bhāṣā raga_class

Dictionary: ✓ bhāṣā (raga_class) · Pages: 15 · Occurrences: 23 · Affirmations: 23 · Graph degree: 234 (in 192, out 42)

Variants (3): bhāṣā (17), bhāṣās (5), Bhāṣās (1)

Grammar record (family: `raga_class`)

type	hexatonic	p.vol_II_p079, conf 0.95
svara_content	पञ्चमांशग्रहा पड्जन्यासा	p.vol_II_p143, conf 0.85
performance_requirement	which is sung with effort on the earth by the knowledgeable ones in music.	p.vol_II_p074, conf 0.60

Generative rules (3) ↗ filter all

R_15_bhasa_classification classification · 17 att.
Bhāṣās are classified four-fold: mūlā (basic), saṅkīrṇā (mixed), deśajā (regional), chāyāmātrāśrayā (chāyā-based); also include vibhāṣā and antara-bhāṣā subtype
R_15_bhasa_definition definition · 17 att.
Bhāṣā is a melodic form arranged within a grāma-rāga, characterized by specific svaras (aṁśa, nyāsa) and structural relationships
R_073_bhasas_derivation derivation · 6 att.
Bhāṣās are melodic varieties born from grāma-rāgas; total bhāṣās + vibhāṣās = 73

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: bhāṣā (cluster 15)
SCOPE: raga_class family
STATUS: canonical
CONFIDENCE: canonical
PROTECT: true

RECORD:
  type                    = hexatonic
  svara_content           = पञ्चमांशग्रहा पड्जन्यासा
  performance_requirement = which is sung with effort on the earth by the knowledgeable ones in music.

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (37)

--[relation]--> grāma-rāgas (3)--[structural]--> vibhāṣā (2)--[structural]--> hexatonic (2)--[structural]--> rāga (2)--[relation]--> mūrchanā (1)--[enumeration]--> vibhāṣā (1)--[relation]--> vibhāṣā (1)--[definition]--> gāndhāra (1)--[definition]--> pañcama (1)--[structural]--> pañcama (1)--[relation]--> grāma (1)--[structural]--> mālavapañcama (1)--[enumeration]--> sankīrņā (1)--[structural]--> bhinnapañcama (1)--[structural]--> mālavakaišika (1)--[enumeration]--> antara-bhāṣā (1)--[enumeration]--> chāyā (1)--[structural]--> S.Rāj (1)--[structural]--> sauvīraka (1)--[structural]--> षाडवा (1)--[enumeration]--> mūlā (1)--[structural]--> potā (1)--[structural]--> ṭakka (1)--[structural]--> dhaivata (1)--[enumeration]--> deśajā (1)--[enumeration]--> chāyāmātrāśrayā (1)--[definition]--> vesarikā (1)--[structural]--> भाषेयं (1)--[structural]--> Bottaraga (1)--[definition]--> pañcama as aṁśa (1)--[relation]--> Kārņāţī (1)--[definition]--> svaras (1)--[relation]--> svaras (1)--[structural]--> svaras (1)--[structural]--> पूर्णा (1)--[definition]--> rāga (1)--[enumeration]--> rāga (1)

Incoming (139)

