sadji_shuddha_amsa_self_named

Body (pseudocode)

Inputs / output

Evidence (1)

• p. vol_II_p030 · #334 « Ṣāḍjī is śuddhā with the aṁśa that bestows its name (viz. ṣaḍja). »

Other rules on this concept (2)

• sadji_no_sadava_via_gandhara_amsa structural ṣāḍjī does not become ṣāḍava through omission of niṣāda when gāndhāra is the aṁśa; in kaiśikī, tāla
• sadji_nishada_rsabha_not_paryayamsas validation In ṣāḍjī, niṣāda and ṛṣabha are not paryāyāṁśas; their sparseness/non-repetition is enacted in antar

Other rules in category definition

• R_006_nyasa_definition · nyāsa · Nyāsa is the svara on which a gīta (tonal structure) is placed, left, or conclud
• R_4p0_001 · vibhāṣā · vibhāṣā = variante/sous-categorie de bhāṣā derivee d'un rāga, avec varietes
• R_15_bhasa_definition · bhāṣā · Bhāṣā is a melodic form arranged within a grāma-rāga, characterized by specific
• R_c17_apanyasa · apanyāsa · apanyāsa = svara de cadence intermédiaire (avant fin), interne aux vidārīs, jama
• R_027_auduvita_definition · auduvita · Auduvita is the pentatonic form devoid of ṛṣabha and dhaivata, formed only with
• R_36_amsa_definition · aṁśa · Aṁśa is the predominant/primary svara of a rāga or bhāṣā, the beginning point of
• R_prastara_def · prastāra · Prastāra is the systematic permutation/extension of svaras, increasing by one sv
• R_4p0_004 · bindu · bindu = (a) alaṅkāra: sejour long sur svara, touche tāra-sa bref, retour bas; (b