gamaka_definition_vocal_ornament_inc_shakes

Body (pseudocode)

Inputs / output

Evidence (1)

• p. vol_II_p161 · #1897 « The word gamaka is used here in the sense of vocal embellishments including shakes; it is not restricted to shake. »

Other rules on this concept (3)

• R_378_gamakas definition Gamakas are melodic ornaments delightful to the ear, characteristically employed in vibhāṣā gīti com
• gamaka_in_shukacancu_opening relation In śukacañcu compositions, gamaka appears at the beginning, in association with rāga and combined wi
• gamaka_sthita_in_ela validation In elā, the gamaka must be rendered sthita (slow/steady).

Other rules in category definition

• R_006_nyasa_definition · nyāsa · Nyāsa is the svara on which a gīta (tonal structure) is placed, left, or conclud
• R_4p0_001 · vibhāṣā · vibhāṣā = variante/sous-categorie de bhāṣā derivee d'un rāga, avec varietes
• R_15_bhasa_definition · bhāṣā · Bhāṣā is a melodic form arranged within a grāma-rāga, characterized by specific
• R_c17_apanyasa · apanyāsa · apanyāsa = svara de cadence intermédiaire (avant fin), interne aux vidārīs, jama
• R_027_auduvita_definition · auduvita · Auduvita is the pentatonic form devoid of ṛṣabha and dhaivata, formed only with
• R_36_amsa_definition · aṁśa · Aṁśa is the predominant/primary svara of a rāga or bhāṣā, the beginning point of
• R_prastara_def · prastāra · Prastāra is the systematic permutation/extension of svaras, increasing by one sv
• R_4p0_004 · bindu · bindu = (a) alaṅkāra: sejour long sur svara, touche tāra-sa bref, retour bas; (b