R_c57_grama

enumeration · concept: grāma · 4 attestation(s) · confidence 0.95

grāma = cadre tonal; deux grāmas (ṣaḍjagrāma, madhyamagrāma) chacun avec 7 mūrchanās; les tānas servent à distinguer jātis et rāgas des deux grāmas

Body (pseudocode)

FUNCTION enumerate_gramas(): gramas := { 'sadjagrama': {murchanas_start_order: [sa, ni, dha, pa, ma, ga, ri]}, 'madhyamagrama': {murchanas_start_order: [ma, ga, ri, sa, ni, dha, pa]} } ASSERT pancama IN both_gramas # seated in two gramas # melodic movement must respect grama (gramavirodhena) RETURN gramas

Inputs / output

grama_name —

→ grama_frame

Evidence (4)

p. vol_II_p035 · #402 « ग्रामाविरोधेन यथेष्टं सञ्चारः »
p. vol_I_p016 · #2157 « Pañcama is known as being seated in the two grāmas. »
p. vol_I_p036 · #2377 « seven (mūrchanās) beginning with sa-ni-dha-pa-ma-ga-ri in sadjagrāma and seven beginning with ma-ga-ri-sa-ni-dha-pa in madhyama-grāma. »
p. vol_I_p047 · #2482 « The tanas are useful for the sake of bringing out the difference between jatis and ragas of both the grāmas »

Other rules on this concept (1)

R_319_gramas structural The two grāmas (ṣaḍja-grāma, madhyama-grāma) are differentiated on the basis of pañcama alone.

R_c57_grama

Body (pseudocode)

Inputs / output

Evidence (4)

Other rules on this concept (1)

Other rules in category enumeration

Other rules in category `enumeration`