vibhāṣā raga_class

Dictionary: ✓ vibhāṣā (raga_class) · Pages: 14 · Occurrences: 23 · Affirmations: 18 · Graph degree: 87 (in 33, out 54)

Variants (3): vibhāṣā (21), vibhāsā (1), vibhāṣās (1)

Grammar record (family: `raga_class`)

amsa	धैवतांशा	p.vol_II_p092, conf 0.95
nyasa	धैवतान्ता	p.vol_II_p092, conf 0.95
graha	षड्जधैवतसङ्गता	p.vol_II_p092, conf 0.85
svara_content	समशेषस्वरा पूर्णा	p.vol_II_p147, conf 0.90
parent_raga	ṭakka	p.vol_II_p143, conf 0.90

Generative rules (2) ↗ filter all

R_4p0_001 definition · 17 att.
vibhāṣā = variante/sous-categorie de bhāṣā derivee d'un rāga, avec varietes nommees, classifiees sampūrṇa/saṅkīrṇa, ornant les bhāṣās propres
R_920_vibhasa_from_bhasa derivation · 1 att.
Vibhāṣās are derived from bhāṣās

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: vibhāṣā (cluster 8)
SCOPE: raga_class family
STATUS: canonical
CONFIDENCE: canonical
PROTECT: true

RECORD:
  amsa          = धैवतांशा
  nyasa         = धैवतान्ता
  graha         = षड्जधैवतसङ्गता
  svara_content = समशेषस्वरा पूर्णा
  parent_raga   = ṭakka

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (41)

--[relation]--> bhāṣā (4)--[definition]--> rāga (3)--[relation]--> rāga (3)--[definition]--> bhāṣā (2)--[enumeration]--> bhāṣā (2)--[structural]--> bhāṣā (2)--[enumeration]--> paurālī (2)--[structural]--> ṛṣabha (2)--[structural]--> svaras (2)--[structural]--> aṁśa (1)--[definition]--> Kalā (1)--[structural]--> bhinnaṣaḍja (1)--[enumeration]--> gāndhārī (1)--[enumeration]--> pañcama (1)--[relation]--> pañcama (1)--[relation]--> grāma (1)--[enumeration]--> hexatonic (1)--[enumeration]--> mālavakaišika (1)--[definition]--> ṭakkarāga (1)--[enumeration]--> deśa (1)--[enumeration]--> Kinnaras (1)--[enumeration]--> śuddhā (1)--[enumeration]--> tānodbhavā (1)--[definition]--> lalitā (1)--[definition]--> potā (1)--[enumeration]--> Ardhavesarī (1)--[enumeration]--> sankīrṇā (1)--[definition]--> ṭakka (1)--[enumeration]--> dhaivata (1)--[structural]--> dhaivata (1)--[enumeration]--> Mālavakaisika (1)--[structural]--> धैवतांशा (1)--[enumeration]--> Āndhālī (1)--[enumeration]--> Dākşiņātyā (1)--[enumeration]--> Trāvaṇī (1)--[definition]--> tānavalitikā (1)--[enumeration]--> svaras (1)--[enumeration]--> madhyama (1)--[structural]--> madhyama (1)--[structural]--> पूर्णा (1)--[enumeration]--> Şadja (1)

Incoming (29)

aṁśa --[structural]--> (2)bhāṣā --[structural]--> (2)ṭakkarāga --[relation]--> (2)ṭakka --[structural]--> (2)Kalā --[citation]--> (1)bhāṣā --[enumeration]--> (1)bhāṣā --[relation]--> (1)Yāṣṭika --[attribution]--> (1)S Rāj --[attribution]--> (1)mālavapañcama --[enumeration]--> (1)hindola --[enumeration]--> (1)saindhavī --[attribution]--> (1)antara-bhāṣā --[relation]--> (1)gamaka --[structural]--> (1)bhāvinī --[structural]--> (1)Bhāṣāgīti --[attribution]--> (1)potā --[definition]--> (1)dākṣiṇātyā --[attribution]--> (1)dākṣiṇātyā --[relation]--> (1)Vibhāvinī --[structural]--> (1)Jagadekamalla --[attribution]--> (1)pinjarī --[structural]--> (1)श्रीकण्ठी --[attribution]--> (1)श्रीकण्ठी --[structural]--> (1)पौराली --[structural]--> (1)tānavalitikā --[relation]--> (1)gāndhāra as aṁśa --[structural]--> (1)vegavantī --[relation]--> (1)karuṇa --[relation]--> (1)

