amsa_role_and_mandra_relation

relation · concept: aṁśa · 2 attestation(s) · confidence 0.85

L'amśa est la forme par laquelle un lakṣaṇa particulier se manifeste; mandra commence avec le svara immédiatement en dessous de l'amśa.

Body (pseudocode)

DEFINE amsa := form_through_which(special_laksana); mandra.start := svara_below(amsa)

amsa —

→ register_boundary

p. vol_II_p047 · #539 « and the special is (in the form of) amisa and the like. »
p. vol_II_p157 · #1850 « It is notable that mandra begins with the svara immediately below the amsa. »

R_36_amsa_definition definition Aṁśa is the predominant/primary svara of a rāga or bhāṣā, the beginning point of a phrase from which
R_36_amsa_murchana_relation relation The predominant aṁśa among multiple aṁśas determines the mūrchanā of a jāti
R_4p0_012 definition aṁśa = svara essentiel definissant jāti; enumeration varie: madhyamā=5 (hors gāndhāra+niṣāda), ṣāḍjī
amsa_assignment_per_bhasa assignment Each bhāṣā/rāga is characterised by an assigned aṁśa svara, distinct from its concluding note (nyāsa
R_364_amsas structural In kaiśikī, svaras other than ṛṣabha function as aṁśas (structural tones) and exhibit mutual concert
amsa_definition_vadi_principal definition Aṁśa is the vādī, the principal note of a rāga/jāti, and regulates intervallic formation of melodic
amsa_constraint_sadjamadhyama_sadava validation Şadjamadhyamā is not allowed to be sextonic (six svaras) when niṣāda is the aṁśa.
amsa_mutual_reaching relation Within a jāti, the multiple aṁśas exhibit mutual reaching out (parasparagamana).
amsa_predecessor_is_mandra relation The svara preceding the aṁśa is the mandra.
amsa_samvadi_cannot_be_omitted structural The samvādī of an aṁśa cannot be omitted within a jāti.