gāndhārī jati

Dictionary: ✓ gāndhārī (jati) · Pages: 7 · Occurrences: 12 · Affirmations: 9 · Graph degree: 57 (in 23, out 34)

Variants (2): gāndhārī (10), gāndhārikā (2)

Generative rules (2) ↗ filter all

R_4p0_003 structural · 8 att.
gāndhārī = jāti basee sur gāndhāra (aṁśa) et madhyama (nyāsa), pañcama a-ṣāḍava, ṛṣabha+dhaivata omis, sancāra ṣaḍja-gāndhāra, mūlabhāṣā de bhinna-ṣaḍja
R_403_gandharika_struct structural · 1 att.
gāndhārikā: profuse gāndhāra; delightful in pañcama

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: gāndhārī (cluster 34)
SCOPE: jati family
STATUS: canonical
CONFIDENCE: canonical
PROTECT: true

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (27)

--[structural]--> gāndhāra (4)--[structural]--> pañcama (3)--[structural]--> aṁśa (2)--[structural]--> ṣāḍava (2)--[relation]--> aṁśa (1)--[structural]--> bhāṣā (1)--[structural]--> raktagāndhārī (1)--[structural]--> kaiśikī (1)--[relation]--> jāti (1)--[structural]--> jāti (1)--[relation]--> tāra (1)--[structural]--> mūlabhāṣā (1)--[structural]--> Sañcāra (1)--[structural]--> गान्धारपञ्चमी (1)--[relation]--> vidārī (1)--[structural]--> गान्धारी (1)--[structural]--> भाषा (1)--[structural]--> audava (1)--[structural]--> pentatonic (1)--[structural]--> bhinna (1)--[structural]--> dhaivata (1)--[structural]--> ṛṣabha (1)--[structural]--> gāndhāra as aṁśa (1)--[relation]--> svaras (1)--[structural]--> svaras (1)--[structural]--> madhyama (1)--[structural]--> rāga (1)

Incoming (21)

gāndhārapañcama --[relation]--> (2)गान्धारी --[structural]--> (2)mūrchanā --[structural]--> (1)vibhāṣā --[enumeration]--> (1)apanyāsa --[structural]--> (1)raktagāndhārī --[relation]--> (1)raktagāndhārī --[structural]--> (1)auduvita --[definition]--> (1)auduvita --[structural]--> (1)kaiśikī --[structural]--> (1)dhruvā --[relation]--> (1)mālavapañcama --[enumeration]--> (1)dhaivatī --[structural]--> (1)mūlabhāṣā --[relation]--> (1)गान्धारी --[relation]--> (1)sauvīraka --[enumeration]--> (1)prayoga --[structural]--> (1)rasa --[structural]--> (1)bhinnaşadja --[enumeration]--> (1)Dākşiņātyā --[structural]--> (1)सौवीरके --[relation]--> (1)

Affirmations (9)

definition

p.vol_II_p015

english

conf 0.91

[show source]

In gāndhārī jāti, sadja is tara with illustration ni-dha-ni-dha-sā

"just as in gāndhārī (jāti) şadja is tāra, ni-dha-ni-dha-sā, thus is (its illustration)."

TRANSLATION 13 [2. The definition of amsa] [Anu. 120] After this amsa is being spoken of; that is known as tenfold according to the division of its angas (lit. limbs, here functions). Anisa is that which leads to the manifestation of raga (delight) in the course of its operation; this is its first (function). And the second anisa (in its functioning) is that with which gīta (melodic organisation and performance) begins and proceeds, which is vikalpita (alternatively arranged) as graha, this is its second (function). That amsa is third (in its functioning) which is the cause of the manifestation of tāra (high) and mandra (low). The ascent up to the fifth svara is (the range of) tāra (high); sometimes even the ascent up to the sixth svara is tāra, just as in gāndhārī (jāti) şadja is tāra, ni-dha-ni-dha-sā, thus is (its illustration). Just as it (aṁśa) is the regulator of tāra, similarly the svara that is the regulator . ofmandra is also amsa on account of descent in seven svaras. Just as in the ṣāḍjī (jāti) with pañcama as theamśa there is (descent in seven svaras) - as sā -s\bar{a} - s\bar{a} - dh\bar{a}^{14} in its svasthāna 15 (section of melodic elaboration). That is also aṁśa which is used profusely; this is the fourth (function). That svara is also amsa which stands as the object (here content) of raga; this is the fifth (function). That is also amsa which is perceptible in (the operation of) graha, apanyāsa, vinyāsa, samnyāsa (and) nyāsa; this is the sixth, seventh, eighth, ninth and tenth (function).16 [The definition of apanyasa forming part of that of amsa [Anu. 121] • That is apanyāsa, where gīta (melodic rendering) is supposed or appears to be ending; this occurs in the middle of all vidārīs (sub-sections). That vidārī is of two kinds, viz. gīta-vidārī 17 (sections of melodic structure) and pada-vidārī 18 (splitting of the melodic- cum-textual units). (Contention) What is signified by the word vidārī (?) It is the splitting or separating of p\bar{a}das^{19} (feet), the pes\bar{i}^{20} (lit. muscle) i.e. section of a g\bar{i}ta (melodic structure) could be (understood) as such. [The definition of samnyāsa forming part of that of aṁśa] [Anu. 122] Now samnyāsa is being said. The nyāsa (final svara) is called samnyāsa when

relation

p.vol_II_p016

english

conf 0.85

[show source]

gāndhārī is a jāti from which the structuring of tara up to the fifth svara should be understood