Affirmations (18)

definition

p.vol_II_p083

sanskrit

conf 0.95

[show source]

vibhāṣā is a musical category that can be born from (derived from) a rāga

"vibhāṣā ṭakkarāgotthā bhāṣānteṣu ca gīyate"

BŖHADDEŚĪ 148 ४४ [टक्कराग-विभाषा] पञ्चमांशा तु षड्ज?ान्ता ४५पोता मध्यमभूषिता । शुद्धा विभाषा टक्करागोत्था भाषान्तेषु च गीयते ॥६१॥ उदाहरणम् – पापानीसासानीसारीमा धारीधापापामागागा । ४६सागासागागाधरिगरिगरिमा । म म म ग । ग रि सा नी धा धा सा गा गा । गारीगारी । सा सा गा मा नीधाधापामारीसासा गा नी धा नी सा सा पा सा । पोता । शुद्धा [२.अथ मालवकैशिके] षड्ज?ाद्यन्तसमायुक्ता बहुलौ षड्जमध्यमौ । सुसम्पूर्णस्वरा ज?्ञेया पौराली देशसम्भवा ॥ भाषेयं प्रथमा ज?्ञेया मध्यमे मालकैशिके ॥६२॥ मामारीरी । [उदाहरणम् ]- समा । गा गा गा गा पा पा । मा मा गा गा । सा मा मा मा । मामा । रिगागारीसासासारी । मगसासामागारीसानी । सासा । पौराली४७ ॥ मध्यमांशा तु षड्ज?ान्ता विभाषा पूर्णसुस्वरा । गीयते ४८ हर्षसंयुक्ता शुद्धा मालवकैशिके ॥६३॥ र्ष+(?) उदाहरणम् – मामाधासागारीसासा । नि धा सा सा धा नि मा मा धा नी सा । रि गा मा सा । साधा- मा गा रि गा सा सा । शुद्धा । [१] मध्यमांशा तु षड्ज?ान्ता सम्पूर्णा चार्धवेसरी४९। चाद्यभ दुर्बला च निषादेन बहुलौ षड्जमध्यमौ ॥ सङ्कीर्णेयं सदा ज?्ञेया भाषा गान्धर्ववेदिभिः ॥६४॥ यदा सा सा सा सा । उदाहरणम् – मा मा गा मा सा सा । सा मा पा पा धा सा धा । पा पा मा मा । ग म ग मा ग ।

definition

p.vol_II_p093

english

conf 0.95

[show source]

vibhāṣā is a category of melodic type (bhāṣā) that has multiple named varieties

"the vibhāṣā śrīkaṇṭhī, is performed in the panegyric of Lalitā"

definition

p.vol_II_p101

english

conf 0.88

[show source]

vibhāṣā is a variant form of a rāga, exemplified by tānavalitikā as a vibhāṣā of ṭakkarāga

"tānavalitikā is also sung as a vibhāṣā¹ of ṭakkarāga"

definition

p.vol_II_p143

english

conf 0.90

[show source]

vibhāṣā represents variant forms or sub-categories within a rāga classification

"potā is enumer- ated as a vibhāṣā of ṭakka (rāga)"

