vol_I_p055 — Bṛhaddeśī

Bṛhaddeśī · Volume I

pp. 6–93folio 055

Devanāgarī (Bṛhaddeśī)

[अनु₀ ७५]

स्वरेचिरमेकस्मिन्ुमा षड्जादिरूपेया स्थित्वा तदीयतारमग्निवत् स्पृष्ट्वा कलामेकां च स्थित्वा यत्र पुनरपि सहसा मन्द्र आगम्यते, स बिन्दुः । यथा - सा [ स ] सा इति

[६]

बिन्दुः।

[अनु₀ ७६]

एककलान्तरं स्पृष्ट्वा बिन्दोरेव विपर्ययोच्चारणा [ -त् ]

प्रवृत्तविनिवृत्तत्वान्निवृत्तप्रवृत्ताख्यः⁵। यथा— सा सासा [ इति ] निवृत्तप्रवृत्तः⁹ ।

[9]

द्निवृत्तास्यः,तो,₀त (?)।

[अनु₀ ७७]

आक्रीडितवदारोहावरोहक्रमेण सप्तकलोष (ष्क ? द्क ) लो वेणु⁶ः। यथा—सरिगमपधनि निधपमगरिस ।

इति विणुः।

[अनु。 ७८]

मन्द्रसप्तकमध्ये पवननिरोधेन १६त्रिश्रुतेः कम्पनात् कम्पितस्त्रिकलः। यथा- .म.सा₀ ्नी (?) हि

सरिगमपधनिस [ इति ] कम्पितः।

[९]

[अनु₀ ७९]

मध्यसप्तके त्रिश्रुतेः कम्पनात् त्रिकलः कुहरितः। यथा—सरिगमपधनिस [ इति ] ,साकुहरितः।

[80]

[अनु。 ८०]

तारसप्तके त्रिश्रुतेः कम्पनात् त्रिकलो रेचितः । [ यथा - ] सरिगमपधनिसा [ इति ]

रेचितः।

[११]

[अनु₀ ८१]

द्वयोः स्वरयोर्बहुनां च स्वराणां समकलगमागमाच्चतुर्दशकलः प्रेङ्खोलितः। यथा— ο₹ο

English — Sharma

(Anu. 75) Where, having 'stayed' (stopped) for a long time at one svara in the form of șadja and the like, having touched the octave36 (tara) of that like fire and having stayed there for one (short) time-unit³⁷ (kalā), suddenly the 'low' (svara) is reached, that is bindu. As - sā sa - sā. Thus is (ends) bindu.⁸ (6) (Anu. 76) Having touched (a svara) for the interval of one kalā (time-unit), on account of the pronunciation of (svaras) in the reverse order of bindu, (the alankāra) named nivīttapravītta (comes into being). As - sā sā sā. thus ends (7) nivṛttapravṛtta. (Anu. 77) Veņu is with seven kalās 40 (phrases) in the order of ascent and descent, like ākrīḍita 11 (playful way?).⁶ sarigamapadhani nidhapamagarisa. Thus is (ends) veņu.

(8)

(Anu 78) On account of the shake of (svara having) three srutis in the lower heptad, kampita (is formed), that is composed of three kalās⁷ (time-units).² As - (9) sarigamapadhanisa,42 thus is (ends) kampita. (Anu. 79) On account of the shake of (svara having) three śrutis 43 in the middle heptad kuharita (is formed), that is composed of three kalās.³ As -

(10)

sarigamapadhanisa.44 Thus is (ends) kuharita. (Anu. 80) On account of the shake of (svara having) three śrutis in the higher heptad, recita (is formed), that is composed of three kalās.⁴ As -

(11)

sarigamapadhanisa 45 Thus is (ends) recita. (Anu. 81) Prenkholita is with fourteen kalās 16 (phrases) on account of 'going' (ascent) and 'coming' (descent) of (groups of) two or more svaras, in equal temporal

← I p054 index I p056 →

Sanskrit attestations (8)

