murchana_assignment_per_jati_or_raga

Body (pseudocode)

MURCHANA_START = { 'dhaivati': 'rsabha', 'gandhari': 'dhaivata', 'raktagandhari': 'rsabha', 'kaisiki': 'gandhara', 'karmaravi': 'sadja', 'shuddhashadava': 'madhyama', 'shuddhasadhrita': 'sadja', 'shuddhakaisika': 'sadja', 'bhinna_shadja': 'dhaivata', 'bhinnakaisikamadhyama': 'sadja', 'bhinnatana': 'pancama', 'gaudakaisika': 'sadja', 'takkaraga': 'sadja', 'takkakaisika': 'dhaivata', 'narta_raga': 'pancama', 'pancamashadava': 'rsabha' }

Inputs / output

`raga_or_jati`	string
`start_svara`	svara

→ murchana_assignment

Evidence (16)

p. vol_II_p033 · #370 « The mūrchanā beginning with ṛṣabha obtains (in it). »
p. vol_II_p036 · #417 « मूर्छना धैवतादिः । »
p. vol_II_p039 · #452 « The mūrchanā beginning with ṛṣabha obtains. »
p. vol_II_p040 · #464 « The mūrchanā beginning with gāndhāra obtains. »
p. vol_II_p042 · #489 « The mūrchanā beginning with şadja obtains. »
p. vol_II_p053 · #599 « The mūrchanā beginning with madhyama obtains here. »
p. vol_II_p054 · #613 « षड्ज?ादिमूर्छना। »
p. vol_II_p055 · #622 « षङ्ज?ादिमूर्छना »
p. vol_II_p057 · #646 « धैवतादिमूर्छना »
p. vol_II_p058 · #664 « The mūrchanā beginning with ṣaḍja obtains. »
p. vol_II_p060 · #685 « पञ्चमादिमूर्छना »
p. vol_II_p062 · #712 « The mūrchanā beginning with ṣaḍja obtains. »
p. vol_II_p063 · #728 « the mūrchanā beginning with ṣaḍja obtains. »
p. vol_II_p066 · #761 « धैवतादिमूर्छना। »
p. vol_II_p068 · #796 « The mūrchanā beginning with pañcama obtains. »
p. vol_II_p071 · #830 « ऋषभादिमूर्छना »

Other rules on this concept (15)

R_c132_murchana_latin definition murchana (variante translittérée) = accordage et progression mélodique sur l'heptade médiane; ut
R_275_murchana_omission transformation Mūrchanā transformations operate via svara-omission (creating ṣāḍava/auḍuvita tānas); applies to jāt
murchana_alternate_sense_vina_technique definition Mūrchanā is also used in a technical sense denoting a right-hand viṇā technique with pressed strings
murchana_definition_heptad_ascent_descent definition Mūrchanā is a heptad of svaras functioning through ascent and descent in respective order.
murchana_substitution_madhyama_for_sadja validation Where madhyama is placed by virtue of mūrchanā principle, ṣaḍja can replace it without destroying th
murchana_twelve_svara_for_three_sthanas relation Twelve-svara mūrchanās are used in performance to attain the three sthānas (registers).
murchana_twofold_seven_or_twelve_svaras enumeration Mūrchanā is twofold: composed of seven svaras or of twelve svaras.
R_597_murchana_shift transformation In murchanās of rsabha..nisada, sadja shifts to 2nd..7th svara position respectively
murchana_distinct_from_tana relation Mūrchanā is distinguished from tāna and is associated with a mūrchanā-maṇḍala diagram.
murchana_etymology_mukha_moha definition The etymology of mūrchanā relates to 'mukha' (mouth/face) and 'moha' (delusion/inten
murchana_in_bhadravati_ela relation The Bhadrāvatī elā is characterized as brimming with mūrchanā sounds.
murchana_jati_relation_intervallic_melodic relation Intervallic formation is accomplished by mūrchanā; jāti gives melodic form to that intervallic forma
murchana_purpose_jati_raga_bhasha relation Mūrchanās are established to accomplish jāti, rāga, and bhāṣā formations.
murchana_seven_svara_fourfold_classification enumeration The seven-svara mūrchanā is fourfold (śuddhā, pūrṇā, ṣāḍavā, auduvitā, sādhāraṇā variants per the so
murchana_specified_after_amsa_known validation The mūrchanā of a jāti should be specified only after knowing the predominance of its aṁśa.

murchana_assignment_per_jati_or_raga

Body (pseudocode)

Inputs / output

Evidence (16)

Other rules on this concept (15)

Other rules in category assignment

Other rules in category `assignment`