PÄTHAVIMARŚA 269 उद्भटप्रायगमका पङ्जग्रामसमाश्रया ॥ भाषा मध्यमदेहेयं ..... ibid 761, 762. 44. P.t. adds here the following line which is out of place and has, therefore, been dropped by us - अतःपरं प्रवक्ष्यामि लक्षणं च समासतः। 45. Reconstruction based on S.Rāj II.2.1.120 where potā is enumer- ated as a vibhāṣā of ṭakka (rāga) and ibid 826, reading as - पञ्चमांशग्रहा पड्जन्यासा याष्टिकसम्मता । मध्यमग्रामगा पूर्णा पोता नाम विभाषिका ॥ 46. The notation after this point has been read in p. t. as the initial part of the illustration of paurālī that follows. 47. 'Paurālī' is not included in the enumeration of the bhāṣās of mālavakaišika in our text (verses 21, 22) and hence it has not been given any number here, but S Rāj II.2.1.120c and SR II.1.33d do so, probably, according to the opinion of Yāstika. 48. Reconstruction based on Kalā (appendix) on SR II, p.139, reading as - शुद्धा प्रहर्षे नियुक्ता ज?ाता मालवकैशिके । 49. Reconstruction based on SR II.1.33d, S Rāj II.2.1.995d and Kalā (appendix) on SR II, p. 139 all of which read 'ardhavesarī'. 50. SR II.2.188d and S Rāj II.2.1.969d describe it as being devoid of dhaivata. S Rāj ibid also mentions that it is complete according to Yāṣṭika. 51. Read as bāṅgālī in S Rāj II.2.1.993c and Kalā (appendix) on SR II, p.138. S Rāj II.2.1.966 describes another bhāṣā under mālavakaišika, bearing the same name bāṅgālī. Kalā (appendix) on SR II reads māṅgalī for the bhāṣā other than bāṅgālī. Our text bears similarity with the first one in S Rāj and Kalā. 52. Reconstruction based on S Rāj II.2.1.993c; reading in Kalā (appendix) on SR II, p. 138 speaks of the samvāda of ri-ni. 53. cf.(i) मालवे कैशिकेऽप्यस्ति सैन्धवी मृदुपञ्चमा ॥ समन्द्रा निगनिर्मुक्ता पङ्जन्यासग्रहांशिका । प्रयोज?्या सर्वभावेषु श्रीसोढलसुतोदिता ॥ SR II.2. 180 cd, 181. (ii) पड्जग्रहांशकन्यासा पड्जग्रामकृताश्रया । गनिहीना पभूयिष्ठा समन्द्रा तारपञ्चमा ॥ सर्वभावनियोगार्हा ज?ाता मालवकैशिकात् । औडुवा सैन्यवी भाषा कालसेनेन वर्णिता । सम्पूर्णामेतामाचष्ट्र याष्ट्रिको मुनिपुङ्गयः॥ S Rāj II.2.1.986, 987.

definition

p.vol_II_p148

english

conf 0.85

[show source]

Vibhāṣā is a variant or sub-category of bhāṣā in Indian classical music

"This is described as a vibhāṣā in Kalā (appendix) on SR II, p.135."

279 PĂŢĦAVIMARŚA separately; they have also not been treated as part of our text, but as a long citation. 2. This is described as a vibhāṣā in Kalā (appendix) on SR II, p.135. ; 3. Read as devāravardhani in ibid and in S Rāj II.2.I.719. 4. Reconstruction based on S Rāj II.2.1.824 ef reading as - शार्दूलमुनिसम्मत्या मध्यमग्रामसंश्रया । Our reconstruction madhyamāśritā would mean 'basedon madhyamagrāma'. 5. Our reconstruction is based on the following - देशाख्या टक्षजा दोह्या गाद्या सान्ता रिपोज?्झिता ॥ ı (i) Kalā (appendix) on SR II. p. 135. गान्धारांशग्रहा षड्जन्यासा रिपविवर्ज?िता । (ii) S Rāj II.2.1.716 cd. निपादांशग्रहा सान्ता पाडवा पस्य लोपतः । 6. cf. स्वल्पर्पभकनिस्वाना षड्जग्रामनिवासिनी ॥ : भाषा शार्दृलिका नाम्री शार्दूलमुनिसम्मता ॥ S Rāj II.2.1.728. 7. Reconstruction based on consideration of metre. 8. Reconstruction based on consideration of plausible meaning through proximity of p.t. 9. Reconstruction at three points in this verse based on S Rāj II.2.1. 919 reading - निपादांशग्रहा सान्ता रविचन्द्रा धवर्ज?िता । षड्ज? प्रेङ्खकसम्भूता भाषा गीतज्ञवलमा ॥ 10. Kalā (appendix) on SR II, p. 138 and S Rāj II.2.1.950 d read 'prekṣane' to indicate the application (viniyoga); but in our text the relation of this bhāṣā with hiṇḍola (prenkhaka being its synonym) is to be indicated and hence our reconstruction as 'prenkhake.' The above are cited below in the same order- मध्यमांशप्रहा पड्जन्यासा सप्तस्वरान्विता । (i) हिन्दोलभाषा स्याद् भिन्नपौराली प्रेक्षणे मता ॥ विभाषा प्रेह्नके भित्रा पौराली पड्जविश्रमा । (ii) मध्यमांशग्रहा पूर्णा प्रेक्षणा(णे) विनियोज?िता ॥ 11. Read as vibhāṣā in S Rāj II.2.1, 950 a. 12. Reconstruction based on the citation from Kasyapa in Abhi Bhā on NS XXIX. p. 77 reading - द्राविडी स्याद् परिभ्रष्टे .....

