vol_II_p095 — Bṛhaddeśī

Bṛhaddeśī · Volume II

pp. 172–173folio 095

Devanāgarī

एषा ह्यन्तरभाषा वै पुलिन्देन तु गीयते । पुलिन्दिकेतिव्केत् विख्याता³ पड्ज औडुविता•तास्तथा तथा ॥११७॥ उदाहरणम् - [धाधा]सासासाधानिसारिसा धानिधाधाधारिरिसासासा रिरिधाधाधारिसा- धानिसासारिसा रिसाधनीपा[सा] । [पुलिन्दी]। [९] एता याष्ट्रिकनिर्दिष्टा१०७याष्ट्रिकेन निर्दिष्टाभाषा:। भाषा वै भिन्नषङ्जके⁵ ॥११८॥ ७. अतः परं सौवीरकभाषाः(रीरवीर?सीवीर)के षड्जाद्यन्तसमायुक्ता मूलभाषा मनोहरा । सुसम्पूर्णस्वरा होषा⁷ बहुलौ १०८षड्जपञ्चमौधनिपञ्चमी ॥११९॥ षड्जधैवतसंवाद ऋषभधैवतयोस्तथा।⁸ एषा सौवीरके प्रोक्ता सौवीरी दिव्यरूपिणी⁶¹दुछ्य १०९ ॥१२०॥ उदाहरणम्-सागासासा साधानीधापापापारीपा१९॰मध्यमांशा तु षड्जान्ता सम्पूर्णा मध्यमोज्ज्वला । धामागममपापामाधाधासासासानिधानिगारि- मामागारिसा साधानिधासासा । [सौवीरी]। [१]

१११मध्यमपञ्चमानां तु वेगवत्त्वं च दृश्यते ॥

एषा भाषा तु विज्ञेया गीतज्ञैर्वेगमध्यमा² ॥१२१॥ उदाहरणम् - [मामा] पामामामधापापापमामानिधासासा निमसानिसानिधानिपापानिनिसा- निसासारिगारिसासासा सागासानिपापाधानिनिसासा । वेगमध्यमा । [२] षड्जांशा मध्यमन्यासा⁴ ज्ञेया साधारिता⁹साधारि(धा?ता) तु सा^११२॥१२२॥

English — Sharma

Illustration-[Dhādhā] Sāsāsādhānisārisā dhānidhādhādhāririsāsāsāriridhā dhādhā-risādhānisāsārisā risādhanīdhā [sa]. Pulindī [ix] These are the bhāṣās based on bhinnaṣaḍja, described by Yāṣṭika.⁵

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7. After this the bhāṣās in sauvīraka Combined with sadja as the initial and concluding note, being complete in svaras, this is a beautiful <math>m\bar{u}labh\bar{a}</math>ṣ<math>\bar{a}</math>. Şadja-pa<math>\bar{u}</math>cama are abundant, there is concert between şadja-dhaivata and similarly ṛṣabha-dhaivata.⁸ This is sauvīrī having a divine form and said to subsist in sauvīraka (rāga).⁶¹ <math>(119-120)</math> Illustration - Sāgāsāsā sādhānīdhāpāpāpārīpā dhāmāgamamapāpāmādhā sādhāsā -sānidhānigārimāmāgārisā sādhānidhāsāsā. Sauvīrī [i] Having madhyama as amśa and şadja as the concluding note, being complete and brilliant <math>^{56}</math> with <math>madhyama</math>, this <math>bh\bar{a}</math>, <math>\bar{a}</math> should be known by the knowledgeable ones in music to be vegamadhyamā. Madhyama-pañcama are seen to be speedy.

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Illustration- [Māmā]pāmāmāmadhāpāpāpamāmānidhāsāsānimasānisā- sāgāsānipāpādhāninisāsā. sānisāsārigārisāsāsā nidhānipāpānini ·Vegamadhyamā[ii] Sādhāritā should be known to be that which has şadja as aniśa and madhyamaas nyāsa.⁹

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Sanskrit attestations (10)

1.[attribution]Sauvīrī has a divine form and is said to subsist in sauvīraka rāgaएषा सौवीरके प्रोक्ता सौवीरी दिव्यरूपिणी

2.[attribution]Vegamadhyamā should be known by knowledgeable musicians as being characterized by speediness with madhyamaएषा भाषा तु विज?्ञेया गीतज्ञैर्वेगमध्यमा

3.[definition]Pulindī is a bhāṣā that is sung by Pulindas and is known by this nameएषा ह्यन्तरभाषा वै पुलिन्देन तु गीयते । पुलिन्दिकेति विख्याता

4.[definition]Nyāsa refers to the concluding note in bhāṣā classification, used in defining Sādhāritā with madhyama as nyāsaषड्ज?ांशा मध्यमन्यासा

5.[relation]Pulindī and related bhāṣās are based on bhinnaṣaḍja as described by Yāṣṭikaएता याष्ट्रिकनिर्दिष्टा भाषा वै भिन्नषङ्जके

6.[relation]Sauvīraka is a rāga classification within which sauvīrī bhāṣā subsistsएषा सौवीरके प्रोक्ता सौवीरी दिव्यरूपिणी

7.[structural]Sauvīrī is a bhāṣā that combines sadja as initial and concluding note with complete svarasषड्ज?ाद्यन्तसमायुक्ता मूलभाषा मनोहरा । सुसम्पूर्णस्वरा होषा

8.[structural]Sauvīrī exhibits concert (saṁvāda) between sadja-dhaivata and ṛṣabha-dhaivataषड्जधैवतसंवाद ऋषभधैवतयोस्तथा।

9.[structural]Sādhāritā is a bhāṣā characterized by sadja as aṁśa and madhyama as nyāsaषड्ज?ांशा मध्यमन्यासा ज?्ञेया साधारिता

10.[structural]Vegamadhyamā is a bhāṣā with madhyama as aṁśa and sadja as concluding note, characterized by speediness in madhyama-pañcamaमध्यमांशा तु षड्ज?ान्ता सम्पूर्णा मध्यमोज?्ज?्वला । मध्यमपञ्चमाना तु वेगवत्त्वं च दृश्यते

English attestations (6)

1.[attribution] ⇄Sauvīrī has a divine form and is said to subsist in sauvīraka rāgaThis is sauvīrī having a divine form and said to subsist in sauvīraka (rāga).

4.[definition] ⇄Nyāsa refers to the concluding note in bhāṣā classification, used in defining Sādhāritā with madhyama as nyāsaHaving madhyama as aṁśa and şadja as the concluding note

5.[relation] ⇄Pulindī and related bhāṣās are based on bhinnaṣaḍja as described by YāṣṭikaThese are the bhāṣās based on bhinnaṣaḍja, described by Yāṣṭika.

6.[relation] ⇄Sauvīraka is a rāga classification within which sauvīrī bhāṣā subsistsThis is sauvīrī having a divine form and said to subsist in sauvīraka (rāga).

8.[structural] ⇄Sauvīrī exhibits concert (saṁvāda) between sadja-dhaivata and ṛṣabha-dhaivatathere is concert between şadja-dhaivata and similarly ṛṣabha-dhaivata.

9.[structural] ⇄Sādhāritā is a bhāṣā characterized by sadja as aṁśa and madhyama as nyāsaSādhāritā should be known to be that which has şadja as aniśa and madhyamaas nyāsa.

← II p094 index II p096 →