śaka - concept

attribution

p.vol_II_p148

english

conf 0.95

Śakā is a bhāṣā pertaining to revagupta

"Kalli has described a bhāṣā named śakā, pertaining to revagupta"

279 PĂŢĦAVIMARŚA separately; they have also not been treated as part of our text, but as a long citation. 2. This is described as a vibhāṣā in Kalā (appendix) on SR II, p.135. ; 3. Read as devāravardhani in ibid and in S Rāj II.2.I.719. 4. Reconstruction based on S Rāj II.2.1.824 ef reading as - शार्दूलमुनिसम्मत्या मध्यमग्रामसंश्रया । Our reconstruction madhyamāśritā would mean 'basedon madhyamagrāma'. 5. Our reconstruction is based on the following - देशाख्या टक्षजा दोह्या गाद्या सान्ता रिपोज?्झिता ॥ ı (i) Kalā (appendix) on SR II. p. 135. गान्धारांशग्रहा षड्जन्यासा रिपविवर्ज?िता । (ii) S Rāj II.2.1.716 cd. निपादांशग्रहा सान्ता पाडवा पस्य लोपतः । 6. cf. स्वल्पर्पभकनिस्वाना षड्जग्रामनिवासिनी ॥ : भाषा शार्दृलिका नाम्री शार्दूलमुनिसम्मता ॥ S Rāj II.2.1.728. 7. Reconstruction based on consideration of metre. 8. Reconstruction based on consideration of plausible meaning through proximity of p.t. 9. Reconstruction at three points in this verse based on S Rāj II.2.1. 919 reading - निपादांशग्रहा सान्ता रविचन्द्रा धवर्ज?िता । षड्ज? प्रेङ्खकसम्भूता भाषा गीतज्ञवलमा ॥ 10. Kalā (appendix) on SR II, p. 138 and S Rāj II.2.1.950 d read 'prekṣane' to indicate the application (viniyoga); but in our text the relation of this bhāṣā with hiṇḍola (prenkhaka being its synonym) is to be indicated and hence our reconstruction as 'prenkhake.' The above are cited below in the same order- मध्यमांशप्रहा पड्जन्यासा सप्तस्वरान्विता । (i) हिन्दोलभाषा स्याद् भिन्नपौराली प्रेक्षणे मता ॥ विभाषा प्रेह्नके भित्रा पौराली पड्जविश्रमा । (ii) मध्यमांशग्रहा पूर्णा प्रेक्षणा(णे) विनियोज?िता ॥ 11. Read as vibhāṣā in S Rāj II.2.1, 950 a. 12. Reconstruction based on the citation from Kasyapa in Abhi Bhā on NS XXIX. p. 77 reading - द्राविडी स्याद् परिभ्रष्टे .....

definition

p.vol_II_p068

english

conf 0.95

[show source]

śaka is born of ṣāḍjī and dhaivatī jātis and related to şadjagrāma

"śaka is related to şadjagrāma on account of being born of ṣāḍjī and dhaivatī (jātis)."

119 TRANSLATION [Anu. 202] (Contention) Why has Kasyapa Muni described narta-rāga in the beginning? It is being answered. In the opinion of Kasyapa its prominence is due to its application in passionate performance of caris, mandalas and situations of combat. In the opinion of Durgaśakti, on the other hand, sadjakaisika alone is prominent. Why? On account of its falling under the order of the state of sādava (rāga).76 That is thus - [1. Narta-rāga] Having pañcama as its aṁśa and madhyama as its concluding note, being born of pañcamī and madhyamā (jātis), narta-rāga should be known to treat as sparse the svaras comprised of two śrutis each. (333) [Anu. 203] Its meaning is thus - narta-rāga is related to madhyamagrāma on account of being born of pañcamî and madhyamā (jātis). Pañcama is its graha and aniśa, madhyama is the nyāsa. Niṣāda and gāndhāra have sparseness here. Niṣāda is kākalī here and its application is prescribed in passionate performance of cārī, maṇḍala and combat. Sṛṅgāra and the like is the rasa. The mūrchanā beginning with pañcama obtains. Prasannamadhyama is the alaṅkāra. Sañcārin is the varņa. Thus is it in the opinion of Kaśyapa. [Anu. 204] In the opinion of Durgaśakti this rāga itself is born of pañcamī and dhaivatī jātis. It should be known to be related to şadjagrāma itself. Why? On account of pañcama being comprised of four śrutis (and) dhaivata of three śrutis, it is related to şadjagrāma. [2. Saka] That is said to be śaka which has a weak pañcama, is combined with ṣaḍja as nyāsa and aniśa and is born of ṣāḍjī and dhaivatī jātis. (334) [Anu. 205] Its meaning is thus - śaka is related to şadjagrāma on account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, aṁśa and nyāsa. There is the sparseness of pañcama. Niṣāda and gāndhāra are kākalī and antara here. And this (rāga) is complete in svaras. Its application is prescribed in vīra, adbhuta

structural

p.vol_II_p068

english

conf 0.93

[show source]

śaka has ṣaḍja as graha, aṁśa and nyāsa

"Ṣaḍja is its graha, aṁśa and nyāsa."