enumeration

p.vol_II_p083

english

conf 0.89

[show source]

vibhāṣā varieties in mālavakaiśika are enumerated and include Paurālī, Śuddhā, and Ardhavesarī

"Paurālī is born of deśa^{24}, i.e., is a regional variety, is combined with şadja as the initial and concluding note, is complete in svaras (and) has profuse șadja and madhyama. This bhāṣā should be known as the first one in mālavakaišika"

enumeration

p.vol_II_p090

sanskrit

conf 0.93

[show source]

vibhāṣā is classified as complete (sampūrṇa) or abbreviated (saṅkṣīrṇa)

"सम्पूर्णा च मता नित्यं ज?्ञेया वै देशसम्भवा । सङ्क्षीर्णा"

BŖHADDEŚĪ 162 ७८माङ्गाली ७९पञ्चमान्ता च धैवतांशा प्रकीर्तिता । षड्जधैवतसंवादो ८०मध्यमर्षभयोस्तथा ॥ ९२॥ सम्पूर्णा च मता नित्यं ज?्ञेया वै देशसम्भवा । सङ्क्षीर्णा एषा भाषा च गीतज्ञैरुक्ता पञ्चमसम्भवा ॥ ९३॥ उदाहरणम् -[धाधा]सासासाधासारिरि [मिरि]धासारिरिधासाधासाधासासारिमारिमामाम- ध म ध पा पा पा धा म पा प म सा सा सा नि ध सा रिरिमागरिसासारिमारिमाममधमपपापापामापापमसा- सानिधससारिरिगारिमारीसा। धासासाधमासासासासामपमामापापा। माङ्गाली।[३] पञ्चमांशा तदन्ता च सम्पूर्णा पञ्चमोज?्ज?्वला । सिन्धुदेशसमुद्भूता विभाषा सैन्धवी विदुः ॥ सैन्धवीषड्जसम्भूता षड्जपञ्चमसंवादो दृश्यते च मुहुर्मुहुः८९॥ ९४॥ उदाहरणम् -पापाधसारिगागागरिमारि। स सा नि धा धा स नि धा धा म स रि गा गा ग रि सा धा ध मा पा धा पा ध सा रि गा - रिपपारिगागारिरीसाधासाधापा मा पा पा धा पा धा पा मा मा मा पा धाधासारीरिसाधापा मा पा पा । सैन्धवी ।[४] गूर्जरी पञ्चमान्ता च गान्धारांशाऽल्पमध्यमा८२। षड्जमध्यमसंवादा सम्पूर्णा नित्यमेव हि ॥ ८३विभाषेयं समाख्याता सम्पूर्णा पञ्चमोद्भवा ॥९५॥ उदाहरणम् - गरीमामामधानिधापापा धा धा नी धा मा मा मा धा गारीरीसरिगरिमाधामापा धपधनिधाधाधधप- रीरी सारिमागारिमामामाघा नीधरिपघानीधापापा नीधामामामधमधमगारिरीमामारीसा सागारीमामापाधा- नी स नी स नी धा म पा पा । गूर्जरी । [५] ८४पञ्चमाद्यन्तसंयुक्ता दाक्षिणात्या मनोरमा । ८५सम्पूर्ण[कथिता]होषा ज?ाता गान्धारप[ञ्च]मे ॥ ८६विभाषेयं सदा ज?्ञेया देशाख्या पश्चमोद्भवा ॥ ९६। उदाहरणम् -पापानीरी। निरिगारिगरिमामरिरिनिनिरि। धा पा पा प पा निरिरिगरिगरिमगरिरिरि।ध - नि ध ध नि धा ध नि धा पा पा नि रि रि गा रि गा धा मा गा रि रि सा निरिगामागारीनिधापापा।दाक्षिणात्या।[६]

