jati_with_multiple_amsas | — |
relationR_36_amsa_definition definition Aṁśa is the predominant/primary svara of a rāga or bhāṣā, the beginning point of a phrase from whichR_36_amsa_murchana_relation relation The predominant aṁśa among multiple aṁśas determines the mūrchanā of a jātiR_4p0_012 definition aṁśa = svara essentiel definissant jāti; enumeration varie: madhyamā=5 (hors gāndhāra+niṣāda), ṣāḍjīamsa_assignment_per_bhasa assignment Each bhāṣā/rāga is characterised by an assigned aṁśa svara, distinct from its concluding note (nyāsaR_364_amsas structural In kaiśikī, svaras other than ṛṣabha function as aṁśas (structural tones) and exhibit mutual concertamsa_definition_vadi_principal definition Aṁśa is the vādī, the principal note of a rāga/jāti, and regulates intervallic formation of melodic amsa_role_and_mandra_relation relation L'amśa est la forme par laquelle un lakṣaṇa particulier se manifeste; mandra commence avec le svamsa_constraint_sadjamadhyama_sadava validation Şadjamadhyamā is not allowed to be sextonic (six svaras) when niṣāda is the aṁśa.amsa_predecessor_is_mandra relation The svara preceding the aṁśa is the mandra.amsa_samvadi_cannot_be_omitted structural The samvādī of an aṁśa cannot be omitted within a jāti.relation