The twenty-second is said to be śukacańcu³, the twenty-third is vicitra⁴ and the twenty-fourth is tribhangika⁵. Caturanga has been placed on the twenty-fifth position⁶, after that is the one named jayavardhana¹. That ankacāriņī is known to be the twenty-seventh⁷, simhavikrāntaka is known to be numbered twenty-eighth⁸. The one named kalahamsa should be known by the wise to be the twentyninth, ghața is the thirtieth⁹ (and) cakravāla is known as the thirty-first¹⁰. The thirty-second is tripadī¹¹ (and) sometimes satpadī; that bandhakaraņa has been said to be the thirty-third. Pāṭakaraṇa 4 has been said to be the thirty-fourth¹² (and) kaivāṭa has been said by the knowledgeable ones in the same, to be the thirty-fifth¹³. Dvipadī is known by the good ones as being numbered thirty-six and that which is the thirty-seventh is accepted by the muni as vartanī. Elā, elaborate with many varieties, is the thirty-eighth and similary, jhombada is one less than forty (thiry-nine). After that dhvanikuţţanī should be known as the fortieth, dhenkī is one more (than forty) and ekatālikā is two more (forty-two). Here itself the prabandha bearing the name mātṛkā is known to be three more (than forty), the prabandha (numbered) four above forty² (forty- fourth), again, should be known by the knowledgeable ones in music, as this