enumeration

p.vol_II_p091

english

conf 0.85

[show source]

Multiple vibhāṣā varieties are enumerated: Āndhālī, tānodbhavā, and Trāvaņī

"Āndhālī is well-known among the people and is the favourite of Kinnaras. (97-98)"

enumeration

p.vol_II_p093

english

conf 0.86

[show source]

vibhāṣā is an enumeration that includes at least four varieties: Gāndhārī, Śrīkaṇṭhī, Paurālī, and Dākşiņātyā

"this bhāṣā gāndhārī has been said to be sankīrṇā. (107) Illustration - Dhādhāgāgāgāririgamagāmādhā ... Gāndhārī [iii] Combined with dhaivata as the initial and concluding note, hexatonic, devoid of pañcama, the vibhāṣā śrīkaṇṭhī"

relation

p.vol_II_p074

english

conf 0.85

[show source]

Vibhāṣā is distinguished from bhāṣā as a separate category

"Which one is obtained as bhāṣā and which one is vibhāṣā"

relation

p.vol_II_p075

english

conf 0.95

[show source]

Vibhāṣās are born from bhāṣās

"Bhāṣāsare born of grāma-rāgasand vibhāṣās of bhāṣās"

relation

p.vol_II_p090

english

conf 0.96

[show source]

vibhāṣā is a musical category that derives from particular rāgas

"This bhāṣā is said to be born of pañcama (rāga) by the knowledgeable ones in music."

163 TRANSLATION Māngālī has pancama as its concluding note and is said to have dhaivata as aṁśa. There is concert between şadja-dhaivata and similarly madhyama- ṛṣabha; it is held to be always complete and should be known to be born of ٠ deśa37 (region). This bhāṣā is said to be born of pañcama (rāga) by the knowledgeable ones in music. (92-93) Illustration-[Dhādhā] Sāsīsīsadhāsīriridhāsīriri[mari] dhāsādhāsīsīrimāri mämämadhamadhapāpādhāmapāpamāsānidhasī ririmāgarisāsūrimārimamam adhamapapāpāpāmāpāpamasīsīnidhasīsīririgārimārisī dhāsīsadhamāsīsīsīsīma. Pamāmāpāpā. Mārigālī [iii] Having pañcama as amsa and the same as the concluding note, being complete and brilliant with pañcama, saindhavī has been known to be a vibhāṣā born in the Sindhu region. Concert38 between ṣaḍja and pañcama is seen again and again. (94) Illustration-Pāpādhasīrigāgāgarimāri. Sasānidhādhāsanidhādhāmasarigāgāgari sādhādhamāpādhāpādhasīsīrigāripapxīrigāgārirīsīdhāvsīdhāpxīmāpxīpxīdhāpxī māmāmāpā dhādhāsīrīrisīdhāpā māpāpā. Saindhavī [iv] Gūrjarī has gāndhāra as ani śa, pañcama as the concluding note and is with sparse madhyama. It has concert between sadja and madhyama, (and) is always complete. This vibhāṣā born of pañcama39 (rāga) is said to be complete. (95) Illustration-Gขากฉับฉบับละสำนักเสียลีpāpādādhānidhānāmāmādhāgārīnīswigarim- ādhāmāpādhapadhanid hādhādhadhaparīrīsārimāgārimāmāmādhānīdharipa- dhānīdhāpā pānīdhāmāmadhamadhamagārirīmāmārīsāsāgārīmāmāpādhā- nismismidhāmapāpā. Gūrjari [v] Combined with pañcama as the initial and concluding note, dākṣiṇātyā is beautiful. This is complete and is said to be born in gandharapancama. 40 It should always be known as a vibhāṣā born of pañcama bearing a regional name.41 (96) Illustration - Pāpānīrī. Nirigārigarimāmaririniniri. Dhāpāpāpapā niririgari- garimagaririri. Dhanidhadhanidhādhanidhāpā pāniririgārigādhāmāgāvirisāniri gāmāgārīnidhāpāpā. Dākṣiṇātyā [vi]