hindolaka --[relation]--> (6)bhinnaṣaḍja --[structural]--> (5)aṁśa --[structural]--> (4)vibhāṣā --[relation]--> (4)Śārdūla --[attribution]--> (4)BRHADDEŚĪ --[citation]--> (3)Yāṣṭika --[attribution]--> (3)Bottaraga --[relation]--> (3)aṁśa --[definition]--> (2)aṁśa --[relation]--> (2)nyāsa --[relation]--> (2)vibhāṣā --[definition]--> (2)vibhāṣā --[enumeration]--> (2)vibhāṣā --[structural]--> (2)bhinnaṣaḍja --[relation]--> (2)kakubha --[structural]--> (2)sankīrņā --[relation]--> (2)hindola --[relation]--> (2)bhinnapañcama --[enumeration]--> (2)mālavakaišika --[enumeration]--> (2)ṭakkarāga --[structural]--> (2)paurālī --[relation]--> (2)deśa --[relation]--> (2)भाषा --[structural]--> (2)Kinnaras --[attribution]--> (2)bhāvinī --[relation]--> (2)sauvīraka --[enumeration]--> (2)sauvīraka --[relation]--> (2)drāviḍī --[structural]--> (2)gändharva --[relation]--> (2)ābhīrī --[structural]--> (2)Mālavakaisika --[structural]--> (2)vesarikā --[structural]--> (2)टक्करागजा --[enumeration]--> (2)मध्यमांशा --[structural]--> (2)Devālavardhanī --[structural]--> (2)Kalli --[attribution]--> (2)mūrchanā --[relation]--> (1)BRHADDEŚĪ --[attribution]--> (1)Kalā --[citation]--> (1)madhyamagrāma --[relation]--> (1)nyāsa --[definition]--> (1)nyāsa --[structural]--> (1)Yāṣṭika --[structural]--> (1)S Rāj --[citation]--> (1)Kasyapa --[attribution]--> (1)kaiśikī --[relation]--> (1)bhinnaṣaḍja --[enumeration]--> (1)gāndhārī --[structural]--> (1)gāndhāra --[relation]--> (1)kakubha --[enumeration]--> (1)pañcamaṣāḍava --[relation]--> (1)pañcama --[enumeration]--> (1)pañcama --[relation]--> (1)pañcama --[structural]--> (1)hindolaka --[enumeration]--> (1)hindolaka --[structural]--> (1)mālavapañcama --[enumeration]--> (1)mālavapañcama --[relation]--> (1)mālavapañcama --[structural]--> (1)lakṣaṇa --[definition]--> (1)lakṣaṇa --[structural]--> (1)Kohala --[attribution]--> (1)sankīrņā --[definition]--> (1)sankīrņā --[structural]--> (1)hindola --[enumeration]--> (1)bhinnapañcama --[attribution]--> (1)pañcamī --[relation]--> (1)desi --[definition]--> (1)mūlabhāṣā --[attribution]--> (1)grāma-rāgas --[relation]--> (1)gāndhārapañcama --[enumeration]--> (1)gāndhārapañcama --[relation]--> (1)mālavakaišika --[structural]--> (1)saindhavī --[relation]--> (1)ṭakkarāga --[enumeration]--> (1)paurālī --[structural]--> (1)vesaraṣāḍava --[enumeration]--> (1)गान्धारपञ्चमी --[structural]--> (1)गान्धारी --[relation]--> (1)गान्धारी --[structural]--> (1)viniyoga --[structural]--> (1)antara-bhāṣā --[definition]--> (1)antara-bhāṣā --[enumeration]--> (1)भाषा --[definition]--> (1)Kinnaras --[relation]--> (1)bhāvinī --[definition]--> (1)sādhāritā --[structural]--> (1)revagupta --[structural]--> (1)Sauvīrī --[structural]--> (1)Ravicandrā --[structural]--> (1)Pārvatī --[structural]--> (1)bhinnapaurālī --[attribution]--> (1)bhinnapaurālī --[structural]--> (1)आन्ध्री --[structural]--> (1)chevāṭī --[structural]--> (1)छेवाटी --[structural]--> (1)मूलभाषा --[attribution]--> (1)मूलभाषा --[relation]--> (1)औडुविता --[structural]--> (1)potā --[structural]--> (1)sankīrṇā --[relation]--> (1)prathamamañjarī --[structural]--> (1)pulindikā --[definition]--> (1)dhaivata --[structural]--> (1)takkakaiśika --[enumeration]--> (1)graha, aṁśa, nyāsa --[relation]--> (1)śaka --[attribution]--> (1)Travaṇā --[structural]--> (1)travaṇodbhavā --[structural]--> (1)veranjikā --[structural]--> (1)bhinnaşadja --[enumeration]--> (1)bhinnaşadja --[relation]--> (1)Mālavesarī --[structural]--> (1)pañcamākhyā --[structural]--> (1)désī --[relation]--> (1)मध्यमग्रामिका --[definition]--> (1)धैवतांशा --[structural]--> (1)याष्टिकप्रोक्ता --[attribution]--> (1)chevāțī --[structural]--> (1)madhurī --[structural]--> (1)Dākşiņātyā --[structural]--> (1)vegamadhyamā --[structural]--> (1)सौवीरके --[relation]--> (1)भिन्नपञ्चमस्य --[enumeration]--> (1)वराटी --[structural]--> (1)विद्याधरैः --[relation]--> (1)Dhaivatabhūṣitā --[structural]--> (1)śakabhāṣā --[relation]--> (1)sarvāgamasamhita --[attribution]--> (1)Trāvaṇī --[structural]--> (1)madhyama as aṁśa --[structural]--> (1)pañcama as aṁśa --[structural]--> (1)karuṇa --[relation]--> (1)Kārņāţī --[structural]--> (1)svaras --[attribution]--> (1)svaras --[structural]--> (1)Šārdūla --[attribution]--> (1)Nandikeśvara --[attribution]--> (1)

