gaudakaiśikamadhyama

Generative rules (1) ↗ filter all

R_4p0_023 structural · 3 att.
gaudakaiśikamadhyama = rāga relatif a ṣaḍjagrāma (ne de ṣaḍjamadhyamā jāti); graha+aṁśa=ṣaḍja, nyāsa=madhyama

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: gaudakaiśikamadhyama (cluster 867)
SCOPE: technical_term family
STATUS: empirical
CONFIDENCE: empirical
PROTECT: false

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (7)

--[structural]--> aṁśa (1)--[structural]--> nyāsa (1)--[structural]--> graha (1)--[relation]--> şadjagrāma (1)--[relation]--> şadjamadhyamā jāti (1)--[structural]--> madhyama (1)--[structural]--> Şadja (1)

Incoming (1)

bhayānaka --[relation]--> (1)

Affirmations (3)

relation

p.vol_II_p062

english

conf 0.97

[show source]

Gaudakaiśikamadhyama is related to şadjagrāma

"gaudakaišikamadhyama is related to şadjagrāma, on account of being born of şadjamadhyamā jāti."

TRANSLATION 107 [Anu. 188] This means-gaudakaiśika rāga is related to madhyamagrāma and is born of kaiśikī and şadjamadhyamā. Şadja is its graha and aṁśa. Pañcama is nyāsa. Niṣāda is kākalī here. This (rāga) is complete. Such is its performance. On account of pañcama being comprised of three śrutis, dhaivata being comprised of four śrutis, this rāga is related to madhyamagrāma alone. Although it is born of the jātis of two grāmas, yet its grāma is madhyama, not ṣaḍja, because it is seen as such. Its application is prescribed in karuna (rasa). Vīra63 and the like is the rasa. The mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa, prasannādi is the alaṅkāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatputa obtains in the songs comprised of svara and pada. [3. Gaudakaisikamadhyama] Gaudakaisikamadhyama is said to have şadja as its amsa, madhyama as its nyāsa and to be formed by ṣaḍjamadhyamā (jāti) and to have complete svaras. (318) [Anu. 189] This means – gaudakaišikamadhyama is related to şadjagrāma, on account of being born of şadjamadhyamā jāti. Şadja is its graha and aṁśa. Madhyama is the nyāsa. Niṣāda is kākalī here and this (rāga) is complete. Its application is prescribed in bhayānaka (rasa). Vīra and the like is the rasa. The mūrchanā beginning with sadja obtains. Arohin is the varna. Prasannamadhya is the alaṅkāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and pada. [The assignment of gaudaragas to gramas] Now he (the author) has spoken of the assignment of gauda (ragas) to grāmas- Gaudapañcama is in ṣaḍja (grāma) and so is gaudakaiśikamadhyama. Gaudakaisika, on the other hand, is based on madhyamagrāma. The three gauda (rāgas) have been dealt with. After this, I will speak of rāgas (pertaining to vesarā gīti). (319)

structural

p.vol_II_p062

english

conf 0.97

[show source]

Şadja is the graha and aṁśa of gaudakaiśikamadhyama

"Şadja is its graha and aṁśa."

TRANSLATION 107 [Anu. 188] This means-gaudakaiśika rāga is related to madhyamagrāma and is born of kaiśikī and şadjamadhyamā. Şadja is its graha and aṁśa. Pañcama is nyāsa. Niṣāda is kākalī here. This (rāga) is complete. Such is its performance. On account of pañcama being comprised of three śrutis, dhaivata being comprised of four śrutis, this rāga is related to madhyamagrāma alone. Although it is born of the jātis of two grāmas, yet its grāma is madhyama, not ṣaḍja, because it is seen as such. Its application is prescribed in karuna (rasa). Vīra63 and the like is the rasa. The mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa, prasannādi is the alaṅkāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatputa obtains in the songs comprised of svara and pada. [3. Gaudakaisikamadhyama] Gaudakaisikamadhyama is said to have şadja as its amsa, madhyama as its nyāsa and to be formed by ṣaḍjamadhyamā (jāti) and to have complete svaras. (318) [Anu. 189] This means – gaudakaišikamadhyama is related to şadjagrāma, on account of being born of şadjamadhyamā jāti. Şadja is its graha and aṁśa. Madhyama is the nyāsa. Niṣāda is kākalī here and this (rāga) is complete. Its application is prescribed in bhayānaka (rasa). Vīra and the like is the rasa. The mūrchanā beginning with sadja obtains. Arohin is the varna. Prasannamadhya is the alaṅkāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and pada. [The assignment of gaudaragas to gramas] Now he (the author) has spoken of the assignment of gauda (ragas) to grāmas- Gaudapañcama is in ṣaḍja (grāma) and so is gaudakaiśikamadhyama. Gaudakaisika, on the other hand, is based on madhyamagrāma. The three gauda (rāgas) have been dealt with. After this, I will speak of rāgas (pertaining to vesarā gīti). (319)

structural

p.vol_II_p062

english

conf 0.97

[show source]

Madhyama is the nyāsa of gaudakaiśikamadhyama

"Madhyama is the nyāsa."

TRANSLATION 107 [Anu. 188] This means-gaudakaiśika rāga is related to madhyamagrāma and is born of kaiśikī and şadjamadhyamā. Şadja is its graha and aṁśa. Pañcama is nyāsa. Niṣāda is kākalī here. This (rāga) is complete. Such is its performance. On account of pañcama being comprised of three śrutis, dhaivata being comprised of four śrutis, this rāga is related to madhyamagrāma alone. Although it is born of the jātis of two grāmas, yet its grāma is madhyama, not ṣaḍja, because it is seen as such. Its application is prescribed in karuna (rasa). Vīra63 and the like is the rasa. The mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa, prasannādi is the alaṅkāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatputa obtains in the songs comprised of svara and pada. [3. Gaudakaisikamadhyama] Gaudakaisikamadhyama is said to have şadja as its amsa, madhyama as its nyāsa and to be formed by ṣaḍjamadhyamā (jāti) and to have complete svaras. (318) [Anu. 189] This means – gaudakaišikamadhyama is related to şadjagrāma, on account of being born of şadjamadhyamā jāti. Şadja is its graha and aṁśa. Madhyama is the nyāsa. Niṣāda is kākalī here and this (rāga) is complete. Its application is prescribed in bhayānaka (rasa). Vīra and the like is the rasa. The mūrchanā beginning with sadja obtains. Arohin is the varna. Prasannamadhya is the alaṅkāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and pada. [The assignment of gaudaragas to gramas] Now he (the author) has spoken of the assignment of gauda (ragas) to grāmas- Gaudapañcama is in ṣaḍja (grāma) and so is gaudakaiśikamadhyama. Gaudakaisika, on the other hand, is based on madhyamagrāma. The three gauda (rāgas) have been dealt with. After this, I will speak of rāgas (pertaining to vesarā gīti). (319)

gaudakaiśikamadhyama technical_term

Generative rules (1) ↗ filter all

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

Graph relations

Outgoing (7)

Incoming (1)

Affirmations (3)