list[murchana_subtype]murchana_assignment_per_jati_or_raga assignment Each jāti / grāmarāga is assigned a mūrchanā specified by its starting svara.R_c132_murchana_latin definition murchana (variante translittérée) = accordage et progression mélodique sur l'heptade médiane; utR_275_murchana_omission transformation Mūrchanā transformations operate via svara-omission (creating ṣāḍava/auḍuvita tānas); applies to jātmurchana_alternate_sense_vina_technique definition Mūrchanā is also used in a technical sense denoting a right-hand viṇā technique with pressed stringsmurchana_definition_heptad_ascent_descent definition Mūrchanā is a heptad of svaras functioning through ascent and descent in respective order.murchana_substitution_madhyama_for_sadja validation Where madhyama is placed by virtue of mūrchanā principle, ṣaḍja can replace it without destroying thmurchana_twelve_svara_for_three_sthanas relation Twelve-svara mūrchanās are used in performance to attain the three sthānas (registers).murchana_twofold_seven_or_twelve_svaras enumeration Mūrchanā is twofold: composed of seven svaras or of twelve svaras.R_597_murchana_shift transformation In murchanās of rsabha..nisada, sadja shifts to 2nd..7th svara position respectivelymurchana_distinct_from_tana relation Mūrchanā is distinguished from tāna and is associated with a mūrchanā-maṇḍala diagram.murchana_etymology_mukha_moha definition The etymology of mūrchanā relates to 'mukha' (mouth/face) and 'moha' (delusion/intenmurchana_in_bhadravati_ela relation The Bhadrāvatī elā is characterized as brimming with mūrchanā sounds.murchana_jati_relation_intervallic_melodic relation Intervallic formation is accomplished by mūrchanā; jāti gives melodic form to that intervallic formamurchana_purpose_jati_raga_bhasha relation Mūrchanās are established to accomplish jāti, rāga, and bhāṣā formations.murchana_specified_after_amsa_known validation The mūrchanā of a jāti should be specified only after knowing the predominance of its aṁśa.enumeration