Affirmations (23)

definition

p.vol_II_p076

english

conf 0.90

[show source]

bhāṣās are varieties associated with different rāgas and musical systems

"These bhāṣās are known by the singers to be born of pañcama."

definition

p.vol_II_p085

english

conf 0.90

[show source]

Gurjarī is a bhāṣā (musical form) that should be known by knowledgeable ones in music as being complete

"This bhāṣā should be known by the knowledgeable ones in music as being complete"

153 TRANSLATION Being combined with sadja as the initial and concluding note, being complete and born of deśa (region), having concert between ṛṣabha and șadja, the svaras comprised of two śrutis each being of sparse nature, this ābhīrī26 is sung by the people as sādhāraņakṛtā, i.e., it uses antara and kākalī. (68) Illustration - Sāsārīrī, Sāsārīrī, Sāsārīsārī, Sāsānīsārīrī, Sārīsārīsāsānīsarīrīgārīgārī. Sanisāsā. Gārīrī. Gāmāgarī. Gapāpagārī. Sanisāsā. Sanīsāsā dhārīgagamāsā. Pamāgārī. Sanīsāsā. Dhanīdhānī. Sādhanisā. Ririgāmā. Gāmāriri. Gāpāmāpā, Māgārīrī. Sāsārisārī. Sāsānīsārī. Rīrīsāsā sānirīrigāri. Rigāriri. Sani. Sāsāgārīri. Gāmagārī. Sāni. Gārīrī. Māgāgārī. Gāpāgārī. Sanīsāsāsanī. Sāsā. Rigagamāsā. Pamāgārī. Sanisasā. Sadhanisāsā. Sanidhānidhādhanisārīrī. Gāmāgamārirī. Gāpāmāpā. Mapamā. Magārirī. Mapāgāri. Sanisāsā. Ābhīrī [vi] Khañjanî has pañcama as aṁśa, ṣaḍja as the concluding note, is devoid of dhaivata, there is concert between ṣaḍja and niṣāda and similarly between madhyama-ṛṣabha. It should be known as hexatonic and saṅkīrṇā (mixed), giving delight to all people. (69) Illustration - Pānīmarīsari. Sāsāsarīri. Sani. Rirī. Sanisani. Ri. Pāpāpāni. Sarisani. Sagasasā. Sanirīsanīrīrī. Māgārigamā. Nīpāpānīsanīpāpāmaga. Pāpā. Ni. Nimanisarisagasāsā. Khanjanī [vii] Having niṣāda as aṁśa, ṣaḍja as the concluding note, gurjarī is born of deśa (region). There is the combination27 of niṣāda-ṛṣabha and similarly of madhyama-ṛṣabha. This bhāṣā should be known by the knowledgeable ones in music as being complete. (70) Illustration - Nidhānīnī. Rigānidhā. Nisāsādhāni. Dhāga. Ri. Sāgarī. Sānīdhānī. Gadhāsārī. Gārīmāgārī. Sanidhādhānidhāsarigārī. Sanīsāsā. Nidhāsānīgarī. Magari. Magari. Pāpāgārī.aāmā. Ridhānidhānidhāsari. Garisānīsāsānīdhāsarīri. Nidhā sāsā. Dhanīsāgā. Gārīri. Magarīmagari. Māpāgari. Magarisanī. Dhādhānidhāsarigari. Sanisāsā. Gurjarī [viii]

definition

p.vol_II_p088

english

conf 0.95

[show source]

bhāṣā is a musical form or style that can be constructed with specific svaras and relationships