"The structuring up to the fifth note (from the amsa) should be understood from the eighth vidārī (section) of gāndhārī24 (jāti)"

structural

p.vol_II_p022

english

conf 0.95

[show source]

In gāndhārī, ṛṣabha and dhaivata are non-amśas that are always to be omitted

"In gāndhārī, the two (svaras) that are not amśas viz. ṛṣabha, dhaivata are always to be omitted respectively (for making ṣāḍava and auḍava forms)."

structural

p.vol_II_p022

english

conf 0.93

[show source]

Sañcāra (to and fro movement) between ṣaḍja and gāndhāra should be performed in gāndhārī

"Sañcāra (to and fro movement) is to be rendered in this (jāti) between ṣaḍja and gāndhāra by the performers."

structural

p.vol_II_p029

english

conf 0.90

[show source]

In gāndhārī jātī, pañcama should be known as a-ṣāḍava (non-pentatonic)

"In gāndhārī, raktagāndhārī and kaiśikī, pañcama should be known as a-ṣāḍava"

structural

p.vol_II_p077

english

conf 0.95

[show source]

Gāndhārikā has profuse gāndhāra and is delightful to the people

"Gāndhārī is with profuse gāndhāra and is delightful to the people in pañcama"

structural

p.vol_II_p106

english

conf 0.95

[show source]

gāndhārī has gāndhāra as amsa and madhyama as concluding note

"Having gāndhāra as aṁśa, madhyama as the concluding note, gāndhārī is based on madhyama"

structural

p.vol_II_p106

english

conf 0.90

[show source]

gāndhārī is sung by those living in solitude

"it is sung by those living in solitude (and) is a mūlabhāṣā coming under (bhinna) ṣaḍja (rāga)."

structural

p.vol_II_p148

sanskrit

conf 0.95

[show source]

Gāndhārī is a bhāṣā (musical mode variant) based on the gāndhāra and pañcama notes

"गान्धारपञ्चमे भाषा गान्धारी सगभूषिता"

Ç≛ 20040 - 15 278 BRHADDEŚĪ which is said to be omitted, is profusely used therein: पा सा ग म मा धा धा पा मा स सा नि सा नि सानिमगमामापाधामपामारीसानि धापामहमामाधानीरिरिरिसागारि ऋपभारिरिपका । 133. P.t. omits the description of gāndhārī. Other texts describe it as follows- गान्धारपञ्चमे भाषा गान्धारी सगभूषिता । (i) धाद्यना सर्वलोकस्य हद्या स्त्रीणा विशेषतः॥ Kalā (appendix) on SR II, p.139 (ii) गान्धारपञ्चमे रागे गान्धारी भाषिकैकिका । धैवतांशग्रहन्यासा पङ्जमध्यमभूयसी ॥ गान्धारबहुला वाऽपि षड्जग्रामनिवासिनी ॥ S Rāj II.2.1.1006. 134. Kalli has described a bhāṣā named śakā, pertaining to revagupta; that description is different from the one of our text. सन्यासा रेवगुप्तस्य भाषा मांशा शकाह्या । गपाभ्या बहुला पूर्णा रिधाभ्यामपि भूयसी ॥ Kalā (appendix) on SR II. p.142. S Rāj II.2.1.1100 describes śakabhāṣā as pertaining to pañcamaṣāḍava, falling in line with our text, as follows - ऋषभांशा मध्यमान्ता सम्पूर्णा गपभूयसी । रिधयोः सङ्गता प्रोक्ता रागे पञ्चमषाडवे ॥ शकभाषाद्वया ....। Kalli describes a bhāṣā named potā under revagupta; the same seems to find place in S Rāj under the name revaguptā; the two descriptions are very similar. पोता - ऋषभांशग्रहन्यासा धहीना निसभूयसी । पोता प्रोक्ता मतङ्गेन भाषा पञ्चमषाङ्ये ॥ Kalā (appendix) on SR II. p. 142. रेवगुप्ता – ऋषभांशग्रहन्यासा निभूयिष्ठा धदुर्बला । रेवगुप्ता स्मृता भाषा रागे पञ्चमषाडवे ॥ S Rāj 11.2.1.1102. It may be noted that potā has been enumerated under pañcamaṣāḍava in S Rāj II.2.1.100 cd, but it has not been described in that text. [B. Bhāṣālakṣaṇa according to Śārdula] 1. We are treating the matter falling under this heading as forming part of the chapter entitled bhāṣālakṣaṇa, but the verses have been numbered ٠