bhinnaşadja raga_name

135 TRANSLATION vesarī is the ninth one. The one named pañcamī is the tenth one, similarly ravicandrā is there, ambāherī and lalitā and then kolāhalī is known. Madhyamagrāmadehā and similarly gāndhārapañcamī-thus are manifested the sixteen bhāṣās of ṭakkarāga. (16-20) Śuddhāshould be known as the first one and then ardhavesarikā, harṣapūrī is the third one and māngālī the fourth. The fifth one should be known as saindhavī, ābhirī is accepted as the sixth one. Khañjarī and gūrjarī, thus are the eight (bhāṣās) in mālavakaišika. (21-22) Kāmbojā should be known as the first one, madhyamagrāmikā is accepted and sātavāhanikā and after that is bhogavardhani. (23) Muharī should be known as the fifth and śakamiśritā as the sixth. Bhinnapañcami is the seventh one to be performed with care. These should be known as the seven charming bhāṣās of kakubha. (24-25b) Vesari should be known as the first one and manjari as the second. Then should be accomplished chevāṭī, ṣaḍjamadhyamā is the fourth one, madhurī should be known as the fifth. Five are born of hindolaka. (25c-26) Ābhīrī, bhāvinī and māṅgālī, similarly saindhavī, gūrjarī and dākṣiṇātyā, āndhrī and the next one is tānodbhavā. Trāvaņī should be known as the ninth one (and) kaišiki is known as the tenth one. These bhāṣās are known by the singers to be born of pañcama. (27-28) Visuddhā, dākṣiṇātyā and after that gāndhārī, śrīkaṇṭhī and paurālī, similarly māngāli and saindhavī, kālingī and pulindī are the nine born of bhinnaşadja. (29-30 b)