"this vesarī bhāṣā is formed with the (profuse) use of gandhara"

definition

p.vol_II_p101

english

conf 0.95

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bhāṣā is a musical form used in takka performance

"One should use the bhāṣā having pañcama as aṁśa and ṣaḍja as the concluding note, in takka."

enumeration

p.vol_II_p074

english

conf 0.95

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Bhāṣās are four-fold in classification

"Bhāṣās have been said to be four-fold viz. mūlā (basic) sankīrņā (mixed), deśajā (regional) (and) chāyāmātrāśrayā (based on the chāyā of a rāga )"

enumeration

p.vol_II_p108

english

conf 0.99

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There are sixteen bhāṣās of bhinna şadja

"Thus end the sixteen bhāṣās of bhinnaṣaḍja"

enumeration

p.vol_II_p166

english

conf 0.90

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Bhāṣā can include vibhāṣā and antara-bhāṣā as subtypes

"'Bhāṣā 'here would include vibhāṣā and antara-bhāṣā."

VIMARŚA 315 a bhāṣā is something that deserves special notice. 31. 'Pārvatī' is associated with parvata or mountains; whether or not a particular mountainous region is implied, is hard to confirm. "Parvata is 1. a country in the Panjab to the north-west of Multan between the Ravi and Sutlej. 2. same as Śrīśaila" (Nando Lal De ). It is difficult to say whether the mountains in general or a particular mountainous region or either of the two identifications cited above is intended. Chapter V (Deśī rāgas) 1. This verse bears a distinct stamp of the Tantric stream and is significant on account of being placed in the beginning of the chapter on desī rāgas. It could be conjectured on the evidence of this verse and on other evidence also that our author gave rāga-dhyānas for deśī rāgas (see Vol.III). 2. Deśī rāgas are contradistinct to grāmarāgas. 3. Reference to laksya in the context of desi rāgas points to the fact that they must have been in vogue in the author's time. 4. The citation in the name of Matanga given by Kalli, in his commentary on SR II.2.1. also mentions these three types of desī-rāgas, but Sārngadeva has added a fourth category named upānga. 5. 'Chāyā' is subtle similarity. 6. The special mention of panegyric in the context of bhāṣāṅga rāgas is worth noticing. 7. 'Bhāṣā 'here would include vibhāṣā and antara-bhāṣā. 8. 'Kriyā' seems to stand for expressive rendering. 9. Karuņā and utsāha are two pervasive names that symbolise mādhurya and ojas respectively (See Vol. III). 10. The text is mutilated at this point and a small portion on bhāṣāṅga rāgas seems to have survived. 11. Kacchelli could perhaps, be related to Kacch (Cutch); "it was called Marukaccha in contradistinction to Kausiki-kaccha". (Nando Lal De). 12. Māngalī has been described as a bhāṣā in the preceding section. 13. Bhammāṇa is not known as a region. 14. 'Pulindikā' refers directly to the ethnic group known as the pulindas. 15. Gāndhārasindhu is mentioned as a bhāṣāṅga rāga in S Rāj II.2.3.203, but is said to be out of vogue and is not, therefore, described. 16. Karņātī is described in S Raj II.2.3.208, but the laksaņas are different.

relation

p.vol_II_p074

english

conf 0.90

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Bhāṣās are arranged in grāma-rāgas

"arranged in a grāma-rāga in each case."

relation

p.vol_II_p075

english

conf 0.95

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Bhāṣās are born from grāma-rāgas

"Bhāṣāsare born of grāma-rāgasand vibhāṣās of bhāṣās"

relation

p.vol_II_p110

english

conf 0.88

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Kārņāţī is identified as a type of bhāṣā

"is (the bhāṣā) karnāļi16 by name."

relation

p.vol_I_p050

sanskrit

conf 0.90

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Bhāṣā is accomplished through proper arrangement of murchanas with twelve svaras

"ज?ातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।"