1.[definition] ⇄Bindu occurs when, after staying long on a svara and touching its higher octave briefly, one suddenly returns to the lower registerस्वरे षड्ज?ादिरूपे स्थित्वा तदीयतारमग्निवत् स्पृष्ट्वा कलामेका च चिरमेकस्मिन् स्थित्वा यत्र पुनरपि सहसा मन्द्र आगम्यते, स बिन्दु

2.[definition] ⇄Kampita is formed from the shake of a three-shruti svara in the lower heptad and is composed of three kalāsमन्द्रसप्तकमध्ये पवननिरोधेन १६त्रिश्रुते कम्पनात् कम्पितस्त्रिकलः

3.[definition] ⇄Kuharita is formed from the shake of a three-shruti svara in the middle heptad and is composed of three kalāsमध्यसप्तके त्रिश्रुते कम्पनात् त्रिकलः कुहरितः

4.[definition] ⇄Recita is formed from the shake of a three-shruti svara in the higher heptad and is composed of three kalāsतारसप्तके त्रिश्रुते कम्पनात् त्रिकलो रेचितः

5.[definition] ⇄Nivṛttapravṛtta is formed by pronouncing svaras in reverse order of bindu, with one kalā interval between touchesएककलान्तरं स्पृष्ट्वा बिन्दोरेव विपर्ययोच्चारणा [ -त् ] प्रवृत्तविनिवृत्तत्वान्निवृत्तप्रवृत्ताख्यः

6.[relation] ⇄Veņu uses seven kalās in ascending and descending order in a playful manner similar to ākrīḍitaआक्रीडितवदारोहावरोहक्रमेण सप्तकलो वेणु

7.[relation] ⇄Kampita, kuharita, and recita are distinguished by their register location (lower, middle, higher heptads) while sharing the same three-kalā structureमन्द्रसप्तकमध्ये पवननिरोधेन १६त्रिश्रुते कम्पनात् कम्पितस्त्रिकलः

9.[structural] ⇄Nivṛttapravṛtta is exemplified by the svara sequence sā-sā-sāयथा— सा सासा [ इति ] निवृत्तप्रवृत्तः

English attestations (9)

1.[definition]Bindu occurs when, after staying long on a svara and touching its higher octave briefly, one suddenly returns to the lower registerWhere, having 'stayed' (stopped) for a long time at one svara in the form of șadja and the like, having touched the octave36 (tara) of that like fire and having stayed there for one (short) time-unit³⁷ (kalā), suddenly the 'low' (svara) (6) is reached, that is bindu.

2.[definition]Kampita is formed from the shake of a three-shruti svara in the lower heptad and is composed of three kalāsOn account of the shake of (svara having) three srutis in the lower heptad, kampita (is formed), that is composed of three kalās (time-units).

3.[definition]Kuharita is formed from the shake of a three-shruti svara in the middle heptad and is composed of three kalāsOn account of the shake of (svara having) three śrutis 43 in the middle heptad kuharita (is formed), that is composed of three kalās.

4.[definition]Recita is formed from the shake of a three-shruti svara in the higher heptad and is composed of three kalāsOn account of the shake of (svara having) three śrutis in the higher heptad, recita (is formed), that is composed of three kalās.

5.[definition]Nivṛttapravṛtta is formed by pronouncing svaras in reverse order of bindu, with one kalā interval between touchesHaving touched (a svara) for the interval of one kalā (time-unit), on acccount of the pronunciation of (svaras) in the reverse order of bindu, (the alaṅkāra) named nivīttapravītta (comes into being).

6.[relation]Veņu uses seven kalās in ascending and descending order in a playful manner similar to ākrīḍitaVeņu is with seven kalās 40 (phrases) in the order of ascent and descent, like ākrīḍita 11 (playful way?).

7.[relation]Kampita, kuharita, and recita are distinguished by their register location (lower, middle, higher heptads) while sharing the same three-kalā structureOn account of the shake of (svara having) three srutis in the lower heptad, kampita (is formed), that is composed of three kalās

8.[structural]Bindu is exemplified by the svara sequence sā-sa-sāAs - sā sa - sā. Thus is (ends) bindu.

9.[structural]Nivṛttapravṛtta is exemplified by the svara sequence sā-sā-sāAs - sā sā sā. thus ends (7) nivṛttapravṛtta.

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