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vibhāṣā is sung in mālavapañcama in the context of ascending the top of a mountain

"this vibhāṣā is sung in mālavapañcama in (the context of) ascending the top of a mountain."

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p.vol_II_p108

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vibhāṣās are ornaments or embellishments of proper bhāṣās

"The proper bhāṣās adorned with vibhāṣās"

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Vibhāṣā relates directly to a rāga rather than through a bhāṣā

"The direct relation of a vibhāṣā with a rāga rather than through a bhāṣā is notable."

VIMARŠA 313 62. 'Ascent' and 'descent' alongwith 'high and low' seem to be repetitive, because high is reached in ascent and low is reached in descent. 63. See note 22, 23. 64. 'Nāyaka' seems to refer to a clan of singers, rather than a chief, leader or general. The association of 'auspicious occasions' does not match the other meanings (See Vol. III). 65. The region Mālava could be relevant here. It is identified in two ways - "1. Its capital was Dhārā-nagara at the time of Rājā Bhoj. Its former capital was Avanti or Ujjayini. Before the 7th or 8th century, the country was called Avanti; 2. the country of the Mālavas or Mallas, the capital of which was Multan" (Nando Lal De). 66. 'Bhinnapañcama' is misplaced here. 67. Bāhyaṣāḍavikā is the same as bāhyaṣāḍavā, just like bālā and bālikā being two grammatical forms, with no change in meaning. 68. Nādākhyā, meaning the one called nāda, is a peculiar name, incorporating a fundamental word like nāda. 69. The criterion of giving the label sankīrņā is not clear. 70. 'Sādhāraņakṛtā' implies the use of antara - kākalī. 71. 'Sakarāga' is misplaced here. 72. The flexibility of bhāṣā is indicated here, which is a very important statement. 73. The viniyoga (āhava) suggests fighting and yajña as two possibilities; the contrast between the alternatives is very striking indeed. [B. Bhāṣā - lakṣaṇa according to Šārdūla] 1. The direct relation of a vibhāṣā with a rāga rather than through a bhāṣā is notable. 2. Direct relation of a bhāṣā with a grāma is an unusual and rare reference. 3. It has not been possible to identify the region associated with dohyā 4. 'Sārdūlī' is a typical name associated with an authority on music. 5. 'Alaghu' could be the word from which 'alaghvi' is formed; but no region by the name 'alaghu' is known. 'Alavi' could be taken to bear proximity to this name; it has been identified as "Airwa, an ancient Buddhist town, twenty-seven miles north - east of Itwah (Itawa)" (Nando Lal De). 6. This is a peculiar situation from life. 7. The nature of the 'order' is not known.