BRHADDESI 82 तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषै कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव। चतुर्विधा मया प्रोक्ता मूर्छना सप्तस्वरात्मिका। द्वादशस्वरमूर्छना इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छना ॥११७॥ 90H ९१ नाम् [ अनु॰ ६१ ] तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्, मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना द्रष्टव्या प्रयोगकाले। तथा चाह कोहलः -- "योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः। संस्थाप्य मूर्छना ज?ातिरागभाषादिसिद्धये" ।।१२ ुना नान्दकश्वरणाप्युक्तम्- “द्वादशस्वरसम्पन्ना ज?्ञातव्या मूर्छना बुधै। ज?ातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।" [ अनु₀ ६२ ] यद्यप्याचार्यै अप्तस्वरमूर्छना प्रतिपादिता, स्थानत्रितयप्राप्त्यर्थं ुदा द्वादशस्वरैरेव मूर्छना प्रयुक्ता। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो सा न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्। ग सिध्यान्त (२) षाङ्ज?ीज?ातौ रि ग म ध नि प्रयोगस्तारमन्द्रको न पर्ज?, स्यात्। अन्येषामपि रागाणा नाशंकरः प्रयोगः स्यात्। तेन स रि ग म [प] धन्याद्या मूर्छना धनि [ सरि ] गमपाद्या। तद्यथा— नि अन्या ध नि स रि ग म प ध नि स रि ग । उत्तरमन्द्रा [ 8 ] नि स रि ग म प ध नि स रि ग म । रजनी [३०] स रि ग म प ध नि स रि ग म प । उत्तरायता रि ग म प ध नि स रि ग म प ध । शुद्धषड्ज?ा [ ४ ] ग म प ध नि स रि ग म प ध नि । मत्सरीकृता [ ५

structural

p.vol_II_p006

sanskrit

conf 0.95

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Bhāṣās are organized and classified into multiple hierarchical categories based on melodic frameworks

"7.Bhāṣās in sauvīraka 8.Bhāṣāsof bhinnapañcama 9.Bhāṣāsin boṭṭarāga 10.Bhāṣās in mālavapañcama"

structural

p.vol_II_p074

english

conf 0.90

[show source]

Bhāṣās are sung with effort by knowledgeable musicians

"which is sung with effort on the earth by the knowledgeable ones in music."

structural

p.vol_II_p074

english

conf 0.92

[show source]

Bhāṣās are not perceived obviously by singers who do not put in effort

"These (bhāṣās) are not perceived obviously by the singers who do not put in effort."

structural

p.vol_II_p074

english

conf 0.93

[show source]

When sung properly, bhāṣās become well-known, especially to those with tuneful voices

"When sung properly, they become well-known, specially to those who are endowed with a tuneful voice."

structural

p.vol_II_p075

english

conf 0.95

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The total count of bhāṣās and vibhāṣās is seventy-three

"bhāṣās and vibhāṣās have been said to be seventy-three in total."

structural

p.vol_II_p079

english

conf 0.95

[show source]

bhāṣā is a melodic category that can be hexatonic

"this bhāṣā should be known as hexatonic"

structural

p.vol_II_p089

sanskrit

conf 0.95

[show source]

bhāṣā is a musical category that can be hexatonic (șadava) or have other structural properties

"भाषेयं षाडवा ज?्ञेया प्रेङ्खके मधुरी भवेत् ॥"

BRHADDEŚĪ 160 यापापाधापासासापाधापमगामामा उदाहरणम् - सा पा पा धा मा मा पा गा म गा प धा धा पा ग मा गा म सा सा सा गा गा मा गा मा मा । षड्ज?[मध्यमा]।[४] मध्यमांशा तु षड्ज?ान्ता ७२दुर्बला पञ्चमेन तु । ७३धैवतनिषादबाहुल्यं षड्जधैवतयोस्तथा ॥ भाषेयं षाडवा ज?्ञेया प्रेङ्खके मधुरी भवेत् ॥ ८८॥ प्रेक्षके मधुकरी मापानिसासारिरोगमगारीसासा उदाहरणम् – मा पा पा धा धा मा ध नि नि पा स नि ध सा सा मा पा ध नि स नि सा सा नि धा पा पा पा ध नि धा सासा रिरोममागरिसासा। मधुरी। [५] मधु(क)री ॥ इति हिन्दोलके भाषा[:] समाप्ता[:] ॥ [५.अथ पञ्चमे] ७४ पञ्चमांशा तदन्ता च निषादबहुला सदा। परस्परं तु दृश्येत अषड्जधैवतसङ्गति ॥ ८९॥ ७६पूर्णा पञ्चमजा ह्येषा त्वाभीरी देशसम्भवा । आभौरी पूर्ण एषा भाषा तु विज?्ञेया प्रथमा पञ्चमोद्भवा ॥ ९०॥ उदाहरणम् -पाधामाधनिधापापापा प ध नि धा मा मा धा नि सा सा स नि ध नि स धा नि सा नि धा सा धरि- मा मा धा नि नि धा पा पा प म म ध नि सा सा सनिनिसासासिनगरिमममागा रिसससधिनपा धा मा मा स - रि मा धा रि म पा पा । आभीरी। [१] भाविनी पञ्चमन्यासा गान्धारांशाल्पधैवता । मध्यपञ्चमयोर्यत्र गमनं दृश्यते घनम् ॥ मध्यम् भाषा तु भाविनी ज?्ञेया पूर्णा गान्धर्ववेदिभि ७०॥ ९१॥ उदाहरणम् -गामापागमपानिधा[पा]। गमपामागागारीरीगानीधापापापाप। मा मा गा मा पा पा मापापामाधारीसगगमापा मागारीरीपापा । भाविनी ।[२]

