Bottaraga technical_term

¹³⁷ TRANSLATION Sauvīrī should be known as the first one, vega-madhyamā the second, sādhāritā is the third one and gāndhārī the fourth. Thus should be known the four bhāṣās born of sauvīraka. (30c-31) Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said to be born of bhinnapañcama. (32) The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born bhāvinī, the one that is beautiful for the people. (33) Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika, and drāvidī is the third bhāṣā there that is described with characteristics (lakṣaṇas). (34) The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava. Tānodbhavā should be known as being assigned to bhinnatāna. (35) In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted. Gāndhārī is with profuse gāndhāra and is delightful to the people in pañcama (gāndhārapañcama). In revagupta¹³ (?) śakākhyā is the one spoken of in pañcamaṣāḍava. (36) Thus are obvious the bhāṣās that are born in manifold ways. Now listen to their description alongwith illustration for each one. (37) [The description of bhāṣās] [1. Bhāṣās in ṭakka-rāga] It has madhyama as its aṁśa, şadja as its concluding note, is devoid of pañcama and there is to be seen here again and again the mutual movement¹⁴ of dhaivata-niṣāda and similarly ṣaḍja - dhaivata. This should be known as hexatonic. Travaņā should bear the name mūlā. (38-39)

TRANSLATION ¹⁷⁷ Illustration-Dhādhānidhāsāsānidhādhānidhādhādhāpā māgāriririgāmāpā pādhāpagārīdhamādhāpāpādhāpāmarigāmānīdhāpādhādhāmapādhāpāniriga risāridhāridhāripādhādhādhādhāni. Sāsārigāgā masāmapamādhā- dhādhāpādhāsānidhaivatadhādhā. Dhaivatabhūṣitā [iii] Viśālā has pañcama as aṁśa and dhaivata as the concluding note, (and) is charming. This is complete in svaras and has to and fro movement between sa-dha (ṣaḍja-dhaivata). This bhāṣā is always sung by the Kinnaras.⁶³ (130) Illustration - Pādhāsāsādhānī gāsānidhādhā.Pādhādhā. Nisāsānīdhāpā māgānininirigāmāmāgāmamadhānīdhānisārigārisāsānidhārigasāsanisānidhāni- nīdhāpadhadhadhapāpāmāgāriridhāririmamadhyamagamāpāpāpāpānidhadhad- hadhapāmādhānisāsāsāriririmamamapamapāpādhānīsānīdhāpādhādhāpānininī. Sāsāmadhāpādhānidhā. Viśālā [iv] These are the bhāṣās of bhinnapañcama spoken of by Yāṣṭika. [9. Now in Bottaraga] Having pañcama as amsa, madhyama as the concluding note, being complete and brilliant with madhyama, this baṅgāla bhāṣā is sung in boṭṭa-rāga. To and fro movement is always seen in profusion. It is sung by the n\bar{a}yakas^{64} on all auspicious occasions. Since it is auspicious and commendable, it is known as mangalā. (131-132) Illustration - Pādhāpādhāmā dhāpāmā gāriririgamapā dhāsāgāsānidhāpā- pāmā. Maṅgalā [i] [10. Bhāṣās in mālavapañcama] .....[Bhāvinī]

TRANSLATION ¹⁷⁷ Illustration-Dhādhānidhāsāsānidhādhānidhādhādhāpā māgāriririgāmāpā pādhāpagārīdhamādhāpāpādhāpāmarigāmānīdhāpādhādhāmapādhāpāniriga risāridhāridhāripādhādhādhādhāni. Sāsārigāgā masāmapamādhā- dhādhāpādhāsānidhaivatadhādhā. Dhaivatabhūṣitā [iii] Viśālā has pañcama as aṁśa and dhaivata as the concluding note, (and) is charming. This is complete in svaras and has to and fro movement between sa-dha (ṣaḍja-dhaivata). This bhāṣā is always sung by the Kinnaras.⁶³ (130) Illustration - Pādhāsāsādhānī gāsānidhādhā.Pādhādhā. Nisāsānīdhāpā māgānininirigāmāmāgāmamadhānīdhānisārigārisāsānidhārigasāsanisānidhāni- nīdhāpadhadhadhapāpāmāgāriridhāririmamadhyamagamāpāpāpāpānidhadhad- hadhapāmādhānisāsāsāriririmamamapamapāpādhānīsānīdhāpādhādhāpānininī. Sāsāmadhāpādhānidhā. Viśālā [iv] These are the bhāṣās of bhinnapañcama spoken of by Yāṣṭika. [9. Now in Bottaraga] Having pañcama as amsa, madhyama as the concluding note, being complete and brilliant with madhyama, this baṅgāla bhāṣā is sung in boṭṭa-rāga. To and fro movement is always seen in profusion. It is sung by the n\bar{a}yakas^{64} on all auspicious occasions. Since it is auspicious and commendable, it is known as mangalā. (131-132) Illustration - Pādhāpādhāmā dhāpāmā gāriririgamapā dhāsāgāsānidhāpā- pāmā. Maṅgalā [i] [10. Bhāṣās in mālavapañcama] .....[Bhāvinī]