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vibhāṣā is a bhāṣā type in bhinnaṣaḍja characterized by dhaivata as aṁśa and concluding note with movement between ṣaḍja-dhaivata and ṛṣabha-madhyama

"धैवतांशा धैवतान्ता षड्जधैवतसङ्गता । षड्जधैवतयोश्चैवर्षभमध्यमयोगीतिः"

BRHADDEŚĪ 166 कैशिकी पञ्चमन्यासा ९॰मध्यमांशा निदुर्बला । मध्यमधैवतयानं बाहुल्यं पञ्चमस्य तु ॥ ॰मात्र एषा ९१भाषा तु सङ्कीर्णा नित्यं पञ्चमसम्भवा ॥ १०२॥ उदाहरणम् -पामाधानिधापापा पा धा नी धा धा धा मा मा माधामाधाधानीसासारिरीपापा माधा- मा ध म ध ध मा मा धा नि रि पा पा । कैशिकी । [१०] एता याष्टिकनिर्दिष्टा भाषा दश च पञ्चमे ॥ १०३॥ एकादश [६. अथ भिन्नषड्ज?] अतःपरं प्रवक्ष्यामि भाषा वै भिन्नषड्जके ॥ १०४॥ भि(न? न्न)॰ धैवतांशा तदन्ता च पञ्चमर्षभवर्ज?िता । षड्जगान्धारसञ्चारा भित्रषड्ज? प्रयोक्तृभिः॥ पञ्चमस्य एषा हि शुद्धा९२ विज?्ञेया षड्जहीनौडुवा [?]भवेत्९३॥ १०५॥ विशुद्धा उदाहरणम्-धाधामागामागगसनिसनिसनिधनिधा धा नि मा मा गा मा ग सा नि ध नि नि धा धा नि सा ध ॰पा मा म ध म गा ग म सा सा सा गा मा गा स नि नि नि धा धा धा गा म ध मा गा स ग स गा मा ग म ध म ध सा गा सा सा मा धा (म्प? म) .मामासासानिधानिधानीगासानिधानिधा । सानिनिनसनिधाधाधानिधाममधमधमसागामधा विशुद्धा१४। [१] धैवतांशा धैवतान्ता षड्जधैवतसङ्गता । षड्जधैवतयोश्चैवर्षभमध्यमयोगीतिः॥ ॰योस्तु+ऋपफ ॰स्तथा ९५विभाषा दाक्षिणात्या च देशाख्या ९७षड्जसम्भवा ॥ १०६॥ ९६पाडवा चेयं

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p.vol_II_p147

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vibhāṣā is a musical category with complete (samśeṣa) svara content

"समशेषस्वरा पूर्णा शृङ्गारे याष्टिकोदिता"

276 BRHADDEŚĪ appears to be incomplete. 115. In spite of the description of this bhāṣā as its being complete, the illustration omits ṛṣabha. ì 116. cf. (i) ्विभाषा रागराजस्य पञ्चमस्य वराटिका । अंशः षड्जग्रहन्यासः नितारा मन्द्रमध्यमा ॥ समशेषस्वरा पूर्णा शृङ्गारे याष्टिकोदिता ॥ Jagadekamalla cited in BhaKo p. 584. विभाषा रागराजस्य पञ्चमस्य वराटिका । (ii) समशेषस्वरा पूर्णा शृङ्गारे याष्ट्रिकोदिता ॥ 117. cf. (i) तथैव पञ्चमे भिन्ने मध्यमग्रामगानयुक्। मध्यमांशग्रहा धान्ता मन्द्रर्षभविभूषिता ॥ मध्यमर्पभसंवादा ऋषभस्वरदुर्बला । द्रुतमध्यलया तारपङ्ज?ा स्फुरितधैवता ॥ पूर्णारोह्मवरोहिभ्या वर्णाभ्यामुपशोभिता । लिलतेर्गमकैर्युक्ता भाषा धैवतभूषिता ॥ S Rāj II.2.I.898-900 (ii) पूर्णा धांशग्रहन्यासा सधयो रिधयोर्युता । भित्रपञ्चमसंभूता भाषा धैवतभूषिता ॥ Kalā (appendix) on SR II, p.136. 118. Reconstruction based on Kalā (appendix) on SR II, p. 137 ŀ reading 'sadhasañcārini' and 'dhabhūṣitā' and S Rāj II.2.I.902 reading 'ṣaḍja- dhaivatasangatā'. 119. S Rāj II.2.1.956 ab describes a samvāda (to and fro movement) between niṣada-dhaivata, but Kalā (appendix) on SR II, p. 138 reads 'ridha- sañcārā'; it appears that 'ni' has been replaced here with 'ri' on account of error in deciphering or copying at some stage. वाहुल्यं दृश्यते त्वस्याः सर्वस्वरगतं वृधैः । 120. cf. S Rāj II.2.1.956 cd. 121. P. t. does not contain the description of bhāvinī, the bhāṣā of mālavapanīcama, although it is included in the initial enumeration (uddeša) in verse 33 cd of this chapter. Kalā (appendix) on SR II, p. 142 describes two vibhāṣās named bhāvanī and vibhāvanī under mālavapañcama as- भावनी पञ्चमांशान्तग्रहा मालवपञ्चमात् । ज?ाता विभाषा षड्ज?ापन्यासा ऋषभवर्ज?िता ॥ विभावनी विभाषा स्यात् पूर्णा मालवपञ्चमे । पञ्चमांशग्रहन्यासा मगधाल्पा पमन्द्रभाक् ॥ S Rāj II.2.1.1084 describes vibhāvanī according to Yāṣṭika, but bhāvanī is not ł mentioned there. Districted the fire