structural

p.vol_II_p100

english

conf 0.91

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Bhāṣās should be listened to by singers in the context of wit, humour, fighting, and sacrifice

"It should always be listened to by the singers in the context of wit and humour and whatever is seen in fighting or sacrifice (yajña)"

structural

p.vol_II_p100

english

conf 0.93

[show source]

Bhāṣās are modified according to how they are performed

"That (bhāṣā) is so modified as it is performed by one."

structural

p.vol_II_p108

english

conf 0.95

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bhāṣās are characterized by both practice and theory, and are elaborated through prastāra

"The proper bhāṣās adorned with vibhāṣās have been spoken of in combination with practice and theory (and) blended with prastāra"

structural

p.vol_II_p143

english

conf 0.85

[show source]

bhāṣā is a category of musical forms that can be varieties of rāgas like ṭakka and mālavakaišika

"S.Rāj II.2.1.120 where potā is enumer- ated as a vibhāṣā of ṭakka (rāga)"

PÄTHAVIMARŚA 269 उद्भटप्रायगमका पङ्जग्रामसमाश्रया ॥ भाषा मध्यमदेहेयं ..... ibid 761, 762. 44. P.t. adds here the following line which is out of place and has, therefore, been dropped by us - अतःपरं प्रवक्ष्यामि लक्षणं च समासतः। 45. Reconstruction based on S.Rāj II.2.1.120 where potā is enumer- ated as a vibhāṣā of ṭakka (rāga) and ibid 826, reading as - पञ्चमांशग्रहा पड्जन्यासा याष्टिकसम्मता । मध्यमग्रामगा पूर्णा पोता नाम विभाषिका ॥ 46. The notation after this point has been read in p. t. as the initial part of the illustration of paurālī that follows. 47. 'Paurālī' is not included in the enumeration of the bhāṣās of mālavakaišika in our text (verses 21, 22) and hence it has not been given any number here, but S Rāj II.2.1.120c and SR II.1.33d do so, probably, according to the opinion of Yāstika. 48. Reconstruction based on Kalā (appendix) on SR II, p.139, reading as - शुद्धा प्रहर्षे नियुक्ता ज?ाता मालवकैशिके । 49. Reconstruction based on SR II.1.33d, S Rāj II.2.1.995d and Kalā (appendix) on SR II, p. 139 all of which read 'ardhavesarī'. 50. SR II.2.188d and S Rāj II.2.1.969d describe it as being devoid of dhaivata. S Rāj ibid also mentions that it is complete according to Yāṣṭika. 51. Read as bāṅgālī in S Rāj II.2.1.993c and Kalā (appendix) on SR II, p.138. S Rāj II.2.1.966 describes another bhāṣā under mālavakaišika, bearing the same name bāṅgālī. Kalā (appendix) on SR II reads māṅgalī for the bhāṣā other than bāṅgālī. Our text bears similarity with the first one in S Rāj and Kalā. 52. Reconstruction based on S Rāj II.2.1.993c; reading in Kalā (appendix) on SR II, p. 138 speaks of the samvāda of ri-ni. 53. cf.(i) मालवे कैशिकेऽप्यस्ति सैन्धवी मृदुपञ्चमा ॥ समन्द्रा निगनिर्मुक्ता पङ्जन्यासग्रहांशिका । प्रयोज?्या सर्वभावेषु श्रीसोढलसुतोदिता ॥ SR II.2. 180 cd, 181. (ii) पड्जग्रहांशकन्यासा पड्जग्रामकृताश्रया । गनिहीना पभूयिष्ठा समन्द्रा तारपञ्चमा ॥ सर्वभावनियोगार्हा ज?ाता मालवकैशिकात् । औडुवा सैन्यवी भाषा कालसेनेन वर्णिता । सम्पूर्णामेतामाचष्ट्र याष्ट्रिको मुनिपुङ्गयः॥ S Rāj II.2.1.986, 987.

