Bhāvinī has pañcama as nyāsa, gāndhāra as aṁśa, is weak in dhaivata, and shows dense movement between madhyama-pañcama
"Bhāvinī has pañcama as nyāsa, gāndhāra as aṁśa (and) is weak in dhaivata.
Where the mutual movement of madhyama-pañcama is seen to be dense"
TRANSLATION
<sup>161</sup>
Illustration-Sāpāpādhāmāmā pāgāmagāpadhādhāpāgamā gāpāpāpādhāpāsā
sāpādhāpamagāmāmā gāmasāsāsāgāgāmāgāmāmā. Şadjamadhyamā [iv]
Having madhyama as aṁśa, ṣaḍja as the concluding note, being weak in
pañcama, with profusion of dhaivata - niṣāda and similarly of ṣaḍja-dhaivata,
this bhāṣā, madhurī, should be known to be hexatonic in prenkhaka34 (a
synonym of hindolaka).
(88)
Illustration - Māpāpādhādhādhāmādhaninipāsanidhasāsā
māpādhanisa
nisāsā māpānisāsārirīgamagārīsāsā nidhāpāpāpādhanidhāsāsā rirīgamāgari
sāsā. Madhurī [v]
Thus end the bhāṣās of hindolaka.
[5. Now the bhāṣās in pañcama]
Having pancama as amsa and the same as the concluding note, replete
with niṣāda, being complete, this ābhīrī bhāṣā is born of deśa<sup>35</sup> (region), rises
out of pañcama (rāga) and should be known to be the first one arising out of
pañcama. Mutual concert between șadja-dhaivata is to be seen here.
(89-90)
Illustration - Pādhāmādhanidhāpāpāpā padhanidhāmāmādhānisāsā
sanidhanisadhānisānidhāsā dharimāmādhāninidhāpāpā pamamadhanisāsā
saninisāsāsanigarimamamāgarisasa sadhanipādhāmāmāsarimādhārimapāpā.
Abhīrī [i]
Bhāvinī has pañcama as nyāsa, gāndhāra as aṁśa (and) is weak in dhaivata.
Where the mutual movement of madhyama-pañcama is seen to be dense, the
bhāṣā bhāvinī should be known to be complete by the knowledgeable ones
in gändharva.36
(91)
Illustration-Gāmāpāgamapānidhā [pā]. Gamapāmāgāgārī rīgāmīdhāpāpāpāpā
Māmāgāmāpāpā māpāpāmādhārisagagamāpā māgāriripāpā. Bhāvini [ii]