The lineage of kṣatriyas is there and the rasa has been said to be raudra. Where there are five analoganas <math>^{40}</math> and the sixth is a vāyugana, <math>^{41}</math> lo! that elä is known to be hamsāvatī, by the experts in music. Combined with small gamakas in mālavakaišika rāga, the nandāvatī elā is sung in pratitāla. Indrāņī is the devatā (presiding deity)², sāttvatī is the vṛtti⁴² spoken of here, gaudi is the <math>riti^{43}</math> spoken of (and) yellow is the colour accepted by the wise. Vīra is the rasa that is said to be, (this clā) is born of the lineage of vaisyas.¹ Everything (else) beginning with rāga should be done as in nādāvatī. Where there are five <math>ambara</math>-gaņas, <math>^{44}</math> combined with <math>m\bar{a}rta\eta daga\eta as^{45}</math> that should be known as nādāvatī elā by the experts in music. Structured with padas one by one, brimming with mūrchanā 46 sounds, combined with kańkāla tāla, it is sung in kakubha (rāga).¹² Bhadrāvatī elā is born of the śūdra caste and should be known to be of black colour,¹⁵ being bedecked with vaidarbhī rīti.⁵47 Combined with bhāratī vṛtti⁶ 48 and embellished with bībhatsa rasa, it is said to be endowed with vārāhī devatā,49 by those adept in music. Where there are five <math>bh\bar{u}mi</math>-gaņas⁵⁰ and similarly the sixth is <math>jalagaņa_i^{51}</math> that is known by the best among munis to be famous as bhadrāvatī.