119 TRANSLATION [Anu. 202] (Contention) Why has Kasyapa Muni described narta-rāga in the beginning? It is being answered. In the opinion of Kasyapa its prominence is due to its application in passionate performance of caris, mandalas and situations of combat. In the opinion of Durgaśakti, on the other hand, sadjakaisika alone is prominent. Why? On account of its falling under the order of the state of sādava (rāga).76 That is thus - [1. Narta-rāga] Having pañcama as its aṁśa and madhyama as its concluding note, being born of pañcamī and madhyamā (jātis), narta-rāga should be known to treat as sparse the svaras comprised of two śrutis each. (333) [Anu. 203] Its meaning is thus - narta-rāga is related to madhyamagrāma on account of being born of pañcamî and madhyamā (jātis). Pañcama is its graha and aniśa, madhyama is the nyāsa. Niṣāda and gāndhāra have sparseness here. Niṣāda is kākalī here and its application is prescribed in passionate performance of cārī, maṇḍala and combat. Sṛṅgāra and the like is the rasa. The mūrchanā beginning with pañcama obtains. Prasannamadhyama is the alaṅkāra. Sañcārin is the varņa. Thus is it in the opinion of Kaśyapa. [Anu. 204] In the opinion of Durgaśakti this rāga itself is born of pañcamī and dhaivatī jātis. It should be known to be related to şadjagrāma itself. Why? On account of pañcama being comprised of four śrutis (and) dhaivata of three śrutis, it is related to şadjagrāma. [2. Saka] That is said to be śaka which has a weak pañcama, is combined with ṣaḍja as nyāsa and aniśa and is born of ṣāḍjī and dhaivatī jātis. (334) [Anu. 205] Its meaning is thus - śaka is related to şadjagrāma on account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, aṁśa and nyāsa. There is the sparseness of pañcama. Niṣāda and gāndhāra are kākalī and antara here. And this (rāga) is complete in svaras. Its application is prescribed in vīra, adbhuta

structural

p.vol_II_p068

english

conf 0.93

[show source]

śaka is characterized by a weak pañcama

"That is said to be śaka which has a weak pañcama"

119 TRANSLATION [Anu. 202] (Contention) Why has Kasyapa Muni described narta-rāga in the beginning? It is being answered. In the opinion of Kasyapa its prominence is due to its application in passionate performance of caris, mandalas and situations of combat. In the opinion of Durgaśakti, on the other hand, sadjakaisika alone is prominent. Why? On account of its falling under the order of the state of sādava (rāga).76 That is thus - [1. Narta-rāga] Having pañcama as its aṁśa and madhyama as its concluding note, being born of pañcamī and madhyamā (jātis), narta-rāga should be known to treat as sparse the svaras comprised of two śrutis each. (333) [Anu. 203] Its meaning is thus - narta-rāga is related to madhyamagrāma on account of being born of pañcamî and madhyamā (jātis). Pañcama is its graha and aniśa, madhyama is the nyāsa. Niṣāda and gāndhāra have sparseness here. Niṣāda is kākalī here and its application is prescribed in passionate performance of cārī, maṇḍala and combat. Sṛṅgāra and the like is the rasa. The mūrchanā beginning with pañcama obtains. Prasannamadhyama is the alaṅkāra. Sañcārin is the varņa. Thus is it in the opinion of Kaśyapa. [Anu. 204] In the opinion of Durgaśakti this rāga itself is born of pañcamī and dhaivatī jātis. It should be known to be related to şadjagrāma itself. Why? On account of pañcama being comprised of four śrutis (and) dhaivata of three śrutis, it is related to şadjagrāma. [2. Saka] That is said to be śaka which has a weak pañcama, is combined with ṣaḍja as nyāsa and aniśa and is born of ṣāḍjī and dhaivatī jātis. (334) [Anu. 205] Its meaning is thus - śaka is related to şadjagrāma on account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, aṁśa and nyāsa. There is the sparseness of pañcama. Niṣāda and gāndhāra are kākalī and antara here. And this (rāga) is complete in svaras. Its application is prescribed in vīra, adbhuta

structural

p.vol_II_p068

english

conf 0.90

[show source]

śaka is complete in svaras

"And this (rāga) is complete in svaras."

119 TRANSLATION [Anu. 202] (Contention) Why has Kasyapa Muni described narta-rāga in the beginning? It is being answered. In the opinion of Kasyapa its prominence is due to its application in passionate performance of caris, mandalas and situations of combat. In the opinion of Durgaśakti, on the other hand, sadjakaisika alone is prominent. Why? On account of its falling under the order of the state of sādava (rāga).76 That is thus - [1. Narta-rāga] Having pañcama as its aṁśa and madhyama as its concluding note, being born of pañcamī and madhyamā (jātis), narta-rāga should be known to treat as sparse the svaras comprised of two śrutis each. (333) [Anu. 203] Its meaning is thus - narta-rāga is related to madhyamagrāma on account of being born of pañcamî and madhyamā (jātis). Pañcama is its graha and aniśa, madhyama is the nyāsa. Niṣāda and gāndhāra have sparseness here. Niṣāda is kākalī here and its application is prescribed in passionate performance of cārī, maṇḍala and combat. Sṛṅgāra and the like is the rasa. The mūrchanā beginning with pañcama obtains. Prasannamadhyama is the alaṅkāra. Sañcārin is the varņa. Thus is it in the opinion of Kaśyapa. [Anu. 204] In the opinion of Durgaśakti this rāga itself is born of pañcamī and dhaivatī jātis. It should be known to be related to şadjagrāma itself. Why? On account of pañcama being comprised of four śrutis (and) dhaivata of three śrutis, it is related to şadjagrāma. [2. Saka] That is said to be śaka which has a weak pañcama, is combined with ṣaḍja as nyāsa and aniśa and is born of ṣāḍjī and dhaivatī jātis. (334) [Anu. 205] Its meaning is thus - śaka is related to şadjagrāma on account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, aṁśa and nyāsa. There is the sparseness of pañcama. Niṣāda and gāndhāra are kākalī and antara here. And this (rāga) is complete in svaras. Its application is prescribed in vīra, adbhuta

śaka technical_term

Generative rules (2) ↗ filter all

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

Graph relations

Outgoing (14)

Incoming (1)

Affirmations (5)