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Some vibhāṣā descriptions in the primary text omit certain svaras despite being described as complete

"In spite of the description of this bhāṣā as its being complete, the illustration omits ṛṣabha."

277 PĂTHAVIMARŚA पांशग्रहान्ता सम्पूर्णा भाषा मालवपञ्चमे । वनेषु कामिनीसङ्गे नियोज?्या ऋषिकैनरैः॥ विभावनीति तामेवाचष्ट याष्टिकसत्तमः॥ 122. The name of this bhāṣā is read as mālavā at the end of the illustration and so it is in S Rāj II.2.1.905. 123,124. cf. सञ्चारः सधयोर्यस्या रिधयोधैव दृश्यते । Kalā (appendix) on SR II, p. 137. 125. In spite of this adjective indicating the completeness of this bhāṣā, the illustration omits ṣaḍja. 126. SR II. 1. 30 cd reads this name as bhinnavalitā and so does S Rāj II.2.1.131 c; ibid 88a reads bhinnalalitā and ibid 907c reads bhinnavallikā. Our text seems to change bhinnavalikā to bhinnavālikā in verse 34 c in order to meet the demand of metre, the sixth syllable being required to be long. At this point of our text the change to bhinnalālikā or bhinnalālitā seems to involve an error of deciphering or copying. 127. Kalā (appendix) on SR II, p.137 reads 'magrahāmśā' describing madhyama as graha and aṁśa. 128. cf. पञ्चमांशग्रहा धान्ता पूर्णा मध्यमभूयसी । मध्यमग्रामगा भाषा धनिसङ्गतिराज?िता ॥ द्राविडी देशनाम्रेयं विख्याता याष्ट्रिकोदिता ॥ S Rāj II.2.1.912. The illustration in our text is not in accordance with any of the three divergent descriptions viz. those in our text, Kalā and S Rāj. 129. The dual number of the instrumental case has been changed to the same number of the genitive case, because the instrumental case would require reference to some other svara with which the two svaras composed of two śrutis each are supposed to have to and fro movement. Kalā (appen- dix) on SRII, p. 141 reads 'nigayo rigayoryuktā'. ्सम्पूर्णा, यं विना बाह्मपाडवा कैधिदिप्यते । 130. cf. S Rāj II.2.1.107 cf. 131. Corresponding to this, S Rāj II.2.1.1081 gives a bhāṣā named națță, which is described as being complete. पञ्चमांशान्तिमा ताना भिन्नताने रिवर्ज?िता । 132. cf. सकाकलिका शृङ्गारे विनियुक्ता पुरातनैः ॥ ताना भाषैकिका भिन्नताने याष्ट्रिकसम्मता ॥ S Rāj 11.2.1.1097,1099. The illustration of this bhāṣā is not available in our text; the illustration contained in p.t. at this point as follows seems to be out of place, since rşabha --------------------------------------

vibhāṣā raga_class

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Outgoing (41)

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Affirmations (18)

Grammar record (family: `raga_class`)