rṣabha-
pañcama. There is abundance of
gāndhāra although the state of amśa
does not obtain in it.
There is the sparseness of pañcama in the ṣāḍava state6,
in the auduvita state there is the sparseness of none; there is abundance of
all7.14 Madhyama is the nyāsa. Ŗṣabha,
dhaivata are the two
apanyāsas.
There
is mutual reaching out among the amsas8.
[Anu. 157]
This is eleven-fold. There are eleven amsas, four in the complete state,
three in the sādava state, because of the exclusion of the form in which
dhaivata is the amśa, four in the
auduvita state. There is no śuddha (amśa).
The
mūrchanā69 beginning with
gāndhāra obtains. Paūcapāņi is the tāla.
With ekakala (tāla) and citra (mārga) there is māgadhī (gīti)3. With
dvikala (tāla)
in the
vārtika (mārga) there is
sambhāvitā (gītī).
With catuṣkala (tāla) in the
dakşina (mārga) there is pṛthulā (gīti)5. Śṛṅgāra and hāsya are the two rasas. Its
application (
viniyoga) is prescribed in the singing of dhruvā (s) in the second
scene (or act).
[Anu. 158]
All the seven svaras are grahas and anisas of şadjamadhyamā.15 The tāra
extends upto five svaras. The mandra is upto the nyāsa or upto the svara next
to it. In the ṣāḍava state it is devoid of niṣāda. In the
auḍuvita state it is devoid
of niṣāda-
gāndhāra.
There is free movement (sancāra) without violating the
grāma11.
In the complete state, there is the sparseness of niṣāda and gāndhāra12.
Ṣadja and
madhyama are the two nyāsas.
Seven svaras are apanyāsas10.
[Anu. 159]
It is seventeen-fold. There are seventeen amsas – out of them seven obtain
in the
pūrņa state, five in the
ṣāḍava state and five in the
auḍava state. There
is no śuddha state. The murchanā
70 beginning with
madhyama obtains.
Pañcapāṇiis the tāla. With
ekakala (tāla) in the
citra (mārga), there is
māgadhī
(gīti).
With dvikala (tāla) in the vārtika (mārga) there is sambhāvitā (gīti)4.
With catușkala (tāla) in the dakșiņa (mārga) there is
pṛthulā (gīti). It is relevant
in all the rasas. Its application (
viniyoga) is (prescribed) in the singing of
dhruvā (s) in the second scene (prekṣaṇaka).71
Thus end these seven jātis pertaining to sadjagrāma.2
[Anu. 160]
Now the jātis pertaining to madhyamagrāma are being said1 -