structural

p.vol_II_p143

sanskrit

conf 0.80

[show source]

bhāṣā can be characterized by the presence or absence of specific svaras like pañcama and dhaivata

"पञ्चमांशग्रहा पड्जन्यासा याष्टिकसम्मता । मध्यमग्रामगा पूर्णा पोता नाम विभाषिका ॥"

268 BRHADDEŚĪ 35. cf. (i) रिसयोः समयोर्युक्ता टक्कजा रविचन्द्रिका । Kalā (appendix) on SR II, p. 136. (ii) सङ्गता समयोधेव रिगयोधाल्पसप्तमा । S Rāj II.2.1.516 ab. 36. P.t. adds 'takkarāgajā', which does not fit into the metre. 37. Reconstruction based on - (i) मध्यमांशग्रहा पड्जन्यासा पञ्चमवर्ज?िता । S Rāj II.2.1. 818 ab. (ii) अम्बाहेरी टक्कभाषा देशाख्या पञ्चमोञ्झिता । Kalā (appendix) on SR II, p.136. 38. Reconstruction based on S Rāj II.2.1.745 a cited below under (ii). 39. cf. (i) टकभाषैव ललिता ललितैरुक्तरैः स्वरैः ॥ पड्ज?ांशग्रहणन्यासा पड्जमन्द्रा रिपोज?्झिता । धीरैवीरोत्सवे प्रोक्ता तारगान्धारधैवता ॥ SR II.2.174 cd, 175. (ii) टक्कभापैव ललिता ग्रहांशन्यासपङ्जभाक् । पञ्चमर्पभहीना च तारगान्धारधैवता ॥ पङ्ज?ानुमन्द्रबहुला गमधस्वरराज?िता । लिता लितैः स्तोभैलीलतैहत्कटैः स्वरैः ॥ षाडवा याष्ट्रिकमते ऋपभैकविलोपतः। सङ्ग्रामे विनियोक्तव्या वीरोत्साहविवर्धनी ॥ S Rāj II.2.1.743-745. 40. cf. औंडुवा निपलोपेन याष्ट्रिकस्य मते मता । S Rāj 11.2.1.774ab SR II.2.143b describes it as being devoid of pañcama alone. 41. Reading in Kalā (appendix) on SR II. p. 134. S Rāj II.2.1.820 f reads-‘ pūrņasvaroditā ’i.e. complete in svaras. 42,43. S.Rājgives two bhāṣāsas madhyamagrāmadehā and madhyamadehā, the former bears similarity with the madhyamadehā of our text, as - मध्यमांशग्रहा पड्जन्यासा टक्कसमुद्भवा । पड्जमध्यमसङ्गत्या(त्यो)पचिता मध्यगानयुक् ॥ मध्यमग्रामदेहेयं भाषा पूर्णस्वरोदिता ॥ S Rāj II.2.1.820. Madhyamadehā is different as- पङ्ज?ांशग्रहणन्यासा पञ्चमर्षभवर्ज?िता । तारधैवतगान्धारा मन्द्रमध्यमसम्भवा ॥ मध्यधैवतपड्ज?ाख्या नियोज?्या वीर उत्तमे ।

bhāṣā raga_class

Grammar record (family: raga_class)

Generative rules (3) ↗ filter all

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

Graph relations

Outgoing (37)

Incoming (139)

Affirmations (23)

Grammar record (family: `raga_class`)