । माधानीसासा। सा गा ग सा गा ग ध रि धा मामाधारीगागामाधापामागासा नीधानीसासापासा।

गान्धारपञ्चमिका । [१६] ॰मी॰ एताश्च याष्टिकप्रोक्ता टक्करागस्य षोडश³ ॥६०॥

English — Sharma (translation)

of takkarāga is well-known as kolāhalī⁸, being sung by the knowledgeable ones in music.¹ <math>(56-57)</math> Illustration - Sāmāsāmā. Māmāgādhāmāgārisāsā. Dhāsāgāgārisāsā. Mādhasāsā-rirīrigāgāmāmāgārī gādhāmārīsāsā. Dhārīsāsāmādharīmādharīrī dhādhāgarīgāsāsāsāmāgārīsāsā gārīmāgārīsā dhādhāmāgārīsā. Kolāhalī [xiv] The bhāṣā madhyamagrāmadehā²¹ (madhyamagrāmikā) is known to be always complete, has madhyama as amśa and sadja as the concluding note, bears the concert between ṣaḍja and madhyama. This bhāṣā is always saṅkīrṇā (mixed) and is placed in takkarāga.

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Illustration - Mādhānī, Gādhānī, Sānīdhā, Māmāmādhānīmādhā nīsāsāmādhānī. Mā. Dhānīnī. Dhāpāgārīgāsāsā. Gāsāsā. Nīnīsānī. Dhādhā. Nidhāmāmāmādhānīdhāmāmā dhanīmādhānīsāsā. Madhyamadehā (xv) Gāndhārapahācamī should be known to have dhaivata as amśa, sadja as the concluding note, is embellished with the svara gandhara, has the combination between ṣaḍja-madhyama¹¹, is complete and saṅkīrṇā (mixed), being sung by the Nāgas²² and Kinnaras.²³

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Illustration - Dhadhāpāpādhāmāmā. Dhāpāmāmā dhāpāmāgārī. Gāgā. Dhāpamāgāsā. Sāmāsānīdhādhā. Mādhānīsāsā. Sāgāgasāgāgadharidhā māmādhārīgāgāmādhāpāmāgāsā nidhānisāsāpāsā. Gāndhārapancami [xvi] These are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika.⁶⁵³

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← II p081 index II p083 →

Sanskrit attestations (11)

1.[attribution]kolāhalī is a well-known variety of takkarāga sung by knowledgeable musiciansकोलाहली तु विख्याता गीयते गानवेदिभिः

2.[attribution]Gāndhārapañcamī is complete and saṅkīrṇā (mixed), sung by the Nāgas and Kinnarasपूर्णा भाषा च सङ्कीर्णा गीयते नागिकत्ररैः

3.[attribution]The sixteen bhāṣās of ṭakkarāga are spoken of by Yāṣṭikaएताश्च याष्टिकप्रोक्ता टक्करागस्य षोडश

4.[definition]madhyamagrāmikā is another name for madhyamagrāmadehā bhāṣāमध्यमांशा तु षड्ज?ान्ता षड्जमध्यमसङ्गता। सुसम्पूर्णा स्मृता नित्यं मध्यमग्रामिका मता

5.[enumeration] ⇄takkarāga encompasses multiple bhāṣā varieties enumerated as sixteen distinct typesएताश्च याष्टिकप्रोक्ता टक्करागस्य षोडश

6.[structural]bhāṣā is a technical category in takkarāga with multiple distinct varietiesएताश्च याष्टिकप्रोक्ता टक्करागस्य षोडश

7.[structural]madhyamagrāmadehā bhāṣā is always saṅkīrṇā (mixed) and placed in takkarāgaसङ्कीर्णेयं सदा भाषा टक्करागे व्यवस्थिता

8.[structural]Auduwitā is a variety of bhāṣā in takkarāga containing saṅkīrṇā (mixed) and takkarāga elementsभाषा ४० औडुविता तत्र सङ्कीर्णा टक्करागजा

9.[structural]madhyamagrāmadehā (madhyamagrāmikā) bhāṣā is complete, concludes on ṣaḍja, and has madhyama as aṁśaमध्यमांशा तु षड्ज?ान्ता षड्जमध्यमसङ्गता। सुसम्पूर्णा स्मृता नित्यं मध्यमग्रामिका मता

10.[structural]Gāndhārapañcamī bhāṣā has dhaivata as aṁśa and sadja as the concluding noteधैवतांशा तु षड्ज?ान्ता गान्धारस्वरभूषिता। गान्धारपञ्चमी ज?्ञेया

11.[structural]Gāndhārapañcamī bhāṣā is embellished with the svara gandhara and has combination between ṣaḍja-madhyamaगान्धारस्वरभूषिता। गान्धारपञ्चमी ज?्ञेया षड्जमध्यमसंयुता

English attestations (8)

1.[attribution] ⇄kolāhalī is a well-known variety of takkarāga sung by knowledgeable musiciansof takkarāga is well-known as kolāhalī, being sung by the knowledgeable ones in music.

3.[attribution] ⇄The sixteen bhāṣās of ṭakkarāga are spoken of by YāṣṭikaThese are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika.

5.[enumeration]takkarāga encompasses multiple bhāṣā varieties enumerated as sixteen distinct typesThese are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika.

6.[structural] ⇄bhāṣā is a technical category in takkarāga with multiple distinct varietiesThese are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika.

7.[structural] ⇄madhyamagrāmadehā bhāṣā is always saṅkīrṇā (mixed) and placed in takkarāgaThis bhāṣā is always saṅkīrṇā (mixed) and is placed in takkarāga.

8.[structural] ⇄Auduwitā is a variety of bhāṣā in takkarāga containing saṅkīrṇā (mixed) and takkarāga elementsof takkarāga is well-known as kolāhalī

10.[structural] ⇄Gāndhārapañcamī bhāṣā has dhaivata as aṁśa and sadja as the concluding noteGāndhārapahācamī should be known to have dhaivata as aṁśa, sadja as the concluding note, is embellished with the svara gandhara

11.[structural] ⇄Gāndhārapañcamī bhāṣā is embellished with the svara gandhara and has combination between ṣaḍja-madhyamais embellished with the svara gandhara, has the combination between ṣaḍja-madhyama

← II p081 index II p083 →