pulindikā technical_term

¹⁷¹ TRANSLATION Combined with dhaivata as the initial and concluding note, complete, delightful to the people, having concert between dhaivata - niṣāda and ṣaḍja- gāndhāra, born of Bangāla deśa, bāngālī is of divine form. This bhāṣā is full of rasa and is also dear to the deity. 50 In performance, it is characterised by smoothness and continuity by the singers bedecked with svaras. (111-112) Illustration - Dhārīsārīgāgādhā rīsārīmānīsānīnīsā sāsāridhāmāpā dhādhārisāmādhānidhādhā. Bāṅgālī [vi] Having madhyama as aṁśa, dhaivata as the concluding note, being weak in pañcama and ṛṣabha, having concert between ṣaḍja-madhyama and ṣaḍja- gāndhāra, saindhavī has been known to be born of the Sindhu region and to bear a regional name. (113) Illustration - Mā.Mādhānīdhā nīsāgāsāmāsāsāgāmāgāmā gāsānisanidhā māpāmāmāmāsāmādhāmānisāsāsāsāgārī dhānidhādhāmādhānīdhā mādhādhādhā. Saindhavī [vii] Kālingī has gāndhāra as aṁśa, dhaivata as the concluding note and is comprised of four svaras, being devoid of pañcama and ṛṣabha and weak in niṣāda. This is an antarabhāṣā and is sung by the people of Kalinga⁵¹ It is beautiful and charming and is sung according to pañcama⁵² (rāga). (114-115) Illustration-Gāsāmāgāmāgāsāsāsāsādhāmāsāsādhāmānīmāmāsāsāsāsāmā dhāmāmādhāsāsādhānīgādhā. Kāliṅgī [viii] Having ṣadjaas the concluding note, dhaivataas aniśa, gāndhāra and pañcama being omitted, having concert between ṣaḍja-madhyama and similarly ṣaḍja- dhaivata, this antara-bhāṣā is sung by the Pulinda⁵³ people. It is well-known as pulindikā, is pentatonic and subsists in (bhinna) sadja.54 (116-117)

¹⁷¹ TRANSLATION Combined with dhaivata as the initial and concluding note, complete, delightful to the people, having concert between dhaivata - niṣāda and ṣaḍja- gāndhāra, born of Bangāla deśa, bāngālī is of divine form. This bhāṣā is full of rasa and is also dear to the deity. 50 In performance, it is characterised by smoothness and continuity by the singers bedecked with svaras. (111-112) Illustration - Dhārīsārīgāgādhā rīsārīmānīsānīnīsā sāsāridhāmāpā dhādhārisāmādhānidhādhā. Bāṅgālī [vi] Having madhyama as aṁśa, dhaivata as the concluding note, being weak in pañcama and ṛṣabha, having concert between ṣaḍja-madhyama and ṣaḍja- gāndhāra, saindhavī has been known to be born of the Sindhu region and to bear a regional name. (113) Illustration - Mā.Mādhānīdhā nīsāgāsāmāsāsāgāmāgāmā gāsānisanidhā māpāmāmāmāsāmādhāmānisāsāsāsāgārī dhānidhādhāmādhānīdhā mādhādhādhā. Saindhavī [vii] Kālingī has gāndhāra as aṁśa, dhaivata as the concluding note and is comprised of four svaras, being devoid of pañcama and ṛṣabha and weak in niṣāda. This is an antarabhāṣā and is sung by the people of Kalinga⁵¹ It is beautiful and charming and is sung according to pañcama⁵² (rāga). (114-115) Illustration-Gāsāmāgāmāgāsāsāsāsādhāmāsāsādhāmānīmāmāsāsāsāsāmā dhāmāmādhāsāsādhānīgādhā. Kāliṅgī [viii] Having ṣadjaas the concluding note, dhaivataas aniśa, gāndhāra and pañcama being omitted, having concert between ṣaḍja-madhyama and similarly ṣaḍja- dhaivata, this antara-bhāṣā is sung by the Pulinda⁵³ people. It is well-known as pulindikā, is pentatonic and subsists in (bhinna) sadja.54 (116-117)

BRHADDEŚĪ ²⁰² [२. माङ्गाली] गान्धारग्रहन्यासा च षड्ज?ांशा तारवर्ज?िता । समन्द्रा सस्वरा[?]चैव परिहीना सदा भवेत् ॥ ३५४॥ सिका षड्ज?ांशा धग्रहन्यासा धमन्द्रा तारतत्परा । समस्वरा च सम्पूर्णा माङ्गाली गीयते जनैः८॥ ३५५॥ (पी?गी)॰ [३. भम्माणिका] पञ्चमांशग्रहन्यासा गमन्द्रा षड्जतारका । रिहीना च धगस्वल्पा ज?्ञेया भम्माणिका बुधैः १॥ ३५६॥ [४. पुलिन्दिका] षड्ज?ांशा धैवतन्यासा गपहीना पुलिन्दिका । +ग्रहन्यासा षड्जधैवतसंवादो धैवतर्षभयोस्तथा १०॥ ३५७॥ ॰संघादा [५. गान्धारसिन्धु ] १९गान्धारसिन्धु .....॥ ३५८॥ [६. कार्णाटी] १२षड्जन्यासग्रहा धांशा गतारा मन्द्रमध्यमा । समस्वरा च सम्पूर्णा कर्णाटी नामतो भवेत्रवा ३५९॥ नामत(द्भ?भ)वेत् ॥ इति मतङ्गमुनिविरचितबृहद्देश्या देशीरागाध्यायो नाम पञ्चमः समाप्तः ॥ भाषालक्ष(णो?णा)