Māngālī has pancama as its concluding note and is said to have dhaivata as amśa. There is concert between şadja-dhaivata and similarly madhyama- ṛṣabha⁵; it is held to be always complete and should be known to be born of deśa³⁷ (region). This bhāṣā is said to be born of pañcama (rāga) by the knowledgeable ones in music.⁴ <math>(92-93)</math> Illustration-[Dhādhā] Sāsīsīsadhāsīriridhāsīriri[mari] dhāsādhāsīsīrimāri mämämadhamadhapāpādhāmapāpamāsānidhasī ririmāgarisāsūrimārimamam adhamapapāpāpāmāpāpamasīsīnidhasīsīririgārimārisī dhāsīsadhamāsīsīsīsīma. Pamāmāpāpā. Mārigālī [iii] Having pañcama as amsa and the same as the concluding note, being complete and brilliant with pañcama,⁸ saindhavī has been known to be a vibhāṣā born in the Sindhu region.¹ Concert38 between ṣaḍja and pañcama is seen again and again.¹³ Illustration-Pāpādhasīrigāgāgarimāri. Sasānidhādhāsanidhādhāmasarigāgāgari sādhādhamāpādhāpādhasīsīrigāripapxīrigāgārirīsīdhāvsīdhāpxīmāpxīpxīdhāpxī māmāmāpā dhādhāsīrīrisīdhāpā māpāpā. Saindhavī [iv] Gūrjarī has gāndhāra as ani śa, pañcama as the concluding note and is with sparse madhyama.⁹ It has concert between sadja and madhyama, (and) is always complete.¹⁰ This vibhāṣā born of pañcama³⁹ (rāga) is said to be complete. Illustration-Gขากฉับฉบับละสำนักเสียลีpāpādādhānidhānāmāmādhāgārīnīswigarim- ādhāmāpādhapadhanid hādhādhadhaparīrīsārimāgārimāmāmādhānīdharipa- dhānīdhāpā pānīdhāmāmadhamadhamagārirīmāmārīsāsāgārīmāmāpādhā- nismismidhāmapāpā. Gūrjari [v] Combined with pañcama as the initial and concluding note, dākṣiṇātyā is beautiful.¹¹ This is complete and is said to be born in gandharapancama. 40 It should always be known as a vibhāṣā born of pañcama bearing a regional name.²41 Illustration - Pāpānīrī. Nirigārigarimāmaririniniri. Dhāpāpāpapā niririgari- garimagaririri. Dhanidhadhanidhādhanidhāpā pāniririgārigādhāmāgāvirisāniri gāmāgārīnidhāpāpā. Dākṣiṇātyā [vi]