bhinnakaiśika technical_term
Generative rules (5) ↗ filter all
bhinnakaiśika_vs_śuddhakaiśika_distinctionrelation · 4 att.
Bhinnakaiśika is distinguished from śuddhakaiśika: ālāpa avoids śuddha's svasthāna and is performed in lower registers vs. tāra in śuddhakaiśika; sung in bhbhinnakaiśika_rasa_applicationassignment · 2 att.
Bhinnakaiśika is applied in dānavīra (heroic charity) contexts and uses vīra, raudra and similar rasas.bhinnakaiśika_structurestructural · 2 att.
Bhinnakaiśika has ṣaḍja as graha and aṁśa, pañcama as nyāsa, is complete in seven svaras with abundance of mandra (low) notes.bhinnakaiśika_origin_madhyamagramaderivation · 1 att.
Bhinnakaiśika is born of kaiśikī and kārmāravī jātis and is therefore related to madhyamagrāma.bhinnakaiśika_pancama_substitutiontransformation · 1 att.
In bhinnakaiśika, the three-śruti pañcama is omitted in ṣaḍjagrāma, taking instead the four-śruti form.
Pseudocode (DSL v1.1) ↗ full DSL (raw text)
RULE id: bhinnakaiśika (cluster 385) SCOPE: technical_term family STATUS: empirical CONFIDENCE: empirical PROTECT: false
Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).
Graph relations
Outgoing (25)
--[structural]--> svaras (5)--[structural]--> śuddhakaiśika (3)--[structural]--> pañcama (2)--[structural]--> ālāpa (2)--[structural]--> svasthāna (2)--[structural]--> rāga (2)--[structural]--> aṁśa (1)--[relation]--> madhyamagrāma (1)--[structural]--> nyāsa (1)--[structural]--> mandra (1)--[structural]--> graha (1)--[relation]--> kaiśikī (1)--[relation]--> kārmāravī (1)--[relation]--> jāti (1)--[structural]--> sadjagrāma (1)--[structural]--> tāra (1)--[structural]--> śrutis (1)--[definition]--> śuddhakaiśika (1)--[definition]--> śuddhā (1)--[relation]--> dānavīra (1)--[structural]--> Vīra (1)--[structural]--> rasa (1)--[definition]--> gīti (1)--[definition]--> Bhinnā gīti (1)--[structural]--> raudra (1)
Incoming (3)
Affirmations (10)
Bhinnakaiśika is sung in bhinnā gīti, whereas śuddhakaiśika is sung in śuddhā gīti
"Śuddhakaiśika is sung in the śuddhā gīti, whereas bhinnakaísika is sung in the bhinnā gīti."
Bhinnakaiśika is related to madhyamagrāma and originates from kaiśikī and kārmāravī jātis
"bhinnakaiśika is related to madhyamagrāma on account of being
born of kaiśikī and kārmāravī jātis."
Bhinnakaiśika is applied in dānavīra (heroic charity) contexts
"Its application is
prescribed in dānavīra (heroism in charity)."
Bhinnakaiśika has ṣaḍja as graha and aṁśa, pañcama as nyāsa, and is complete with seven svaras
"It has ṣaḍja as its aṁśa, pañcama as its nyāsa
(and) is complete with the seven svaras."
Bhinnakaiśika is characterized by abundance of mandra (low notes)
"This has abundance of mandra (low
notes)."
Bhinnakaiśika employs ālāpa with the same svaras but leaving the svasthāna used in śuddhakaiśika
"The svasthāna with which svara - ālāpa (tonal
elaboration) is done in śuddhakaiśika, ālāpa has to be done with the same svaras (here), leaving that
svasthāna"
Bhinnakaiśika becomes distinct from śuddhakaiśika because ālāpa is performed in lower registers whereas śuddhakaiśika uses tāra (high) svaras
"In śuddhakaiśika, ālāpa should be done with tāra (high) svaras and
thus it becomes distinct on account of difference in form."
Bhinnakaiśika employs rasas such as vīra and raudra
"Vīra, raudra and the like are the rasas."
Bhinnakaiśika has svaras arranged differently from śuddhakaiśika in terms of svasthāna (tonal range unit)
"The svasthāna with which the rāga is elaborated in śuddhakaiśika, the rāga is not elaborated with the same svasthāna in bhinnakaisika."
In bhinnakaiśika rāga, the pañcama comprised of three śrutis has been omitted in ṣadjagrāma, taking recourse to its form comprised of four śrutis
"यथा भित्रकैशिकरागे त्रिश्रुतिपञ्चमस्य च[तु] श्रुतित्वमाश्रित्य लोपः
कृतः पड्जग्रामे"
